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" The relief of 'Grace Jones: Bloodlight and Bami' is that it seeks to square the person with the provocateuse. "
Wesley Morris
Grace
Square
Seeks
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" Computers are scary. They're nightmares to fix, lose our stuff, and, on occasion, they crash, producing the blue screen of death. Steve Jobs knew this. He knew that computers were bulky and hernia-inducing and Darth Vader black. He understood the value of declarative design. "
Wesley Morris
Blue
Death
Black
" Jordan Peele is famous, in part, for imitations - of rappers and dingbats and the 44th president of the United States. But he would be impossible to imitate. He isn't ribald. He's droll. Sometimes he's not even that. Sometimes he's quiet. Sometimes he's sitting across from you expecting you to hold up your end of a conversation. "
Wesley Morris
Impossible
End
Famous
" Spare a thought for 'Suburbicon' as it swiftly vanishes from America's megaplexes. This is George Clooney's movie about - well, I'm not sure. It's supposed to be the sort of movie that doesn't get made much anymore: starry, not that expensive, 'middlebrow.' "
Wesley Morris
Much
Well
America
" I don't like turkey. I mean, I do. But I don't like it on Thanksgiving. I don't need it. There are about 20 other dishes that get put on a table or a counter or that stay warming on the stove that I'd rather eat than turkey. "
Wesley Morris
Eat
Need
Thanksgiving
" I feel like I've always approached criticism with a degree of morality, right? Like, not as a moralizer, but just as somebody who wants to make sure that the culture we're getting is at least morally aware of how it's functioning. "
Wesley Morris
Feel
Culture
Criticism
" There is a tragic kind of joke. You really can't keep a man down - good but often otherwise - because history's mechanics are built to keep him climbing toward the top. Somehow, Icarus gets to be reborn as Iron Man. "
Wesley Morris
Good
Man
You
" 'Bloodlight and Bami' is all verite. The director Sophie Fiennes began filming Ms. Jones in the mid-2000s and simply observes her on stage and off. She follows her home to Jamaica, where the diva mellows, almost unconsciously, into a daughter, sister, and parishioner. "
Wesley Morris
Her
Home
She
" Part of what's mesmerizing about 'The Mechanics of History' is its physical eloquence - how dancerly it is. The men don't fall; they float. And when the trampoline restores them to the staircase, they move at a half speed. Cinema, they say, is 24 frames per second. "
Wesley Morris
History
Fall
Men
" We don't yet call it 'Thxgvng,' because any holiday whose centerpiece sits in an oven for four to six hours, after having sat out for as long to reach room temperature, must be spelled all the way out. Cook a turkey. You'll see. This is to say that you're not just roasting a turkey, obviously. "
Wesley Morris
Long
Reach
Say
" Sometimes a movie knows you're watching it. It knows how to hold and keep you, how, when it's over, to make you want it all over again. "
Wesley Morris
Watching
You
Want
" American popular culture has long been marked by an absence of empathy for American Indians. Westerns doubled as a campaign against so-called savages in a way that desensitized us to the savages we'd become. "
Wesley Morris
Culture
Way
Long
" There comes a point in your moviegoing life where you look at the screen and then you look at the world and you ask, 'What is going on?' You want the movies to show you the chaos and mess and risk and failure that are normal for a lot of us. Generally, the movies hide all of that. "
Wesley Morris
World
Look
Failure
" Sidney Poitier became a star in part by helping black and white Americans negotiate their new relationship in the post-Civil Rights era. "
Wesley Morris
Relationship
Black And White
Black
" In 'The One Who Falls,' three women and three men, in everyday clothes, negotiate each other while moving, often in unison, on a giant spinning tile. "
Wesley Morris
Moving
Men
Clothes
" Anytime a movie or television show retreats into certain American pasts, I'm both annoyed and relieved. "
Wesley Morris
Annoyed
Show
American
" Every once in a while with Twitter, you find something that breaks through the bilge and recrimination. Or sometimes, something finds you. One night, 'The Mechanics of History' found me. "
Wesley Morris
History
Find
You
" 'Three Billboards,' which is not based on a true story but does have some reality flavoring, must appear worthy of elected office in some way. This was, at first, the illusion presented by the people running the campaigns and, in turn, over the years, has become the custom for lots of us. "
Wesley Morris
True
Reality
Illusion
" My mother very rarely skipped a Thanksgiving turkey. And yet, none of them ever tasted quite the same, landing somewhere on a sliding scale of succulence. She'd try new methods. "
Wesley Morris
Mother
Try
New
" In movies, there are some things the French do that Americans are increasingly incapable of doing. One is honoring the complexities of youth. It's a quiet, difficult undertaking, requiring subtlety in a filmmaker and perception and patience from us. "
Wesley Morris
Movies
Perception
Youth
" My father didn't do a lot of direct education. My mother was the direct educator. She would put on these movies on American Movie Classics when we got cable, after my parents got divorced, which took like four or five years. "
Wesley Morris
She
Education
Mother
" This country is rich with awful things to say about everybody. There's a slur for you and a slur for me - more than one. And because we're terrified of dealing with them head on, we've made them just as easy to warp and defang. "
Wesley Morris
Easy
Rich
Say
" When a black person is acting up or showing off, somebody might say she's 'wilin' out.' In sports, an athlete who really takes it to another level has entered 'beast mode,' which happens to be the nickname of the former Seattle Seahawks superstar Marshawn Lynch. "
Wesley Morris
Black
Acting
Sports
" Sidney Lumet's chief preoccupation wasn't art. It was right and wrong in the American city, nearly always in New York. "
Wesley Morris
New York
American
Art
" In the Mac vs. PC ads, Apple bills itself as the antidote to Microsoft. To love Apple wasn't to sell out. It was to buy in. Most people use PCs, but Apple has the mindshare. "
Wesley Morris
Sell
People
Most
" 'Suburbicon' feels like a last gasp of some kind of middle. It thinks it's both frivolous and serious. But, for that, you need a touch that George Clooney's never had. "
Wesley Morris
Need
Never
Serious
" There's power in turning to the past to illuminate the current state of things. "
Wesley Morris
Past
Illuminate
Current
" Lesley Manville comes at 'funny' from a totally different direction in 'Phantom Thread,' using snootiness and froideur. The effect of her performance - as the difficult manager of her difficult brother's couture dress business - stems in part from the chill she puts into her line readings. "
Wesley Morris
Chill
Business
Brother
" 'Polisse' is the sort of cop thriller where people do things like angrily bang on a desktop or sweep everything off it. If it happens once, it must happen six times. But every time it did, I wanted to stand up and cheer, which I've never wanted to do for any such thriller. "
Wesley Morris
Time
Stand
People
" Ms. Sciorra is a member of a dwindling fleet of actors who actually sound like they come from somewhere. In her case, 'somewhere' is Brooklyn. In most movies, and perhaps especially in a handful of singeing 'Sopranos' episodes, 'somewhere' makes her vital. She's what you'd call an around-the-way girl. "
Wesley Morris
Movies
She
You
" One result of moviemaking - and a side effect of moviegoing - is familiarity. If an actor is particularly good, familiarity opens into something deeper: care, concern, identification, empathy. Yet even those concepts can feel inadequate for some actors. "
Wesley Morris
Feel
Good
Care