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All Quotes by author - Edward Hopper
" After all, we are not French and never can be, and any attempt to be so is to deny our inheritance and to try to impose upon ourselves a character that can be nothing but a veneer upon the surface. "
Never
Nothing
Surface
" Great art is the outward expression of an inner life in the artist, and this inner life will result in his personal vision of the world. "
Vision
Life
Great
" I believe that the great painters with their intellect as master have attempted to force this unwilling medium of paint and canvas into a record of their emotions. "
Great
Emotions
I Believe
" If I had the energy, I would have done it all over the county. "
County
Done
Energy
" I find in working always the disturbing intrusion of elements not a part of my most interested vision, and the inevitable obliteration and replacement of this vision by the work itself as it proceeds. "
Inevitable
Always
Find
" I find linseed oil and white lead the most satisfactory mediums. "
Lead
Mediums
White
" If the picture needs varnishing later, I allow a restorer to do that, if there's any restoring necessary. "
Needs
Allow
Necessary
" If the technical innovations of the Impressionists led merely to a more accurate representation of nature, it was perhaps of not much value in enlarging their powers of expression. "
Expression
Nature
Much
" If you could say it in words there would be no reason to paint. "
You
Words
Say
" I have tried to present my sensations in what is the most congenial and impressive form possible to me. "
Present
Possible
Me
" In general it can be said that a nation's art is greatest when it most reflects the character of its people. "
Said
Nation
Character
" In its most limited sense, modern, art would seem to concern itself only with the technical innovations of the period. "
Modern
Sense
Only
" I think that zinc white has a property of scaling and cracking. "
I Think
Property
White
" I trust Winsor and Newton and I paint directly upon it. "
Paint
Newton
Directly
" It's to paint directly on the canvas without any funny business, as it were, and I use almost pure turpentine to start with, adding oil as I go along until the medium becomes pure oil. I use as little oil as I can possibly help, and that's my method. "
Business
Funny
Start
" I use a retouching varnish which is made in France, Libert, and that's all the varnish I use. "
Made
Which
Use
" Maybe I am not very human - what I wanted to do was to paint sunlight on the side of a house. "
House
Sunlight
Human
" More of me comes out when I improvise. "
More
Out
Improvise
" My aim in painting has always been the most exact transcription possible of my most intimate impression of nature. "
Nature
Possible
Aim
" No amount of skillful invention can replace the essential element of imagination. "
Imagination
Invention
Replace
" Painting will have to deal more fully and less obliquely with life and nature's phenomena before it can again become great. "
Great
Will
Painting
" The only real influence I've ever had was myself. "
Real
Ever
Had
" The question of the value of nationality in art is perhaps unsolvable. "
Value
Question
Nationality
" There is a sort of elation about sunlight on the upper part of a house. "
About
Sort
Sunlight
" There will be, I think, an attempt to grasp again the surprise and accidents of nature and a more intimate and sympathetic study of its moods, together with a renewed wonder and humility on the part of such as are still capable of these basic reactions. "
Together
Nature
Study
" The trend in some of the contemporary movements in art, but by no means all, seems to deny this ideal and to me appears to lead to a purely decorative conception of painting. "
Art
Lead
Me
" Well, I have a very simple method of painting. "
Painting
Very
Well
" Well, I've always been interested in approaching a big city in a train, and I can't exactly describe the sensations, but they're entirely human and perhaps have nothing to do with aesthetics. "
Nothing
Human
City
" What I wanted to do was to paint sunlight on the side of a house. "
Side
Paint
Art
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