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" There are bad preppies and bad priests and bad humanitarians. Any group can have its bad apple. "
Whit Stillman
Any
Apple
Bad
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" I really like working with people again and again, and I don't know why everyone doesn't do it. Because you already know them, and you know how good they are. "
Whit Stillman
Good
You
Working
" I've gotten to really, really like being back in the States. It's so easy being in your own country, and I really like Americans - typical American towns and provincial college towns are my ideal place to be. "
Whit Stillman
American
Place
Easy
" My theory in the '90s was that I didn't want to take a Jane Austen book I loved and reduce it to a 90-minute movie. The Emma Thompson-Ang Lee 'Sense and Sensibility' was beautiful, but other ones, I didn't think justice was being done. It's not a slam dunk to adapt these books. "
Whit Stillman
Think
Loved
Justice
" In Mexico, wealth and poverty live next to each other and are cordial with each other - in my experience. "
Whit Stillman
Experience
Next
Live
" So much of artistic creation is just exclusion. It's not creating things; it's just excluding things that really aren't going to be helpful. "
Whit Stillman
Creating
Creation
Going
" I had, in college, a professor called Walter Jackson Bate, and he taught a course called The Age of Johnson. It's about Samuel Johnson and his period, 18th-century British writing. So we all got to endure Samuel Johnson, and Boswell's 'Life of Johnson' is now my favorite book. I read it all the time I can; it's great for going to sleep. "
Whit Stillman
Book
Age
Time
" When I'm writing fiction, I read nonfiction or biographies. Now I'm watching very old movies or old foreign films. I don't immerse myself in whatever's going on in whatever area I'm working in. "
Whit Stillman
Myself
Watching
Now
" Producers have a tendency to put you in a pigeonhole: 'What does this white, middle-aged preppy know about 1960s Kingston?' "
Whit Stillman
Middle-Aged
You
White
" What I like and find liberating in dialogue comedy is that the characters, and what they say, are not me. These are fleeting thoughts and observations and not presented as truths but as something that illuminates the character and the dynamic between the characters. This kind of dialogue is thesis and antithesis - and we never get to a synthesis. "
Whit Stillman
Me
Thoughts
Character
" Paris is the destination for brokenhearted American women. I think men go there and have their hearts broken, but women come there with their hearts broken. "
Whit Stillman
Broken
Destination
Men
" I kind of put people from the past up on a pedestal; I don't think, in a lot of ways, that we're at their level. "
Whit Stillman
Level
Past
People
" If you're sort of interested in politics but sort of upset about contemporary politics, it's kind of wonderful to read about periods who were very eloquent and admirable - generally. People are articulating ideas you can sympathize with or understand both sides of. Or at least feel like one side is saying the right things. "
Whit Stillman
You
People
Ideas
" When people are telling stories on screen, you can show the reactions of people, play it off those reactions, and it can be fun. But when it's someone just giving an opinion on things, even if the opinion is kind of interesting, that is potentially deadly. It has to be really quick. "
Whit Stillman
You
Interesting
People
" I remember trying to write at 1, 1:30 A.M., and just sort of falling asleep. And I think that was actually a good creative state for weird ideas. I shifted to a morning schedule once I had two kids, and I still found that if I slept badly, I actually had better ideas. "
Whit Stillman
Ideas
Think
Creative
" I don't think there's anything cliche feminine about Jane Austen. And, anyway, her earliest champions were Sir Walter Scott and the Prince Regent. "
Whit Stillman
Think
Prince
Her
" I have to embrace the fact people find me divisive, but I find it remarkable. I was very disturbed by the hatred 'Damsels in Distress' received. "
Whit Stillman
Find
People
Me
" There's so much of this thing now, where you're supposed to do all the work before you get the commission. I think it's really good to try to resist that. If you just have a week to come up with a pitch for something, your ideas aren't going to be very good. Get your income from somewhere else, and keep your writing not tied into these contracts. "
Whit Stillman
Week
Good
Ideas
" Happy is the small business that can hire additional employees besides the proprietor; rare is the indie-film enterprise that can be happy in this way. The norm is an unpaid principal with no employees between productions. "
Whit Stillman
Way
Happy
Business
" I think my favorite two words are 'true blue.' I think those words are really important, and the spirit of them has been lost. "
Whit Stillman
Think
Lost
Important
" Really, having a show freely available online is like having your book in the library. It's wonderful; it's ideal. "
Whit Stillman
Book
Library
Like
" I think one thing that makes me delay projects more than other people is, I see this silver lining in a turn-down. Maybe if I just wrote a script and then pounded my head against all the doors, I would be shooting more films. "
Whit Stillman
Me
Think
People
" I'm the ayatollah of the Jane Austen fan base! I want to lead the fan base, not be attacked and devoured by the fan base. "
Whit Stillman
Lead
Attacked
Base
" If you're mostly a writer - if your point of departure is writing something - which for a writer/director is sort of where you start, you're really influenced by the writers you love one way or another. "
Whit Stillman
Start
Point
Love
" When you're trying to force things in a script, it seems like it's getting somewhere, but it isn't real or interesting. All the bad material you've written becomes an albatross around your neck. So I really don't like writing a lot of bad stuff, I prefer to just keep narrowing it down to stuff I think is solid. "
Whit Stillman
Interesting
You
Trying
" The usual key to getting films made seems to be a producer's terrier-like determination not to let it go. Unfortunately, such producers often seem prone to sinking their claws into mediocre projects. "
Whit Stillman
Determination
Go
Seem
" The worst thing is the blank page at the start. Then the horrible things written on the blank page. Then deciding whether or not to throw out those horrible things: lame scenes, lame characters, bad ideas. "
Whit Stillman
Worst
Page
Start
" Making a show is such a long process. You go through a TV production house that will commission scripts, and if they like what you've written, they take it to a network and sell it to them. It has always felt very far away from something that's actually real. "
Whit Stillman
You
House
Go
" At the New York Harvard Club, they've moved the memorial for those who died in World Wars I and II up to an obscure little hallway; they used to be in the main hall, in the most prominent location. The sacrifice of those young people I always found so stunning and so admirable. "
Whit Stillman
People
New
World
" The dull externals of the screenwriter's working life are well known: We are the people taking up too much table space at cafes. "
Whit Stillman
Too Much
People
Life
" That's why I hate the outlines and treatments, because all you get are cliches. If you put things down on paper as your plan, it's very hard to get those ideas out of your head and do something better. "
Whit Stillman
Hate
Plan
Down