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" Whenever people ask where I get my sick and twisted ideas from, I reply, 'Just open your eyes.' "

Mark Billingham

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" The fact is that most crime novels contain a good many punchlines. They are just rather darker than the ones you might hear in a comedy club. "

Mark Billingham

" I'm completely absorbed by Peter Guralnick's definitive, two-part biography of Elvis Presley: 'Last Train To Memphis' and 'Careless Love.' Meticulously researched, this is a compelling mix of history, myth-busting, and, of course, some timeless music. "

Mark Billingham

" I was never a fan of cozy mysteries of anything set in the countryside, you know. "

Mark Billingham

" When a crime writer thinks up a delicious twist, it is a great moment. Time to relax and take the rest of the day off. I do think that it can be overdone, however. "

Mark Billingham

" There have been some brilliant and very successful standalone books that work in themselves and also seem to refresh a series. Anyone who writes a series lives in fear of it becoming stale, so you do whatever you can to keep it fresh - although it does feel a bit nerve-racking to write outside of your comfort zone. "

Mark Billingham

" I moved from acting to stand-up because castings are just about what you look like. It doesn't matter if you can act or not. In comedy, no one cares what you look like. "

Mark Billingham

" Whether your audience is in a sweaty basement club or nestled in a favourite armchair, good money has been paid, and attention has got to be grabbed if you are not to be heckled off the stage or find your novel discarded in favour of the latest volume of 'Fifty Shades of Whatever.' "

Mark Billingham

" I often wonder, with my hand on my heart, if 'The Dying Hours' was made into the biggest movie franchise in history, would I pick up my pen again? Wouldn't I be happier spending the rest of my life travelling around with my wife? "

Mark Billingham

" You throw the kitchen sink at your early books. You put everything in there. It's like when you meet a new girlfriend or boyfriend, you tell them all your best stories. By the time you have been married for 10 years, they are crying, 'Shut up!' "

Mark Billingham

" I am trying to give the best performance possible in 400 pages. I want readers to be scared; I want them to be moved. Entertainment doesn't necessarily mean something trivial, but it does mean people wanting to get to the end of a book. "

Mark Billingham

" More than 100 years after he first appeared, Holmes remains the template for the fictional detective. "

Mark Billingham

" As crime writers, we put these characters, year after year, book after book, through the most horrendous trauma, dealing with grief and death and loss and violence. We can't pretend that these things don't affect these characters; they have to. If they don't, then you're essentially writing cartoons. "

Mark Billingham

" I'd read one too many crime novels where the victim was just a name: body number one, dead woman number 12. I understood fear, and I wanted to create characters who made readers say, 'Please, don't hurt this guy.' That's the key to suspense. It's easy to disgust a reader. It's much harder to make them care. "

Mark Billingham

" Having worked as both comedian and crime writer, the one thing I know is that both involve the delivery of a performance. "

Mark Billingham

" When I began to write, I was surprised at how little London had been used in crime fiction. Places such as Edinburgh or Oxford or L.A. seemed to have stronger identities. "

Mark Billingham

" The day a character becomes predictable is the day a writer should think about moving on - because the reader certainly will. "

Mark Billingham

" Crime is the biggest genre in libraries and in bookshops, and it is hugely varied. "

Mark Billingham

" As I write each new Thorne novel, I'm determined that whatever is happening plot-wise, a new layer of the onion will be peeled away and reveal something about Thorne that is surprising to me as much as anyone else. If I can remain interested in the character, then hopefully the reader will stay interested, too. "

Mark Billingham

" There are a number of writers who believe it is their duty to throw as many curve balls at the reader as possible. To twist and twist again. These are the Chubby Checkers of crime fiction and, while I admire the craft, I think that it can actually work against genuine suspense. "

Mark Billingham

" I think it's very easy to disgust the reader with violence on the page - that's incredibly easy - but it's far harder to make a reader care about a character. "

Mark Billingham

" Ian Rankin's Rebus is the king of modern British crime fiction. He is dour, determined, and constantly falls foul of his seniors. For all this, we root for him. He is eminently loveable, a quixotic hero moving through the darker half of a Jekyll and Hyde Edinburgh. "

Mark Billingham

" While the subject matter of my novels could not be further removed from the stuff I used to trot out at the Comedy Store, the delivery of the material employs many of the same techniques. "

Mark Billingham

" I believe that if writers want their readers to care about a character, they have to care themselves. I have to root for a detective who screws up as much as Thorne does, who shares my birthday, my North London stomping ground, and my love of country music, both alt and cheesy. "

Mark Billingham

" It may sound surprising, but a joke and a crime novel work in very much the same way. The comedian/writer leads their audience along the garden path. The audience know what's coming, or at least they think they do until they get hit from a direction they were not expecting. "

Mark Billingham