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" The notion of directing a film is the invention of critics - the whole eloquence of cinema is achieved in the editing room. "
Orson Welles
Film
Invention
Room
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" I've spent most of my mature life trying to prove that I'm not irresponsible. "
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Mature
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Most
" Race hate isn't human nature; race hate is the abandonment of human nature. "
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Hate
Human
Nature
" Anybody who speaks quietly and shrivels up in company is unbelievably arrogant. "
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Arrogant
Anybody
Company
" Popularity should be no scale for the election of politicians. If it would depend on popularity, Donald Duck and The Muppets would take seats in senate. "
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Election
Depend
Politicians
" I have an unfortunate personality. "
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Personality
Unfortunate
Funny
" The only reason for doing a play is to make a statement about it, and by that I don't mean a conceit of the producer. "
Orson Welles
Play
Doing
Producer
" I don't say we all ought to misbehave, but we ought to look as if we could. "
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Look
Ought
Say
" A film is never really good unless the camera is an eye in the head of a poet. "
Orson Welles
Eye
Good
Head
" I was spoiled in a very strange way as a child, because everybody told me, from the moment I was able to hear, that I was absolutely marvelous, and I never heard a discouraging word for years, you see. I didn't know what was ahead of me. "
Orson Welles
Child
Know
Me
" On my tombstone, I want written: 'He never did 'Love Boat!' "
Orson Welles
Love
Never
Boat
" The essential is to excite the spectators. If that means playing Hamlet on a flying trapeze or in an aquarium, you do it. "
Orson Welles
Playing
Essential
Flying
" If I don't like somebody's looks, I don't like them. "
Orson Welles
Looks
Somebody
Like
" Now I'm an old Christmas tree, the roots of which have died. They just come along and while the little needles fall off me replace them with medallions. "
Orson Welles
Christmas
Me
Tree
" Living in the lap of luxury isn't bad except that you never know when luxury is going to stand up. "
Orson Welles
Stand
You
Stand Up
" Did you ever stop to think why cops are always famous for being dumb? Simple. Because they don't have to be anything else. "
Orson Welles
Think
Stop
Simple
" There's no biography so interesting as the one in which the biographer is present. "
Orson Welles
Present
Which
Biography
" If I ever own a restaurant, I will never allow the waiters to ask if the diners like their dishes. Particularly when they're talking. "
Orson Welles
Restaurant
Will
Talking
" At twenty-one, so many things appear solid, permanent, untenable. "
Orson Welles
Solid
Many
Appear
" My kind of director is an actor-director who writes. "
Orson Welles
Who
Kind
Writes
" As a producer, sitting on the other side of the desk, I have never once had an agent go out on a limb for his client and fight for him. I've never heard one say, 'No, just a minute! This is the actor you should use.' They will always say, 'You don't like him? I've got somebody else.' They're totally spineless. "
Orson Welles
Sitting
Fight
You
" I prefer the old masters, by which I mean John Ford, John Ford, and John Ford. "
Orson Welles
Which
Ford
Mean
" I hate television. I hate it as much as peanuts. But I can't stop eating peanuts. "
Orson Welles
Much
Eating
Hate
" Criminals are never very amusing. It's because they're failures. Those who make real money aren't counted as criminals. This is a class distinction, not an ethical problem. "
Orson Welles
Real
Money
Class
" We're born alone, we live alone, we die alone. Only through our love and friendship can we create the illusion for the moment that we're not alone. "
Orson Welles
Alone
Moment
Love
" I don't like television when it gets near to photographed plays. "
Orson Welles
Near
Like
Gets
" The first thing one must remember about film is that it is a young medium. And it is essential for every responsible artist to cultivate the ground that has been left fallow. "
Orson Welles
Ground
Remember
Young
" When you are down and out something always turns up - and it is usually the noses of your friends. "
Orson Welles
Friends
Your
You
" I'm never certain of a performance - my own or the other actors' - or the script or anything... But to me it seems there's only one place in the world the camera can be, and the decision usually comes immediately. "
Orson Welles
World
Performance
Camera
" Each multiplex has screens allocated to each studio. The screens need filling. Studios have to create product to fill their screen, and the amount of good product is limited. "
Orson Welles
Product
Create
Good
" If everyone worked with wide-angle lenses, I'd shoot all my films in 75mm, because I believe very strongly in the possibilities of the 75mm. "
Orson Welles
I Believe
Believe
Possibilities