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" To me, there was something moving about the idea of telling the story of a lady who is, in a way, a forgotten character - someone who would normally be a secondary role in a movie. "
Sebastian Lelio
Way
Story
Character
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" In Latin America, cinema has always been a bourgeois activity, I guess, as it is everywhere. It's just a stupidly expensive art form, and there is nothing you can do about it. "
Sebastian Lelio
Cinema
Just
You
" There's something about using the cinematic device as a tool to connect with dimensions of the world that you don't know too well, you're not too familiar with. It's like a creating a bridge, or a spaceship to travel to the unknown. "
Sebastian Lelio
Bridge
You
World
" 'Gloria' is a film about a fifty eight-year-old woman who is quite alone in life; however, she is quite optimistic. Nobody has much time for her, and so she regularly goes to these single adults' parties where she is looking for someone. By the end of the film, she doesn't necessarily find love, but she does find something else. "
Sebastian Lelio
Woman
Life
Alone
" Either we learn to live together and embrace the complexity of life, or we will end up with fascism again and destroy ourselves. "
Sebastian Lelio
Learn
Live
Will
" Fashion is totally political, the icon of a political system. "
Sebastian Lelio
System
Fashion
Icon
" When you're filming, not everything is rational. "
Sebastian Lelio
Filming
Everything
Rational
" Creative processes are always very opaque. Afterwards, you tend to pretend that everything was planned and it was a strategy, but it was not like that at all. "
Sebastian Lelio
Strategy
Like
You
" In the case of 'Disobedience,' the very secretive way of life and religion and tradition that the North London Orthodox Jewish community has was a huge invitation to explore an unknown world. And also a possible trap, and I tried to overcome that by portraying it, hopefully, with great nuance and detail and texture. "
Sebastian Lelio
Great
World
Community
" I grew up in a dictatorship in a very Catholic country. "
Sebastian Lelio
Dictatorship
Country
Catholic
" Sometimes we have to disobey in order to transcend, in order to survive. "
Sebastian Lelio
Survive
Transcend
Sometimes
" I'm very open to following the stories that move me and reach that flexibility where you can be more flexible. I'm expanding my horizons. "
Sebastian Lelio
Open
Me
You
" The use of music in 'Gloria' is not cynical. "
Sebastian Lelio
Cynical
Use
Music
" I was writing when I was very young, and then I became interested in everything - I wanted to do photography. I wanted to act. I wanted to write plays, and then I wanted to film and to paint, but I felt that film had a condition that reunites everything. "
Sebastian Lelio
Writing
Film
Paint
" English is not my language. "
Sebastian Lelio
English
Language
" I was always making new friends, then losing them. "
Sebastian Lelio
Losing
Friends
Always
" The living experience of film only happens when a film is seen, and only within the spectator, because they project their own fears, desires, and fantasies upon those lights and shadows. "
Sebastian Lelio
Living
Own
Shadows
" Cinema is empathy machinery, and we multiply our life experience through cinema. When it is good cinema, it almost counts as a personal experience. "
Sebastian Lelio
Experience
Life
Cinema
" Rachel Weisz is amazing, instinctive, volcanic - an amazing force of nature. "
Sebastian Lelio
Force
Volcanic
Nature
" I'm not saying transgender characters should be only interpreted by transgender actors - because that would be as rigid as saying transgender actors cannot play cisgender roles, and that's not the idea. "
Sebastian Lelio
Because
Saying
Only
" How can you repress Rachel McAdams? She's so full of life. "
Sebastian Lelio
How
Repress
Life
" I'm interested in the intersection of character and actor. "
Sebastian Lelio
Character
Actor
Interested
" We all have a potential revolutionary energy inside. "
Sebastian Lelio
Revolutionary
Energy
Inside
" There has been too much silliness and cliche when looking at older people: I think that hides a fear of death that we have as a society. We are obsessed with youth and denying death. "
Sebastian Lelio
Youth
People
Death
" Death is astute as a master. It's a process that teaches people aspects of themselves. "
Sebastian Lelio
Astute
Master
People
" Those of us who make movies play with perception and reality; those who watch our films are responsible for making sense of it. "
Sebastian Lelio
Play
Reality
Watch
" Every human society has its lights and its shadows. That's the reality of existence. "
Sebastian Lelio
Reality
Society
Shadows
" In the case of 'Fantastic Woman,' I wanted to make it a more complex animal than just a 'cause' film. Even though I was sympathizing with the character's struggle, I didn't want to be trapped at that level - it's important, but it can be quite basic. "
Sebastian Lelio
Want
Struggle
Character
" It's not that I only want to make films about women, but from my experience, I have been very interested in the women who play these characters. "
Sebastian Lelio
Who
Want
Play
" This idea of walls, segregation, labels, and 'You against us' and 'We are superior and you are inferior.' Which people are legitimate? Which relationships are legitimate or not? Who declares that under which authority? These are things that are hugely important. "
Sebastian Lelio
You
Walls
People
" I'm always trying to get my characters to the point of complete rebelliousness. I like that attitude that characters feel when they own their lives. There's something beautiful in the moments when characters disobey. "
Sebastian Lelio
Attitude
Trying
Moments