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" Tone is everything in TV. "
Ryan Murphy
TV
Tone
Everything
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" For me, the saddest thing in the world is always lost potential. That is always the most heartbreaking thing, when there's something left to be mined from a situation or a person that goes unexplored; that's a tragedy to me. "
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Situation
World
" I formed this thing called the Half Foundation, and what I tried to do is quantify hiring practices in Hollywood. Half the population is women, so half of the storytellers should be women. Fifty percent of all the directors in my company are women, and it will forever be that way. "
Ryan Murphy
Foundation
Women
Company
" Joan Crawford and Bette Davis are larger than life. They just are. They sucked all the oxygen out of a room: they're icons; they loom large in our imaginations. But the truth of the matter is both women were diminutive. "
Ryan Murphy
Life
Matter
Room
" It's a weird thing, my shows. I don't know how to describe it, but I feel because I go about the casting process so slowly that it does feel like an instant family. "
Ryan Murphy
Know
Process
Weird
" I'm passionate about actors, and I'm passionate about showing actors in different lights. "
Ryan Murphy
Lights
About
Different
" I was an altar boy, with a very strict father. And movies were always my escape. "
Ryan Murphy
Father
Escape
Boy
" I'm very black and white about what I like or don't like, and I've always been that way. "
Ryan Murphy
Always
Black
Black And White
" I've gotten death threats, yes. I have. I think anytime you shine a spotlight on homosexuality or minorities and you try and say they are as normal or as worthy as acceptance as others, the people who are on the fringe don't like that and they will come after you. And they have come after me. "
Ryan Murphy
Think
Acceptance
Shine
" I think when you take the big swings - and I've done plenty of big swings that I was told were never going to work - those are always the things that break through. "
Ryan Murphy
Work
Think
Always
" When I was starting out in Hollywood, everything was such a battle. "
Ryan Murphy
Hollywood
Battle
Starting
" With all of my work, it always takes a while for people to get it. "
Ryan Murphy
People
Takes
Always
" I love Olivia De Havilland. She is forever a lady. "
Ryan Murphy
She
Lady
Love
" I had been accepted to film school, but my parents couldn't afford it, and yet they made too much money for me to get a scholarship. "
Ryan Murphy
School
Too Much
Me
" The greatest thing that you have when you're a showrunner is this opportunity to create worlds. "
Ryan Murphy
Opportunity
Create
Greatest
" I believe most people don't go into show business unless they've been majorly unloved as a child. "
Ryan Murphy
People
Go
Child
" I came of age during AIDS and the terror of that and the sadness and the death and the overwhelming despair. "
Ryan Murphy
Age
AIDS
Despair
" I am not going to do anything unless I am afraid of it. "
Ryan Murphy
I Am
Going
Anything
" You've not felt the pain of rejection until a television show based on your own life is canceled. "
Ryan Murphy
Rejection
You
Life
" All the big successes of my career have been ideas that, on paper, you think, 'Well nobody's going to go for this because that genre is so dead.' "
Ryan Murphy
Career
Think
You
" If you look at 'American Horror Story' or 'Crime Story,' these are visceral, action-packed, sometimes bloody episodes of television. They're not 'feminine.' They're not about sexy women sitting around looking beautiful, drinking lattes. These episodes are calling cards to show companies like Marvel, 'Look, women can do these kind of movies.' "
Ryan Murphy
Sexy
Story
Women
" I don't think there's ever a winner in a feud. It's about emotional pain and an inability to conquer the pain. "
Ryan Murphy
Conquer
Pain
Think
" As a showrunner, you can never be a 'maybe.' When I do movies, there is a lot of, 'Maybe' and, 'Let's investigate that.' But for TV, it has to be yes or no. "
Ryan Murphy
TV
You
Maybe
" Originally, 'Popular' was going to be a movie. "
Ryan Murphy
Originally
Popular
Movie
" I was very much raised by my grandmother, who actually was Bette Davis - looked like her, acted like her, talked like her. Probably, it was just out of my love and affection for my grandmother that I was interested in Bette. "
Ryan Murphy
Her
Affection
Love
" I wanted to create a culture that allowed my children to see the world differently, if only from a strictly visual perspective: to have a child see a room where half of the people are women and minorities is so powerful. I think everyone wants for their children a world that's better than the one they came up in. "
Ryan Murphy
Women
Children
Culture
" I started off in this business in 1998, and I didn't fit in. There was no place for me, and I always felt like an oddball. Nobody really understood my work or what I wanted to do in my references. "
Ryan Murphy
Place
Me
Business
" At the end of the day, a divorce is a divorce, and a break-up is a break-up. They are essentially small matters of the heart. They are human stories. "
Ryan Murphy
Day
Heart
Small
" People think I'm just sort of this P. T. Barnum, razzle-dazzle guy. They think I go out of my way to be outlandish and theatrical at the expense of having emotions. They don't get that there's another side to me, and I keep trying to show that other side. "
Ryan Murphy
Way
Trying
Emotions
" When I started, you couldn't do anything. A gay person trying to write a gay character in 1998 - it was so difficult. "
Ryan Murphy
You
Character
Gay
" I only wrote two fan letters in my life. One was to Bette Davis. And one was to Ron Palillo, who played Horshack on 'Welcome Back, Kotter.' And Ron did not write me back, but Bette Davis did. "
Ryan Murphy
Back
Two
Life