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" Quite a lot is required of writers these days in terms of, if not promoting the work, then being a representative of the work. It's a difficult thing, really. "
Sarah Hall
Work
Difficult
Days
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" It's very interesting to me that the nationalist movement in Scotland has become so positive and self-reflective rather than anti-English. The referendum in 2014 was peaceful, for all its deeply and passionately divided people. "
Sarah Hall
Peaceful
Me
Divided
" I like extreme situations: people pushed out of their comfort zones; the civil veneer stripped off. "
Sarah Hall
Extreme
Out
People
" Set in a nameless colonial country, in an unspecified era, Katie Kitamura's second novel tracks the fortunes of a landowning family during the first waves of civil unrest. "
Sarah Hall
Colonial
Waves
First
" The short story is very good at looking at shadow psychologies and how the system breaks down underneath. "
Sarah Hall
How
Looking
Short
" Daniel Woodrell has made a name as a master of prose with personality - a densely descriptive, gamey form of storytelling, one might say traditional storytelling - of late rather an unfashionable mode. "
Sarah Hall
Master
Personality
Late
" We all have our preferences - some people go for birds - but for me, there's just something about the wolf; the design of it is really aesthetically pleasing. "
Sarah Hall
Me
Wolf
Birds
" Short stories are often strong meat. Reading them, even listening to them, can be challenging, by which I do not mean hard work, simply that a certain amount of nerve and maturity is required. "
Sarah Hall
Work
Reading
Short
" There's nothing like the vast, dark Atlantic to remind you of your mortality. But terror can also be exhilarating. "
Sarah Hall
Dark
Your
Like
" I don't reckon there are many writers who start out really expecting writing to be an attainable occupation. Well, I didn't. It was a pipe dream. "
Sarah Hall
Writing
Dream
Who
" One of the things I try to do with my writing is try to evoke the spirit of the place. I think these things imprint on the landscape and the culture. "
Sarah Hall
Try
Writing
Think
" I was the feral, mud-bathing, tree-climbing variety of child. Why would I want to read about pirates when I could build a raft and terrorise sheep along the riverbanks? "
Sarah Hall
Variety
Sheep
Child
" I was useless at science. I was never going to be an astrophysicist. "
Sarah Hall
Useless
Science
Going
" Over the years, I've lived in a variety of places, including America, but I was born and raised in the Lake District, in Cumbria. Growing up in that rural, sodden, mountainous county has shaped my brain, perhaps even my temperament. "
Sarah Hall
Brain
America
Growing Up
" For about two years, while researching 'The Wolf Border,' I was a complete wolf bore. I would regurgitate everything I was researching, whether people were interested or not. "
Sarah Hall
Everything
Wolf
Two
" When you are a kid, a wolf is an amazing sight, so sumptuous. I sort of knew these were splendid creatures, that I was not going to find them outside roaming around. It was like a dog, but not a dog. It was incredible, a god! "
Sarah Hall
You
Wolf
Dog
" The beauty of interdisciplinary conversation is that the mode of expression is essentially different for each practitioner, even if ideas are shared. "
Sarah Hall
Expression
Beauty
Conversation
" Having judged a few competitions, it's clear that novelists are often the laziest short story writers. "
Sarah Hall
Clear
Story
Short
" I used to dislike bookshops immensely as a child and was won over only later in life. "
Sarah Hall
Used
Over
Life
" My writing is called exotic or avant-garde because I write about rural places. Has it really come to this, that if you write about the country you are avant-garde? How did this happen? Modern agriculture and spaces are still so relevant. "
Sarah Hall
Country
You
Writing
" Language description and metaphors seem readily available. The things I have to work harder at are plot, pacing, and form. "
Sarah Hall
Language
Things
Work
" I have ideas. I hear voices. Words accumulate. It's still an overriding impulse. And I'm self-employed, which means I have to be sensible and motivated about paying the bills. "
Sarah Hall
Bills
Ideas
Words
" For every prescriptive idea about the craft of fiction, there's at least one writer who makes a virtue of the contrary. "
Sarah Hall
Craft
Writer
Fiction
" I wander around the house and write in bed, at the kitchen table, by the window, in the yard. "
Sarah Hall
Window
Bed
House
" I can gabble on now, but I couldn't when I was a kid, so I spent a lot of time in my own head on the moors by myself. It felt like writing was the right way to express myself. "
Sarah Hall
Writing
Time
Myself
" I was brought up in Cumbria where I saw all these fierce agricultural women. "
Sarah Hall
Up
Women
Saw
" For its speculations to be taken seriously, dystopian fiction must be part of a discussion of contemporary society, a projection of ongoing political failures perhaps, or the wringing of present jeopardy for future disaster. "
Sarah Hall
Present
Society
Future
" I studied the short story as part of my creative writing course at university but then set off as a novelist. Generally, there is a sense that even if you want to write short stories, you need to do a novel first. "
Sarah Hall
Writing
You
Story
" I don't see that books can be written without political context - not if they're relevant and ambitious. "
Sarah Hall
Books
See
Without
" Dystopian novels, such as Orwell's 'Nineteen Eighty-Four,' often tend to site their despotised or deformed civilisations in urban environments. "
Sarah Hall
Often
Site
Urban
" I was brought up in the north of England, which is probably no rougher than anywhere else, but I remember as a child being kind of mesmerized by girls fighting on the playground. "
Sarah Hall
Up
Remember
Kind