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" The way a human can coexist with nature has to be at the spiritual level. "
Ma Yansong
Human
Level
Spiritual
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" My first impression of Beverly Hills was that it had a landscape of small houses built by famous architects, so I didn't want to make a big block or sculpture here; I wanted to make a community rooted to the place. "
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Famous
Small
Community
" When I graduated from high school, I thought I wanted to make science fiction movies, so I applied to film school, but I couldn't get in. A professor told me I should try architecture instead. "
Ma Yansong
Science
Thought
School
" Sometimes I sketch and then scan my sketch directly to make the curves more freehand. I don't want to make perfect industrial curves. "
Ma Yansong
Curves
Want
Sometimes
" Early in my career, I tried to bring an artistic feeling to architecture. That's really the intent and impression of what I think about: context, space, shapes, and landscape. "
Ma Yansong
Architecture
Think
Space
" A lot of ancient poetry sees in nature a reflection of human emotions, and in a post-industrialized era, once people have become more aware of the necessity of a more harmonious relation between man and nature, we need to build cities which can connect with human spiritual needs instead of being merely functional. "
Ma Yansong
Man
Spiritual
Reflection
" The shan-shui city idea is trying to bring traditional values and ways of living to modern high-rise architecture. "
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Architecture
City
Idea
" A shan-shui city is a modern city, a high-density urban situation, but we pay more attention to the environment. We bring waterfalls; we bring in a lot of trees and gardens. We treat architecture as a landscape. "
Ma Yansong
Trees
Architecture
City
" I would say that many architects are very logical. They start their process from analysis and from rational processes to try and find the 'right' answer, like solving a mathematic equation. "
Ma Yansong
Find
Say
Process
" It's very strange: if you're a philosopher or musician or an artist, people automatically believe you can see the future. Even if they don't like you, they accept your vision as an individual. "
Ma Yansong
Believe
You
Vision
" I grew up in Beijing, and there weren't many modern buildings during my childhood. I was influenced by traditional culture - the courtyards, the hutongs, the old city, and all the art forms - so, very naturally, I brought this to my practice. "
Ma Yansong
Culture
Practice
Art
" When I was young and used to look at Chinese architecture, there was no clear definition between what was landscaping and what was architecture. "
Ma Yansong
Used
Clear
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" Historically, sci-fi movies have played an important role in inspiring young people. "
Ma Yansong
People
Role
Important
" The architecture scene in China is the most open and free climate compared to many other places. You can find many opportunities. "
Ma Yansong
Free
Opportunities
You
" I grew up in the old neighborhood of Beijing where you had a courtyard and trees. Actually, the whole of Beijing was a garden - the Forbidden City - and the lakes and gardens in the city center were all artificial. "
Ma Yansong
Garden
You
Neighborhood
" We need architects to be visionaries. "
Ma Yansong
Architects
Need
Visionaries
" A door handle is very symbolic to me. It is the first object that one will interact with before entering a new space. "
Ma Yansong
New
Space
Will
" I think architecture should be a stage, not something too material - more of an environment, not a product. "
Ma Yansong
Architecture
Environment
Stage
" Oscar Niemeyer really inspired me. He's from South America, where nature has meaning. And his architecture was not expensive or high tech but artistic and spiritual. I like that. "
Ma Yansong
Nature
America
Spiritual
" I actually feel like a very traditional architect. "
Ma Yansong
Traditional
Like
Feel
" The difficulty with big cities does not lie in skyscrapers or high-rises per se; rather, it is the values concealed within those buildings which lead to the loss of our humanity and our sense of spiritual emptiness. "
Ma Yansong
Values
Loss
Lie
" When I started university, I didn't know much about architecture, so I flipped through a lot of magazines, looking at different and exciting images from all over the world. I thought that architecture could be interesting. "
Ma Yansong
World
Architecture
Thought
" The beauty of architecture is it involves work that stretches over a very long time but often starts in one instant, with just one emotion, a kind of instinctual response. "
Ma Yansong
Work
Time
Long
" Architecture is a special kind of career that showcases the accumulations of culture, time, and history. "
Ma Yansong
Time
Culture
History
" In our traditional culture, people have a very different view towards nature than in Western culture. We consider humans as part of nature. But in the West, they talk about protecting nature. That's a joke because nature doesn't care; it's humans who need to protect themselves. "
Ma Yansong
Nature
Culture
Care
" China has some cities, traditional cities, with a long history. They are so beautiful, and they were planned so smartly. I call them gardens on the city scale. For example, Beijing has mountains, waters, lakes, bridges, towers. It was a very poetic city. "
Ma Yansong
Mountains
Beautiful
History
" Architects think that beauty is a crime. "
Ma Yansong
Crime
Architects
Beauty
" I think, in our modern cities, there are a lot of boxes; there are a lot of straight lines. They often deal with efficiency, the function, the structure. "
Ma Yansong
Think
Structure
Efficiency
" What if we treat the high-rise like a mountain, or we have gardens in the sky, or waterfalls? I think that's the most challenging thing I want to try in my architecture. "
Ma Yansong
Try
Architecture
Mountain
" The world itself is already a great textbook. "
Ma Yansong
Textbook
Great
Itself
" Instead of making grand structures and beautiful buildings, we should focus on the environment and the urban space and how you encourage people to live. "
Ma Yansong
People
Live
Focus