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" The feelings we all have as 50-year-olds are different than the feelings we all have as 30-year-olds. That informs everything we do. "
Peter Morgan
Feelings
Than
Different
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" It is devastating, losing a parent. I don't really know what the effect is, but I suppose people might call me an ambitious man, and I'd say that an ambitious man is a damaged man. "
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" I prefer my writing to do all the talking for me. "
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" I don't understand and don't enjoy sci-fi, and it's just that if people aren't real, and they don't live in a real and recognizable society, I don't understand what to do. "
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" There are many, many things in my work that need redoing - never the structure. "
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" Some of the things I have written about are a way of connecting with my father - I know he knew who Idi Amin was, and I know he knew who Longford was. And I know he knew who Nixon was, because shortly before he died, I talked to him about Watergate. "
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" You can't ask someone to act middle-aged. Someone has to bring their own fatigue to it. "
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" The film 'The Queen' came about with a producer saying to me that he wanted me to write about the circumstances behind Diana's death. I think he was hoping that I would come up with some journalistic scoop that would identify an MI5 covert plot. "
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" I don't want to become too self-conscious - it's why I never read reviews, even the good ones. "
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Reviews
Never
Good
" I'm not an artist, and I want to take risks, and when the possibility of failure occurs, it's because the idea is all exciting or interesting as a high wire act, and sometimes you've got to fall off, just by virtue of the fact that you're constantly trying to evolve and do new things. "
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You
New Things
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" For a younger generation to imagine a time where there was no security at airports - going around the world in the bar of a jumbo jet, 'Tell the plane to wait, I'm running late!' - there is something very Austin Powers about David Frost, a man who, in all seriousness, would approach women in a safari suit, with sideburns. "
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World
" I've done a lot of work in Hollywood and theatre, but to be honest, the biggest pleasure I've ever got is from the TV single plays I've written. It's a format where you don't mind saying, 'I want to tackle some important themes head on.' "
Peter Morgan
Saying
Mind
Done
" There were a couple of things I lost sleep over with the play 'Frost/Nixon,' so I went back and addressed them a bit more in the film. "
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Back
Sleep
Play
" I don't think of the crown as this glamorous thing. It's this murderous, bejeweled thing, the crown. "
Peter Morgan
Glamorous
Crown
Think
" Robert Bolt's storytelling is the kind that I grew up with and aspired to. "
Peter Morgan
Storytelling
Kind
Up
" I insist to this day that if you read the screenplay to 'The Queen,' it leaves you in no doubt that we considered her an isolated, out-of-touch, cold, emotionally inaccessible, overprivileged, deluded woman, heading an institution that should immediately be dismantled in any free and fair society. "
Peter Morgan
Queen
Society
Woman
" No family is complete without an embarrassing uncle. "
Peter Morgan
Embarrassing
Family
Uncle
" When I started writing the screenplay for 'The Queen,' about the aftermath of the death of Princess Diana, both Stephen Frears, the director, and Andy Harries, the producer, begged me not to put Tony Blair in it. "
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Queen
Me
Writing
" For 'Frost/Nixon,' everyone I spoke to told the story their way. Even people in the room tell different versions. There's no one truth about what happened in those interviews, so I feel very relaxed about bringing my imagination to the piece. God knows everyone else has. "
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Truth
Story
People
" I'm not being presumptuous, I hope, when I say that 'The Crown' is little bit like 'The Godfather.' It is essentially about a family in power and survival. "
Peter Morgan
Family
Hope
Power
" If you start to analyze what you do, it can paralyze you. "
Peter Morgan
Analyze
You
Paralyze
" There's something about the soul of a country that is somehow connected to the head of state. "
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Head
About
Connected
" The irony of what I do is that the more you reveal someone in their frailties and shortcomings, the more we feel drawn to them and forgiving we feel of them. "
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Reveal
More
Someone
" I wrote 'Hereafter' quickly and without mapping it out too much or being too schematic. As an exercise, I think that was incredibly important. "
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Exercise
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Important
" For 'Frost/Nixon,' I had eight people who were present at those interviews - they were all in the room - and when I interviewed each of them, they had a totally different narrative of events, to the degree where you thought, 'Were you all really in the same room?' "
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Present
Events
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" Self-destruction is such an interesting thing for a dramatist, and what's particular to Nixon is how human the failings were that led to his downfall. "
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How
Were
Downfall
" In my peaceful moments, I yearn to write a bank heist like the one in 'Heat.' "
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Heat
Like
Peaceful
" I'm quick to be upset. My feelings are close to the surface. There is not much gap between a thought and a feeling with me. It makes it difficult for some people. I feel too much. "
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Thought
Feeling
Feelings
" I actually speak fluent German. And I live in Vienna, and I'm married to a Viennese woman. "
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Married
Speak
Vienna
" Most historians are engaged in fiction. "
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Engaged
Fiction
Historians
" If you don't belong somewhere, that outsider status you have gives you perspective. Of course, another word for outsider is 'exile,' and that's not fun at all. "
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Belong
Outsider
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