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" What the beautiful-writing writers are most attached to is almost always superfluous. "
Jonathan Galassi
Almost
Most
Attached
Related Quotes:
" Be patient, work hard and consistently, have faith in your writing, and don't be afraid to listen to constructive criticism. "
Jonathan Galassi
Writing
Faith
Work Hard
" I can write anywhere that's quiet. I have a study in my apartment, but I often work in the kitchen of a house that we rent in the country. "
Jonathan Galassi
Quiet
Kitchen
House
" The only thing you can really say in a poem is what you really, really deeply believe. "
Jonathan Galassi
Really
Poem
You
" Elizabeth Bishop in particular had a big impact on me personally as well as artistically. Her insistence on clarity is something I rate very highly. "
Jonathan Galassi
Her
Big
Clarity
" After college, I went to England and studied for a couple years. "
Jonathan Galassi
College
Years
England
" That's one thing about fiction: you can make the world be the way you think it should be. "
Jonathan Galassi
You
Make
World
" Poems are endlessly renewable resources. Whatever you bring to them, at whatever stage of life, gets mirrored back, refracted, reread in new ways. "
Jonathan Galassi
Stage
Back
Bring
" My biggest concern about the market is the force that acts to drive down price, because I think that's destructive to authors as well as publishers. Our biggest battle is to underline the value of intellectual property. "
Jonathan Galassi
Battle
Value
Price
" The price of an e-book is a lot less than the price that we're charging for a hardcover book. It's about the same as we charge for a paperback. And that means a different revenue stream. "
Jonathan Galassi
Book
Price
Same
" An e-book distributor is not a publisher, but rather a purveyor of work that has already been created. "
Jonathan Galassi
Publisher
Been
Created
" I feel that there is not an endlessly expandable universe of fiction readers. "
Jonathan Galassi
I Feel
Universe
Readers
" I think poetry was always where I went to deal with my deepest feelings. "
Jonathan Galassi
Feelings
Deepest
Always
" I love poetry; it's my primary literary interest, and I suppose the kind of reading you do when you are reading poems - close reading - can carry over into how you read other things. "
Jonathan Galassi
Over
Kind
Love
" Eugenio Montale - born in Genoa in 1896, died in Milan, 1981 - is one of the twentieth-century Europeans who has spoken most meaningfully to American and British poets. "
Jonathan Galassi
Born
British
Milan
" There are courses you can take to learn the mechanics of the business, like the Radcliffe course, but I don't think they teach you how to edit. "
Jonathan Galassi
Learn
You
Think
" Editing is more by-the-hip. You look at a text and ask yourself how it can be improved. "
Jonathan Galassi
Look
You
Editing
" A publisher - and I write as one - does far more than print and sell a book. It selects, nurtures, positions and promotes the writer's work. "
Jonathan Galassi
More
Work
Far
" I've always used poetry to explain myself to myself. These things just sat in my psyche and then came out. "
Jonathan Galassi
Always
Used
Explain
" Writing is inherently scary. "
Jonathan Galassi
Writing
Inherently
Scary
" A translation needs to read convincingly. There's no limit to what can go into it in terms of background research, feeling, or your own interests in form and history. But what should come out is something that reads as convincing English-language text. "
Jonathan Galassi
Own
Feeling
History
" I wanted to be involved with literature. I certainly wasn't going to be able to write for a living, and I didn't have enough confidence in my talent to think that I should be just doing that. Publishing seemed like fun to me - to be involved with writers. And it did turn out to be. "
Jonathan Galassi
Fun
Turn
Think
" As the publisher of FSG and the custodian of its legacy, I have an interested insider's view. "
Jonathan Galassi
Legacy
View
Custodian
" I deal with the authors I work with, agents, and other departments of the company, talking about both the books that I'm working on and everyone else's. Then there's dealing with foreign publishers: foreigners visit all the time. People want to bounce things off the publisher, and a lot of it is encouragement. "
Jonathan Galassi
Encouragement
Work
Want
" Giving oneself permission to write to begin with is the first enormous challenge. But you discover that this permission involves a requirement: To write about things that are difficult because they are, in fact, your subject. "
Jonathan Galassi
You
Giving
Fact
" Poetry is really about your mental state or intellectual, and where you are, and you're trying to evoke that, explain it to yourself, whatever, you're trying to dig into it, analyse yourself. "
Jonathan Galassi
Poetry
Yourself
You
" If you've worked in a company for a long time, there's a mythology that you know by heart, you don't need to look it up to evoke. It's there in your blood, as it were. "
Jonathan Galassi
You
Heart
Know
" Poetry is not mainstream, but then neither is serious fiction, really. But I don't think there's a lot to worry about in this particular 'problem'. Why does art have to be mainstream to be significant? "
Jonathan Galassi
Poetry
Problem
Think
" One thing I have noticed is that when you're a younger editor, you're more intense about it. As you go along, you relax a little. More and more, I feel that the book is the author's. You give the author your thoughts, and it's up to him or her to decide what to do. "
Jonathan Galassi
Relax
Thoughts
Feel
" There's an old saw about journalism that the more you know about a subject, the less sense reporting about it makes. "
Jonathan Galassi
Know
You
Old
" The FSG story starts to lose its fairy-tale aura when filthy lucre invades the sacred enclosure, as it did ubiquitously in the every-man-for-himself Reagan era. "
Jonathan Galassi
Starts
Story
Aura