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" So I left with Jean Claude and went to Paris, so when the Russians came to Prague, I was in Paris. "
Milos Forman
Came
Russians
Paris
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" Technically, you can learn everything on the set as an assistant director, and rather quickly. "
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Director
Everything
Learn
" Memories are doing funny things to us. "
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Memories
Things
Doing
" You either have commercial pressure or ideological pressure. I prefer commercial pressure; otherwise, you can be at the mercy of one or two idiots. "
Milos Forman
Mercy
Pressure
You
" I tell you, in my opinion, the cornerstone of democracy is free press - that's the cornerstone. "
Milos Forman
Opinion
Free
You
" When I came for the first time to the United States, visiting, I was absolutely fascinated by New York. "
Milos Forman
New York
First Time
New
" First of all, whoever didn't want to be a member of this association or the other association, was branded, you know, like a dangerous individualist, you know, infected by the Western decadence, you know. So everybody joined. "
Milos Forman
Know
Like
Want
" And also they were absolutely brilliant in one way, you know: they knew how effective is not to punish somebody who is guilty; what Communist Party members could afford to do was mind-boggling: they could do practically anything they wanted - steal, you know, lie, whatever. "
Milos Forman
You
Know
Lie
" I worked with Jack Nitzsche for 'One Flew Over the Cuckoo's Nest,' and we'd booked a symphony orchestra. He dismissed them and came with a little man who poured water into glasses of different sizes to make a glass harmonica. And most of the music for the film was that - with some Indian flutes and some drums. "
Milos Forman
Man
Music
Nest
" First of all, to defend my work, I had to believe that I am doing a totally silly, stupid, innocent comedy. "
Milos Forman
Believe
Work
Stupid
" Now, after the communist take-over in 1948, the amount of feature films produced dwindled to three a year, while the school was, you know, every year another three, four, five students. "
Milos Forman
Now
Students
School
" If it weren't for 'Cuckoo's Nest,' it would be very difficult for me. It gave me a cushion to live at my artistic pace and not fear I wouldn't have money to live on. "
Milos Forman
Nest
Fear
Live
" Because if you lived, as I did, several years under Nazi totalitarianism, and then 20 years in communist totalitarianism, you would certainly realize how precious freedom is, and how easy it is to lose your freedom. "
Milos Forman
You
Precious
Lose
" I can say, with a little arrogance, that I could be an actor, a cameraman, a writer, but composers are the most mysterious people. "
Milos Forman
Say
I Can
Arrogance
" I think everybody dreamt somehow to make a film in Hollywood, you know. "
Milos Forman
Know
Film
You
" You know, 20 years... the films of television when it started, the literature, radio in communist countries, they're clean as a whistle; there was no violence, no sex, no drugs, nothing. "
Milos Forman
Know
Sex
Violence
" Well, I wouldn't say that this experience had any influence on my decision to do this film about Andy, because Andy was apolitical. Andy was never political. "
Milos Forman
Experience
Say
Political
" Milan Kundera was my literature professor. He's a Francophile, so he made us read French novels like 'Les Liaisons Dangereuses,' which I made a version of many years later as 'Valmont.' "
Milos Forman
Like
Literature
Made
" I was born in a small town. My parents, my father was a teacher. My mother was a housewife. "
Milos Forman
Mother
Father
Parents
" You think you can do anything, and then you slowly learn how wrong you are. "
Milos Forman
You
Wrong
Learn
" I think if I tried very hard, I could do a novel or a play, a poem. I could possibly paint a picture, but I know I can't write music. And still, it is the most accessible of all arts, as you know when you hear a tune. "
Milos Forman
Think
Know
Picture
" When you make a film, you realize that the audience will be powerless to stop it or flip back to refresh their memories or skip the boring parts. They are at the mercy of your storytelling. "
Milos Forman
You
Mercy
Boring
" The worst evil is - and that's the product of censorship - is the self-censorship, because that twists spines, that destroys my character because I have to think something else and say something else, I have to always control myself. "
Milos Forman
Evil
Control
Think
" I remember in 1968 when we were in Cannes, in the festival, and we were supposed to be there 10 days, and the second day the festival collapsed because the French, you know, film-makers raised the red flag in the festival and ended the festival. "
Milos Forman
Day
Flag
Know
" The way one perceives a book and a film are totally different. You read a book in the privacy of your room. You are the boss; you set the pace and rhythm of your reading. In the movie house, you can't do that. "
Milos Forman
Boss
House
Privacy
" A modern hero is very ambiguous. I went through some very rough times in Czechoslovakia - the occupation by the Germans at the end of the war. We had people going against their tanks with brooms. Are they nuts, or are they heroes? "
Milos Forman
Hero
Heroes
Nuts
" And everything is controlled and everybody is a member of some committee, because then their watchdogs placed in the committees can control everything, what this person says or how this person think(s), you know. "
Milos Forman
You
Control
Everything
" We have funny ideas about how people in mental institutions act. We think of drooling and people going booga-booga and climbing the wall. These are exceptional cases. "
Milos Forman
Think
Ideas
People
" Because I just loved to spend two years of my life in the company of Andy Kaufman and other characters. "
Milos Forman
Loved
Company
Two
" In Czechoslovakia, we consider Kafka a very funny man. A humorist. "
Milos Forman
Funny
Very
Humorist
" I don't mind getting involved in a risky project as long as I don't have to stay married to it if the script turns out lousy. "
Milos Forman
Out
Involved
Long