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" The Nicholas Brothers were the best tap-dancers. I'm not talking about their flash-dancing, I'm talking about tap-dancing. They were really saying something with their feet. "
Savion Glover
Best
Not Talking
Saying
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" I've come to realize that people dance for reasons of their own. "
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" I'm always inspired by music, things of that nature. Just life in general. I'm happy to be waking up and having another chance at it. "
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" I'm more a percussion instrument than a dancer. "
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" I did a production called 'Classical Savion,' where I did some Shostakovich, Mendelssohn, Bach, Vivaldi, and all these great pieces. "
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" There are many different styles of, and approaches to, tap. My own leans towards a more intellectual view: tap dancing not just for the sake of entertainment but to educate and spark emotion. "
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" I can hold a note, but that's about it. "
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" I started as a drummer. The feet are an extension of that. "
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" Frank Sinatra changed people's approach to singing. Ella Fitzgerald, Marvin Gaye, van Gogh, they were all part of movements that allowed people to think about their craft differently. They changed the game. These people changed the game. "
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" I don't like being too serious. I'm the type of person that, if the mike isn't in the right place when I go on, I just move it. Other people, they'll be all frantic. I'm more relaxed. "
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" I want to share what I have, and I'd rather share it with people that are a little bit more open-minded. "
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Little
More
Open-Minded
" I see myself helping the next generation of dancers who come along, helping them to keep the dance focused, so we don't get into a position where they're saying in 2050, or whatever, that around 2001 or 2002 or something the dance died. "
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Generation
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" Other dances are like languages, like French or Spanish, but my steps are slang, and slang is always changing. "
Savion Glover
Steps
Always
Changing
" What we're looking for at my school is intellectuals. People who want to talk about the art and be knowledgeable about it. People who want to know the history. Not everybody needs to be performing. "
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Art
History
Looking
" I've never looked at what I do as show business, I guess, because of my connection to the art and how I was introduced to the dance. "
Savion Glover
Never
Art
Business
" Tap is still the central driving force of my life. I think and talk in dance. "
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Life
Dance
Driving
" I come from a long line of people who express themselves through the dance. I come from a long line of people who create music through their feet. "
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Long
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" The connection of what I do to flamenco lies in the whole lament, whole cry, whole pouring back into the earth and giving energy back to the earth. It's a cry and a celebration. That's what music, sound, vibration should do. It should spark energy in someone. "
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Spark
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Earth
" Authenticity is the most important thing. You have to know where it all comes from, study who pioneered it. "
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Important
Study
Most
" When you find real jazz on the radio dial, it comes in all static-y. It's just like tap dancers. You have to go uptown to find the real hoofers. We only come to midtown if we're called upon. "
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Find
Radio
You
" I used to think I had this responsibility to carry on this tradition. Now I just feel like I have to keep the dance out there, keep it in the public eye. "
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Dance
Responsibility
Think
" I'm going to continue to tap until I can't move. "
Savion Glover
Continue
Going
Until
" For me, the importance in learning about the dance is using it as a voice. It's not about a step, it's about a way to express oneself. "
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Voice
Step
Dance
" If someone wants to be very tight about authenticity or ownership, it just sounds kind of competitive to me. "
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Just
Ownership
Me
" There's a tendency to think tap's had its day, but 'Happy Feet' kept us in the race. That penguin is our Shirley Temple. "
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Day
Happy
Feet
" La Cave was a great platform for me to learn and be able to listen in on conversations and just get a lot of notes and teachings from those older guys. "
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Me
" I can produce any instrument, any sound that I can imagine; it may be percussive to the audience, but in my mind it may be a piano, a melody, or a tuba, or a harp, or a harmonica. My mission is to allow people to hear the dance in its purity and up against any other type of sound or music. "
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Music
Mission
Mind
" I don't think I'm a genius. Not yet. "
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Think
Genius
" The youth coming up is interested in dance now, and they're coming to the shows. That's a blessing for those of us who create. "
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Youth
Blessing
Create
" I deal with more complex rhythmical patterns than a regular tap dancer. I even think in rhythms. "
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Complex
Deal
Patterns
" Just like a comedian has a certain joke or a jazz musician has a riff that they know will get the crowd, a tap dancer always has a step. "
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Know
Like
Will