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" VR should offer an experience that's more exciting than watching in 2D, and we're pretty good at 2D storytelling, so the bar's already pretty high. "
Doug Liman
Experience
Good
Storytelling
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" 'The Wall' doesn't recount a specific soldier's experience in Iraq, but it captures the spirit of many experiences that were shared with me and with Aaron Taylor-Johnson and with John Cena. "
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" So many of Spielberg's films inspired my imagination growing up. And then there are British films like 'The Full Monty' and 'Waking Ned Devine' that took me to places I really loved, with characters I just thought were amazing. But the films of Luc Besson showed me France - a really cool side of France. "
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Imagination
Growing Up
Cool
" If you look at my movies, they're pretty densely packed, such that they not only hold up to a second viewing, they're oftentimes better the second time you watch them. So I've always thought about crafting stories that could hold up to multiple viewings, and so VR obviously fits right into that. "
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Time
" I've really pushed the limits of what you can get away with at big studios, and I've been extremely well-supported. "
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" I'm very interested in politics, and I feel TV is a more political medium than film. "
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Feel
" I think that I learned a studio system prefers a sort of professionalism from the director. "
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System
" I have to have a passionate connection to my films, which I do with 'Justice League Dark.' I have a way into the story that's personal, the way I have a connection to 'The Wall.' "
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Way
Justice
" I really love the movies of Katherine Hepburn, movies like 'The African Queen.' I love 'Midnight Run' and I suppose, to pick something out of a different genre, I love 'Aliens.' "
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Run
Queen
Like
" At the end of the day, the less money you have, the easier it is to make a movie. "
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End Of The Day
Money
End
" I started my career wanting to make a 'James Bond' movie, and I couldn't get hired! I made 'The Bourne Identity,' and ultimately the impact of that film was that it changed the 'James Bond' franchise. "
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Film
Career
Bond
" I understand that it's a huge luxury for people to dwell on the problems in Washington. Things have to be pretty tidy in your own life that you have the time to worry about what's going on in Washington. Most of us spend our time worrying about the things that are directly around us: our love lives, our careers, and our banking accounts. "
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You
Time
Problems
" With VR, you are directing in a 360-degree environment. The biggest challenge is that the viewer can look anywhere. They might look at the the weakest moments, the very things you edit for TV. You don't control where they look. "
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Moments
Control
Challenge
" Amazon may be the only studio that's run by people who come out of making independent movies, real hands-on moviemaking. "
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People
Run
Real
" The system did not want me to make 'Go.' And I sort of stood up to the system and made the movie I wanted to make, and the fact that I did that and I'm proud of the movie means I'm really proud of myself when I look back on that. "
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Back
Look
Me
" I'll just say that there are certain people who continue to be hired in Hollywood, and that leaves me truly shocked. "
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Hollywood
Say
People
" I thought I was done making CIA movies after 'The Bourne Identity.' I really had used my father's work in Iran-Contra on 'The Bourne Identity.' You get one experience like that in your life where you have personal exposure to something, and you put it in a movie. That's it. "
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Father
Life
Experience
" My characters in my movies are all flawed. You'll probably never see Tom Hanks in a Doug Liman film. He plays, you know, very earnest and unflawed. "
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See
Movies
Know
" Making 'American Made' really was an adventure. "
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Made
Adventure
Making
" A part of me is a liberal New Yorker involved in politics and certain attitudes about movies. I kind of lost my indie credibility over 'Mr. and Mrs. Smith.' I know I haven't lost it. I just have to go make an independent movie. I just have to do it. Just for me. "
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Know
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Movies
" I've often found, as I did with 'Bourne,' where I was inspired by the events of Iran-Contra when I designed the CIA for the 'Bourne' franchise, that the reality of how things work is usually more compelling than the superficial, made-up version that Hollywood sometimes does. "
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Sometimes
Hollywood
Reality
" I feel like, Barry Seal, he's pure of heart. "
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He
Heart
I Feel Like
" There's a weird intellectual approach to filmmaking, where I pose a question to myself and use the film to try and answer it. "
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Weird
Intellectual
Filmmaking
" Normally in spy movies, the person that the hero deals with is at the centre of power, surrounded by video screens, and they're old and grizzled. I'm no stranger to that dynamic. "
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Power
Hero
Movies
" Ultimately, if you look at the characters in my films, you'll see a lot of similarities going all the way back to 'Swingers' with Vince Vaughn's character. "
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See
Look
Back
" In hindsight, everything in my life looks a little rosy. But the reality is that with, say, 'Swingers,' when we finished, it was considered a total failure. "
Doug Liman
My Life
Failure
Life
" To be honest, when I started watching VR content, I was mostly disappointed and thought people could do better - not that different from when I set out to make 'Swingers' and thought, 'There's a better way to make an independent film.' Which is why 'Swingers' ended up being so much less expensive than anything like it. "
Doug Liman
Thought
People
Content
" There's no reason my films can't work as hard as VR does to hook an audience and never let them go, so I think that that it turns the volume up a little bit on storytelling. The same way when I was doing commercials and then I went and shot 'Go,' and 'Go' has a level of pace that is unlike any of my other movies. "
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Work
Think
Movies
" Given the kind of filmmaker I am, the kind of experiences I've been trying to give audiences, I was drawn to the potential of VR before I even tried watching anything in VR. "
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I Am
Trying
Watching
" I can't impress people with the pedigree of obscure French filmmakers that got me into film. It was Robert Zemeckis and Steven Spielberg. I really thought I wanted to make dumb action movies. "
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Got
Thought
Me
" In 'The Bourne Identity,' I wanted to give the audience the feeling of being in the car with Jason Bourne, not just watching him drive but be in the car with him, and 'The Wall' is the continuation of that immersive filmmaking style. Where you're trapped behind the wall with Aaron Taylor-Johnson - for better or worse, you're trapped there with him. "
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Identity
Style
Better