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" Poetry's a thing that belongs to everyone. "

Natasha Trethewey

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" Often it seems that there are writers who are their best selves on the page. That Seamus Heaney was as genuine and deeply admirable in person as in his poems was to me a gift, then as now. "

Natasha Trethewey

" Often as a poet I find that I am somewhat outside an experience I want to hold onto, consciously taking mental notes or writing them down in my journal - for fear that I will forget. It's not unlike being on a trip and taking pictures, your face behind a camera the whole time - the entire experience mediated by a lens. "

Natasha Trethewey

" Growing up, my birthday was always Confederate Memorial Day. It helped to create this profound sense of awareness about the Civil War and the 100 years between the Civil War and the civil rights movement and my parents' then-illegal and interracial marriage. "

Natasha Trethewey

" My mother was murdered by my step-father, my brother's father, who was also named Joel, twenty-five years ago. Whatever sadness or burden I've been living with since then, my brother's also been living with, but he's lived with the added burden of having the exact same name as our mother's murderer. "

Natasha Trethewey

" Writing 'Native Guard,' I didn't know I was working on a single book. I began writing that book because I was interested in the lesser-known history of these black soldiers stationed off the coast of my hometown. "

Natasha Trethewey

" My father, Eric Trethewey, is a poet, so I had one right inside the house. And on long trips, he'd tell me, if I got bored in the car, to write a poem about it. And I did find that poetry was a way for me, I think as it for a lot of people, to articulate those things that seem hardest to say. "

Natasha Trethewey

" I think people turn to poetry more often than they think they do, or encounter it in more ways than they think that they do. I think we forget the places that we encounter it, say, in songs or in other little bits and pieces of things that we may have remembered from childhood. "

Natasha Trethewey

" The more I've gotten interested in writing about history and making sense of myself within the continuum of history, the more I've turned to paintings, to art. I look to the imagery of art to help me understand something about my own place in the world. "

Natasha Trethewey

" My obsessions stay the same - historical memory and historical erasure. I am particularly interested in the Americas and how a history that is rooted in colonialism, the language and iconography of empire, disenfranchisement, the enslavement of peoples, and the way that people were sectioned off because of blood. "

Natasha Trethewey

" In the early 1970s in Atlanta, I attended what had formerly been an all-white school but had become a black school after integration and white flight. Perhaps because of this, the teachers created a curriculum that included a focus on African American literature and history year-round, not just in February. "

Natasha Trethewey

" I know that my tendency is to be linear, and I'm trying to find ways to subvert that. And so in 'Bellocq's Ophelia' my device for subverting it was to tell the story and then to tell it again; it always circles back to this one moment, and it's not linear, but it's round in that way, and much of 'Native Guard' is like that. "

Natasha Trethewey

" When I write notes in my journal, I'm just trying to scribble down as much as possible. Later on, I decide whether to follow some of those first impressions or whether to abandon them. "

Natasha Trethewey

" Even though I am the daughter of a poet, and my stepmother is also a poet, growing up, I didn't think I could understand poetry; I didn't think that it had any relevance to my life, the feelings that I endured on a day-to-day basis, until I was introduced to the right poem. "

Natasha Trethewey

" My own journey in becoming a poet began with memory - with the need to record and hold on to what was being lost. One of my earliest poems, 'Give and Take,' was about my Aunt Sugar, how I was losing her to her memory loss. "

Natasha Trethewey

" When I was growing up there, North Gulfport was referred to as 'Little Vietnam' because of the perception of crime and depravity within its borders - as if its denizens were simply a congregation of the downtrodden. "

Natasha Trethewey

" When kids look at broccoli, they call it 'little trees,' because they see it not just for the word 'broccoli.' They see it for what it looks like, the image. We, as adults, forget to think like that. We forget to think figuratively and have to be reminded. "

Natasha Trethewey

" I was always very aware of the nature of the place where I was growing up in Gulfport, Mississippi, how that place was shaping my experience of the world. I had to go to the Northeast for graduate school because I felt like I had to get far away from my South, be outside it, to understand it. "

Natasha Trethewey

" I overheard things in the Woolworths when I was a child, people saying, 'Oh, poor, little thing,' as if they had some understanding that I was being born biracial into a world that was still very difficult for interracial marriages and biracial children. "

Natasha Trethewey

" I find myself frequently introducing myself to someone, saying that, you know, I've grown up black and biracial in the United States. "

Natasha Trethewey

" A poem I write is not just about me; it is about national identity, not just regional but national, the history of people in relation to other people. I reach for these outward stories to make sense of my own life, and how my story intersects with a larger public history. "

Natasha Trethewey

" Writers, particularly poets, always feel exiled in some way - people who don't exactly feel at home, so they try to find a home in language. "

Natasha Trethewey

" 'Memory.' 'Race.' 'Murder.' That's what they say about me. I am an elegiac poet. I have some historical questions, and I'm grappling with ways to make sense of history; why it still haunts us in our most intimate relationships with each other, but also in our political decisions. "

Natasha Trethewey

" On a very personal level, I have fond memories of spending a lot of time in the Library of Congress working on my collection of poems 'Native Guard.' I was there over a summer doing research in the archives and then writing in the reading room at the Jefferson building. "

Natasha Trethewey

" I think often people don't realize the great diversity of Southern writing because in their minds, if you're not from the South, it can seem regional and small, and of course that's not the case at all when you start to read the work. "

Natasha Trethewey

" When I'm actually writing by hand, I get more of a sense of the rhythm of sentences, of syntax. The switch to the computer is when I actually start thinking about lines. That's the workhorse part. At that point, I'm being more mathematical about putting the poem on the page and less intuitive about the rhythm of the syntax. "

Natasha Trethewey

" For a long time, I've been interested in cultural memory and historical erasure. "

Natasha Trethewey

" It's so necessary to try and record the cultural memory of people. To set it down for generations to come. To better understand where we are headed. The problem is, a good portion of what we choose to remember is about willed forgetting. Which we all do, I believe, to protect ourselves from what is too difficult. "

Natasha Trethewey

" Isolated and unincorporated, North Gulfport lacked a basic infrastructure: flooding and contaminated drinking water were frequent problems. Although finally incorporated in 1994 - not long after the arrival of the first casino - many of North Gulfport's streets still lack curbs, sidewalks, and gutters. "

Natasha Trethewey

" I want to be the best advocate and promoter for poetry that I can be. "

Natasha Trethewey

" I think that as a poet, I am always concerned about history and baring witness to history. But so often, it's through the research that I do, the reading. "

Natasha Trethewey