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All Quotes by author - Barry Jenkins
" Art is inherently political. Even trying to make a film that has nothing to do with politics is, in and of itself, a political act. "
Politics
Political
Trying
" As a filmmaker, I really want to utilize the tools to carry the voice - my voice, and the voice of the characters. "
Voice
Characters
Carry
" As a filmmaker whose first film was made with the DIY tools of digital cinema, I love how the democratization of the filmmaking process and platforms like YouTube enables people to tell stories that in previous generations simply could not be told. "
Love
Tools
Process
" As a writer, a blank page will humble the hell out of you. It always does, and it always will. "
Page
You
Will
" At school, film-making had been the most beautiful thing that ever happened to me. Then I get to L.A., and it's this whole other thing. I checked out. "
School
Beautiful
Me
" Because I'm so in the eye of the hurricane, I don't have a really good perception of what's happening. I'm in a room talking to people, and that's all I know. But sometimes I go out of these rooms - I live in L.A., and every now and then, maybe twice a week, I'll be somewhere, and someone will say, 'Hey, are you the guy that made Moonlight?' "
People
Good
Live
" Cinema is a little over 100 years old, and a lot of what we do is built around film emulsion. Those things were calibrated for white skin. We've always placed powder on skin to dull the light. But my memory of growing up in Miami is this moist, beautiful black skin. "
Growing Up
Light
Beautiful
" Filmmaking is a very privileged art form. It costs a lot of money to make these things. "
Art
Costs
Filmmaking
" Growing up, I wasn't the most vocal kid in the world. I feel like I learned through observation, and usually, when you're watching things, you're not speaking. That sort of metastasized in a way that I began to participate less and less in the world. "
You
Growing Up
World
" I didn't really want to be a filmmaker, growing up. Other than Spike Lee's movies, I would think, 'Where is a place for me?' We were so damn poor that it just seemed too far beyond. "
Movies
Growing Up
Place
" I got into film school. I went and didn't know anything about it. Over the course of two years, I kind of got kind of good at it. You know, I had a brief moment where I wasn't sure if I could do it. I didn't know you needed light to expose film. "
Good
Know
Light
" I just came back from my hometown, making a movie about a kid who grew up just like me, and it was financed by white people in New York. Personally, I can't be angry. In my personal experience, the support was there. "
Experience
Me
New York
" I'm always about, 'What is the most productive version of what I'm putting into the world?' Something that can be engaged by all folks. I don't have to change everyone. "
Change
World
Most
" In hip-hop, sometimes that pace is so fast that you miss things. I don't mean literally miss lyrics; I just think there's an emotion in what these cats are saying that gets by you. When you slow things down, there's this emotion, this yearning. "
Think
Slow
Saying
" I think everybody can identify, you know, with this sort of struggle to decide for yourself who you are, you know, and what your place in life is. "
Place
Yourself
Think
" It's interesting because I think class is a heavy, heavy part of 'Moonlight,' and I think, in a certain way, through the sum of all these parts, it's become a commentary on the black experience in America. "
America
Experience
Black
" It used to be that watching a film was a very special occasion, the same way flying was. Before, if you took a flight from New York to L.A., most of the windows would be open. Now, we get on planes and we just close them because we're so used to what it feels like. I think the same thing has happened with cinema. "
Cinema
Flying
Think
" 'Moonlight' changed me. To see people so moved by this movie inspires me to find something else to offer. And maybe the next one touches only five people or maybe just one person. To me, you know, that would still be worth it. "
Know
Worth
People
" 'Moonlight' is a story that hasn't been told. Whether placed as queer black cinema or urban male cinema, the lack of coming-of-age films featuring people like Chiron and set in places like inner-city Miami is pronounced and unfortunate. "
Miami
Black
Story
" My first job was cutting grass. In Miami, this grass grows everywhere. You just get the lawn mower out, walk down the neighborhood, cut grass. "
Down
Miami
Job
" Not all my work features black actors. I mean, it's funny: someone was reading back to me all the languages that have appeared in my films, whether they were shorts or features. They span Arabic, French, Mandarin, Cantonese - all kinds of languages. I think it's really cool. "
Cool
Reading
Black
" Sometimes, how you ingest this idea of masculinity as projected onto you by the world could be the difference of life and death. "
You
World
Life And Death
" There's nothing in Hollywood that's inherently detrimental to good art. I think that's a fallacy that we've created because we frame the work that way too overtly. 'This is Hollywood.' 'This isn't Hollywood.' It's like, 'No, this is actually all Hollywood.' People are just framing them differently. "
Work
Nothing
Think
" The way I work, things are very nuanced; not everything is explained. "
Explained
Things
Way
" To me, no matter who you're casting for what role, if something's authentic, usually you can mine something good there. "
Good
Mine
Me
" We are carrying these images out into the world, and we can't control how people contextualize those images no matter how virtuous our aspirations and our intentions are. "
Matter
World
Control
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