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All Quotes by author - Claire Messud
" An abiding preoccupation for me is how much of our lives are invisible and unknown by other people, like the Chekhov story 'The Lady With the Little Dog.' "
Story
Unknown
People
" A painting lets us know how somebody literally saw things. A piece of music is another language that transmits a whole wealth of emotion and wordless experience. But writing is special in the way at allows us to temporarily enter another person's world, to step outside the boundaries of our own time and space. "
Time
Space
Experience
" As a kid, I used to tell all these stories. I remember meeting a childhood friend, and we were talking. We remembered that I had made up this story about going to Mars. And she looked at me and said, 'I didn't sleep for a week after that!' "
Sleep
Childhood
Friend
" As any of us approaches middle age, we inevitably come up against our limitations: the realization that certain dearly-held fantasies may not be realized; that circumstances have thwarted us; that even with intention and will we may not be able to set our ship back on the course we'd planned. "
Circumstances
Ship
Back
" As a reader, I have always enjoyed 'ranty' books, but they are all written by men. "
Reader
Always
Men
" As a reader since very early, I have found myself drawn to rants. "
Early
Very
Drawn
" At the end of the day, what would be a Canadian sensibility? Is it Michael Ondaatje? Alice Munro? Is Margaret Atwood more Canadian than Neil Bissoondath? "
Than
Day
More
" At university, my generation were ready to fight, but we didn't really have anything to fight for. "
University
Fight
Generation
" Awards bolster your confidence in wonderful ways. But they aren't the world. "
World
Wonderful
Confidence
" Because we moved so much, I was always having to adapt and work out the lay of the land. So I felt envious of those who did not have to try. "
Because
Work
Try
" Carmiel Banasky, a writer like no other, is a talent to watch. "
Other
Writer
Watch
" Don't go around asking the question, 'Is this character likeable?' and expect that to be compatible with serious literary endeavours. That's not what it's about. "
Question
Serious
Go
" Especially since having children, a lot of the time if you ask me, 'Have you read that book?' the answer would be 'not personally.' "
Children
Answer
Book
" Everybody's always living in fiction just as much as children, but the way our stories are faked is curtailed by all sorts of narratives we take into our own lives about what are the true narratives and what's not. "
Way
Always
Children
" For many of us, we set out thinking there will be time in the future, and then suddenly we find ourselves at a moment when we have to acknowledge that the future isn't infinite. "
Us
Find
Future
" For me, it was a formative experience reading Eliot when I was younger. 'The Waste Land,' in particular. "
Me
Reading
Waste
" For me, the ages between 9 and 12 were great because it was before you wore any masks, and you had some autonomy in the world. You had some freedom, and you felt you had unlimited ambition. It's when you thought, 'I'm going to write plays. I'm going to be president. I'm going to do this; I'm going to do that.' And then it all falls apart. "
Ambition
Thought
Freedom
" For me, the watershed was Hurricane Katrina. If that didn't get people out on the streets, then what will? "
People
Me
Hurricane
" For those of us whose thoughts digress; for whom unexpected juxtapositions are exhilarating rather than tiresome; who aim, if always inadequately, to convey life's experience in some semblance of its complexity - for such writers, the semi-colon is invaluable. "
Experience
Thoughts
Unexpected
" Girls, in particular, use storytelling to establish hierarchies, a pecking order. There is a sort of jockeying of who is in charge of shared history. "
Charge
History
Order
" Henry James and Edith Wharton are huge for me because they gave me a way to understand America while still respecting the European backgrounds of my relatives. "
Relatives
Way
Understand
" I actually did work and produced two short dissertations, one on Faulkner and one on the film criticism of the stream-of-consciousness novelist Dorothy Richardson. "
Work
Two
Did
" I always feel as though I'm not quite Canadian enough for everybody. "
Always
Enough
Everybody
" I always say to my students, 'If you can do anything other than writing and be happy, then you should.' "
Writing
Say
Than
" I believe that, in an ideal world, writers would feel free to write what matters to them without having to consider success, failure, the market, etc. "
Failure
World
Success
" I digress a lot - it's how I experience the world. I would like to write in a way that will convey that to the reader, but also I need clarity. "
Experience
Clarity
Need
" I don't trust people who are likable. "
Who
Trust
Likable
" I'd wish for my work to be remembered rather than myself. "
Rather
Myself
Remembered
" I feel as though there are things that I'm trying to do - you know, capturing truthfully some aspect of human experience - and I'm trying really hard not to be fake. And in writing, as in life, it's harder than you think. "
Know
Writing
Think
" I feel as though there's a lot invested in my background in being an outsider. "
Feel
Outsider
Background
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