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" The history of the world - by which, of course, we mean Europe - is a record of intertribal lacerations, of ethnic cleansings. "
Derek Walcott
Europe
Ethnic
World
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" We make too much of that long groan which underlines the past. "
Derek Walcott
Too Much
Past
Much
" What I described in 'Another Life' - about being on the hill and feeling the sort of dissolution that happened - is a frequent experience in a younger writer. "
Derek Walcott
Experience
Life
Writer
" What is taught in schools generally in the West Indies is that if something is your thing, it's better than anybody else's because it's yours. It's extremely provincial and also damaging. You prevent people from learning things. The biggest absurdity would be, 'Don't read Shakespeare because he was white.' "
Derek Walcott
You
People
White
" When a child's mind develops and is heading in a certain direction, we murder that mentality, we murder that imagination, by saying, 'Now, that is all well and good, but now sit down and start to study.' "
Derek Walcott
Imagination
Saying
Good
" The older I get, the more aware I am of the banality and indifference of a place like Trinidad to any development of the arts. "
Derek Walcott
Arts
Development
I Am
" What was moving, I think, was the fact that the statue is a woman and not a heroic, manly figure. So for all her scale and immensity, there's something soft about the Statue of Liberty, something tender about her. "
Derek Walcott
Liberty
Woman
Her
" Ted Hughes is dead. That's a fact, OK. Then there's something called the poetry of Ted Hughes. The poetry of Ted Hughes is more real, very soon, than the myth that Ted Hughes existed - because that can't be proven. "
Derek Walcott
Dead
More
Real
" How does a poet teach himself or herself? I think chiefly by imitation, chiefly by practising it as a deliberate technical exercise often. Translation, imitation, those were my methods anyway. "
Derek Walcott
Think
Poet
Exercise
" I don't think there is any such thing as a black writer or a white writer. Ultimately, there is someone whom one reads. "
Derek Walcott
Black
Someone
Think
" If music goes out of language, then you are in bad trouble. "
Derek Walcott
Trouble
Language
Music
" The number of people who read a poem is not as important as how the poem affects those who read it. "
Derek Walcott
Who
Important
Number
" My generation produced some terrific writers from all over, and the great thing about it is that they were all mixed in race. "
Derek Walcott
Generation
Race
Over
" I have never felt inhibited in trying to write as well as the greatest English poets. "
Derek Walcott
Greatest
Write
Well
" When I come to England, I don't claim England; I don't own it. I feel a great kinship because of the literature and the landscape. I have great affection for Edward Thomas and Philip Larkin, but there's still this distance: looking on at what I'm admiring, separate from what I am. And that's OK. "
Derek Walcott
Looking
Landscape
I Am
" Because that is what such a city is, in the New World, a writer's heaven. "
Derek Walcott
City
Because
New
" My first book of poems was published privately in 1949. That was my mother. The book was '25 Poems.' It cost 200 dollars. "
Derek Walcott
Book
Cost
First
" The myth of Naipaul... has long been a farce. "
Derek Walcott
Long
Been
Farce
" If you know what you are going to write when you're writing a poem, it's going to be average. "
Derek Walcott
Average
You
Writing
" All of the Antilles, every island, is an effort of memory: every mind, every racial biography culminating in amnesia and fog. Pieces of sunlight through the fog and sudden rainbows, arcs-en-ciel. That is the effort, the labour of the Antillean imagination, rebuilding its gods from bamboo frames, phrase by phrase. "
Derek Walcott
Mind
Memory
Imagination
" My mother, who is nearly ninety now, still talks continually about my father. All my life, I've been aware of her grief about his absence and her strong pride in his conduct. "
Derek Walcott
Now
Mother
Grief
" There is no one more deserving of a place in Poets' Corner. Ted Hughes introduced a new kind of landscape into English poetry. The most compelling aspect of his work was his intimacy with nature. "
Derek Walcott
Landscape
Work
Poetry
" Where I come from, we sing poetry. "
Derek Walcott
Poetry
Where
Sing
" There is a restless identity in the New World. The New World needs an identity without guilt or blame. "
Derek Walcott
Identity
New
Blame
" The painter I really thought I could learn from was Cezanne - some sort of resemblance to oranges and greens and browns of the dry season in St. Lucia. "
Derek Walcott
Learn
Dry
Thought
" I always have difficulty with the Greek tragic plays. I think the difficulty one has - which is a serious problem - is the question of belief. Do you believe in the myth that the play expresses? Do you believe in it as myth or as reality? With any play, you have to believe in it as reality. You can't act a myth. "
Derek Walcott
Reality
Believe
Problem
" Our artists and writers should not be forced like soldiers to die on foreign soil or to return wounded and crawl famously into a hole. "
Derek Walcott
Die
Soil
Return
" I feel blessed that I was gifted. "
Derek Walcott
Gifted
Blessed
Feel
" I have to live, socially, in an almost unfinished society. Among the almost great, among the almost true, among the almost honest. That allows me to describe the anguish. "
Derek Walcott
Honest
Me
Society
" There are certain functions that a writer has to do. In a time of crisis, it is great to have heroic poems, as it was in the Irish Revolution. It's great to have great songs, because people need something to sing when they are marching. That's OK, but it should be on the side. It's not the ultimate thing. "
Derek Walcott
Time
Great
Need
" The greatest writers have been, at heart, parochial, provincial in their rootedness. "
Derek Walcott
Heart
Greatest
Been