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" What interested me was dance - the way that it was constructed with time-space constructions, and that it was abstract. I always thought: 'Why couldn't theater be that way? Or an opera?' "
Robert Wilson
Always
Me
Thought
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" We're so afraid to lose the audience. Let the audience go. "
Robert Wilson
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Go
" My work has always dealt with a kind of space that allows one to daydream. "
Robert Wilson
Space
Kind
Dealt
" Yes, I've been in love, but I guess I'm too involved with myself and my work. I think I'm in love with my work, and I'm in love with the people I work with. "
Robert Wilson
Love
People
Myself
" What was very interesting to me about Clementine Hunter's work is that she couldn't read or write, and she has recorded history of the plantation life and the southern part of the U.S. - the cotton harvests, pecan picking, washing clothes, funerals, marriages - in pictures. "
Robert Wilson
Me
Life
History
" I learned loudness from working with Lou Reed. "
Robert Wilson
Learned
Reed
Working
" My tax dollar, which goes to New York State Council on the Arts, is by and large only spent to fund people from the state of New York! And you want to be the cultural capital of the world? "
Robert Wilson
You
People
New York
" Usually in theater, the visual repeats the verbal. The visual dwindles into decoration. But I think with my eyes. For me, the visual is not an afterthought, not an illustration of the text. If it says the same thing as the words, why look? The visual must be so compelling that a deaf man would sit though the performance fascinated. "
Robert Wilson
Man
Words
Think
" I always thought of the English landscape as being English gardens. "
Robert Wilson
English
Always
Thought
" The French, not the Americans, commissioned 'Einstein on the Beach.' "
Robert Wilson
Commissioned
Beach
French
" Sometimes, when we're very, very still, we're more aware of movement than when we make a lot of movement outwardly. "
Robert Wilson
Still
Sometimes
Movement
" By giving the leadership to the private sector in a capitalistic society, we're going to measure the value of art by how many products we can sell. "
Robert Wilson
Leadership
Society
Value
" One of the few things that will remain of this time is what artists are doing. They are the journal and the diary of our time. "
Robert Wilson
Diary
Will
Time
" When we look back at the Mayans or ancient Egypt, we look at their art. "
Robert Wilson
Egypt
Look
Ancient
" At the end of the 1960s, I was part of the downtown theatrical movement in New York that was making work in alleyways, garages, gyms, churches, non-traditional spaces. The idea was to get away from the illusion of the conventional theatre. But then I thought, what's wrong with illusion? "
Robert Wilson
Thought
End
Theatre
" I try to present something that is full of time. Not timeless, but full of time. I never like a work where we try to update it, but it's still not interesting to see a work that is dated. If one is successful, then a work can be full of time. And time is very complex. "
Robert Wilson
Time
Interesting
Work
" I do still collect chairs. "
Robert Wilson
Still
Chairs
Collect
" I think people are looking for an alternative to the fast pace of everyday life and entertainment. "
Robert Wilson
Pace
Life
Looking
" As a very young man growing up in Texas, usually I got a shotgun or cowboy boots for Christmas. "
Robert Wilson
Growing Up
Texas
Man
" I think by drawing, so I'll draw or diagram everything from a piece of furniture to a stage gesture. I understand things best when they're in graphics, not words. "
Robert Wilson
Think
Words
Best
" I think that in my plays you can come in for 20 minutes and get something out of it. I'd like to do a play that would run for days. I don't think time is that important. Nature doesn't hurry the sky, the changing clouds and sunsets. "
Robert Wilson
Time
Nature
Clouds
" I don't see anyone for the first hour and a half that I'm awake. I don't like to talk, and I don't like to hear any sounds. People know not to bother me! I use that time to read, and make lists and notes of things I have to do later in the day. "
Robert Wilson
Day
Me
People
" In Europe, unlike the States, they have a cultural policy. "
Robert Wilson
Cultural
Policy
Unlike
" I had dinner with Marlene Dietrich in the early 1970s. I went to pick her up and she had someone with her, a dreadful man. He was writing a book about her, and he said to her, 'You're so cold when you perform,' and she said, 'You didn't listen to the voice.' She said the difficulty was to place the voice with the face. "
Robert Wilson
Face
Book
Dinner
" If you take a Baroque commode and put a Baroque clock on top of it, maybe it is not so interesting as when you put a computer on top of it. Then you see both items in a new way. "
Robert Wilson
You
Way
See
" I don't see much difference between living and working. I think living is a part of my work. People often say, 'How can you work so much?' I don't think about it as work. I think of it as a way to live. "
Robert Wilson
Live
Living
People
" I think it's just my nature. I can't work on one thing. I have to work on many things. "
Robert Wilson
Many
Nature
Just
" Most theater tells you what to think. "
Robert Wilson
Tells
Theater
You
" The mind is a muscle. "
Robert Wilson
Muscle
Mind
" Counterpoint is difficult. I have been doing it since the beginning of my career. But it is not just taking any opposite. It is finding the right opposite. "
Robert Wilson
Finding
Right
Beginning
" I want to work with Jay-Z. "
Robert Wilson
Jay-Z
Work
Want