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" We have a myth of the classless society. You won't hear an American politician apart from Bernie Sanders talk about the working class. We are all middle class, apparently. "
Margo Jefferson
Talk
American
Class
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" My mother was not happy with the Afros that my friends and I emerged with - there's that crack in the book of 'Why, if a fly landed in there, he'd break his little wings trying to get out.' I was not pure dashiki, though - I was a combination of African dresses, miniskirts, tank tops, shawls, ethnic-looking earrings, sandals. "
Margo Jefferson
Happy
Book
Friends
" There are still Negro elites. Many of them are obviously much richer, and perhaps a little more integrated into what remains a white power structure. But those old rituals from the social clubs, to the broadly segregated white and black schools, to an obsessive interest in ancestry, all of that does still exist. Look: we are a class-bound society. "
Margo Jefferson
Society
Power
Old
" I would certainly say that my life, and perhaps human life in general, follows an intricate pattern of defining, declaring, struggling for, fighting for what we think of and treasure as the self. The inviolate self. This begins with our families: your parents are part of your cultural landscape, and they are also shaped by larger forces than them. "
Margo Jefferson
Self
Say
Parents
" I think, for a while, there was a kind of debate about whether you could bring back Negro and reclaim it, and then it was black versus African American; now I have noticed in conversation that black people will use all three terms depending on context. I don't advocate one term. "
Margo Jefferson
Think
American
Black
" Even criticism is more interesting when the writer's authority does not only come through this omniscient narrator, but through questions, ambivalence, vulnerability. A mind questioning and on the move, not just settling down and declaring - that's one of the most interesting possibilities. "
Margo Jefferson
Mind
Criticism
Interesting
" I was born in 1947, and my generation, like its predecessors, was taught that since our achievements received little notice or credit from white America, we were not to discuss our faults, lapses, or uncertainties in public. "
Margo Jefferson
White
America
Born
" The burden of being a constant symbol, of having to live up to a symbol of advancement, of progress, of being perfect in some way and always representing the destiny of an entire people - that is supposed to be invincibility. That's enormous. "
Margo Jefferson
Progress
Destiny
People
" Every mind is a clutter of memories, images, inventions and age-old repetitions. It can be a ghetto, too, if a ghetto is a sealed-off, confined place. Or a sanctuary, where one is free to dream and think whatever one wants. For most of us it's both - and a lot more complicated. "
Margo Jefferson
Mind
Think
Place
" As a little girl in the '50s, I couldn't wear a purple-and-white flowered skirt with a red blouse - those colors were too loud. My parents were not into that 'We are Negros that wear all beige,' but there was a line you could walk over that could signal vulgar, crass, rather than clever use of color. And that outfit crossed over the line. "
Margo Jefferson
Walk
Colors
Color
" You were not supposed to show off in Negroland because you are supposed to be perfectly decorous and well behaved. You were also not supposed to tell any stories that reflected badly on the group because that reflected badly on the race. I use past tense, but it still feels like present tense. "
Margo Jefferson
Race
You
Tell
" I think it's too easy to recount your unhappy memories when you write about yourself. You bask in your own innocence. You revere your grief. You arrange your angers at their most becoming angles. "
Margo Jefferson
You
Think
Grief
" The world itself is so full of changes - of negotiations, changes of position, seeing things one way, then another, gauging responses, status changes that can happen in an instant. "
Margo Jefferson
Way
Changes
Happen
" Self-examination - when the whole world around you is pressuring that and challenging you - is very, very hard. Looking at a whole structure - in my case, let us say of snobbery, basking in certain privileges, marks of what appear to be superiority - that's ugly to look at. "
Margo Jefferson
Look
World
Ugly
" In general, fashion is decorative, it's protective, it acknowledges that the world does involve conflict, and you might be attacked by assumptions, presumptions, and attitudes. "
Margo Jefferson
Conflict
Fashion
General
" Fashion for my mother was about asserting and demonstrating you had aesthetics, tastes, sensibility, manners, beauty - qualities that black people were always trying to prove they possessed, because it was often assumed that we didn't. "
Margo Jefferson
Fashion
Black
Beauty
" In many ways, everything about my upbringing decreed that I wouldn't write a memoir because in the world where I grew up, in Chicago in the Fifties and Sixties, one key way of protesting ourselves - 'we' meaning black people - against racism, against its stereotypes and its insults, was to curate and narrate very carefully the story of the people. "
Margo Jefferson
Key
Racism
People
" I was born into the Chicago branch of Negroland. My father was a doctor, a pediatrician, and for some years head of pediatrics at Provident, the nation's oldest black hospital. My mother was a social worker who left her job when she married, and throughout my childhood, she was a full-time wife, mother, and socialite. "
Margo Jefferson
Wife
Childhood
Father
" Black Power was really a major challenge to the social privileges and structures of the kind of privilege that I had grown up with. That whole belief... that you will only be able to advance if you are perfectly behaved, if you present yourself as what white people would consider an ideal of whiteness... all of that just began to burst open. "
Margo Jefferson
Challenge
People
You
" I need to acknowledge the toll certain parts of my life are taking on me. I have to do that, even if it temporarily paralyzes me to suppress it. Otherwise, paradoxically, I can't go on. When I can reside in that, and recoup, then I can continue. In a strange way it's a survival method. "
Margo Jefferson
Need
Survival
Me
" Clever of me to become a critic. We critics scrutinize and show off to a higher end. For a greater good. Our manners, our tastes, our declarations are welcomed. Superior for life. Except when we're not. Except when we're dismissed or denounced as envious or petty, as derivatives and dependents by nature. Second class for life. "
Margo Jefferson
Clever
Nature
End
" The piece I most love wearing is Mother's gold brocade cocktail dress with matching jacket... It's 'flip and flirty,' as my mother prescribed. It's crisp yet splendid. It makes me feel I've put on made-to-order armor. My mother's armor. Armor that helped shield me from exclusion. Armor that helped shield me from inferiority. "
Margo Jefferson
Gold
Me
Mother
" I first wrote about Michael Jackson in the 1980s. His skin was growing paler, his features thinner, and his aura more feminine. Some called him a traitor to his race. Some fussed about his gender fluidity. I saw him as a post-modern shape-shifter. But the shifts grew more extreme and mysterious. "
Margo Jefferson
Race
Gender
Growing
" My mind is stuffed with quotes. Lines, couplets, paragraphs, stanzas; Bessie Smith, Stevie Smith, Tin Pan Alley, rock and roll. They tease or lead or hurl me into a dream space of jostling languages that I need to bask in each day in order to write. "
Margo Jefferson
Rock And Roll
Mind
Me