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All Quotes by author - Michael Haneke
" A feature film is twenty-four lies per second. "
Feature
Film
Twenty-Four
" All movies assault the viewer in one way or another. "
Assault
One Way
Way
" An artist is someone who should raise questions rather than give answers. I have no message. "
Answers
Questions
Who
" And I don't believe that children are innocent. In fact, no one seriously believes that. Just go to a playground and watch the kids playing in the sandbox! The romantic notion of the sweet child is simply the parents projecting their own wishes. "
Parents
Romantic
Own
" And if there was one title that could be applied to all my films, it would be 'Civil War' - not civil war in the way we know it, but the daily war that goes on between us all. "
Us
War
Civil War
" As a European filmmaker, you can not make a genre film seriously. You can only make a parody. "
Genre
Make
You
" As a private person, professionally I am invisible. "
Person
I Am
Invisible
" At its best, film should be like a ski jump. It should give the viewer the option of taking flight, while the act of jumping is left up to him. "
Like
Flight
Film
" Awards are important for all directors because they improve your working conditions. You're only as good as your last film, so if you get prizes or large audiences, then you get more money for your next film. "
Film
You
Good
" Because I'm the author of my screenplays I know what I'm looking for. It's true that I can be stubborn in demanding that I get what I want, but it's also a question of working with patience and love. "
Love
Know
Looking
" Classicism becomes avant-garde when everyone else is doing their utmost to develop new stylistic forms. I think it's healthy to return to classical forms. "
New
Healthy
Everyone
" Drama lives on conflict. If you're trying to deal with social issues seriously, there's no way of avoiding violence, which is so present in society. "
Violence
You
Trying
" Films for TV have to be much closer to the book, mainly because the objective with a TV movie that translates literature is to get the audience, after seeing this version, to pick up the book and read it themselves. My attitude is that TV can never really be any form of art, because it serves audience expectations. "
Never
Expectations
Book
" Films that are entertainments give simple answers but I think that's ultimately more cynical, as it denies the viewer room to think. If there are more answers at the end, then surely it is a richer experience. "
Simple
Think
Answers
" 'Funny Games' was conceived as a provocation. My other films are different. If people feel my other films are, or respond to them as provocation, then that's quite different. 'Funny Games' is the only one of mine where my intention was to provoke the audience. "
Intention
Feel
Audience
" I consider all my films experiments. "
Experiments
Consider
Films
" I give the spectator the possibility of participating. The audience completes the film by thinking about it; those who watch must not be just consumers ingesting spoon-fed images. "
Audience
Watch
Film
" I learned my business in the theater and in television, particularly working with the actors. You can learn much more in the theater than directing a movie, because then you have no time when you are shooting a movie to really work with the actors. You have to learn this craft somewhere else. "
You
Television
Work
" I love actors, both my parents were actors, and the work with actors is the most enjoyable part of making a film. It's important that they feel protected and are confident they won't be betrayed. When you create that atmosphere of trust, it's in the bag - the actors will do everything to satisfy you. "
Parents
You
Create
" I make my films because I'm affected by a situation, by something that makes me want to reflect on it, that lends itself to an artistic reflection. I always aim to look directly at what I'm dealing with. I think it's a task of dramatic art to confront us with things that in the entertainment industry are usually swept under the rug. "
Me
Art
Look
" I'm far more relaxed with German. I'm a control freak. I like to know exactly who's saying and doing what. "
Doing
Control
Know
" I'm lucky enough to be able to make films and so I don't need a psychiatrist. I can sort out my fears and all those things with my work. That's an enormous privilege. That's the privilege of all artists, to be able to sort out their unhappiness and their neuroses in order to create something. "
Enough
Work
Privilege
" I'm not someone who enjoys long talks, long rehearsals. I'm very technical: I tell my actors, you come in, you sit down, you pick up a coffee, you look here, you say the line. We try it with the cameras rolling, and if it doesn't work, we adjust it until it does. It's very simple. "
Work
Simple
Look
" In all of my work I'm trying to create a dialogue, in which I want to provoke the recipients, stimulate them to use their own imaginations. I don't just say things recipients want to hear, flatter their egos or comfort them by agreeing with them. I have to provoke them, to take them as seriously as I take myself. "
Work
Trying
Comfort
" I never suffered from the absence of a father. On the contrary, as a child I was more inclined to see men as a disturbing factor. It made things difficult for me when I started working as a director. "
Child
See
Men
" I think it's a little simplistic to explain a work through the psychology of its author. In other words, that Haneke has emotional problems, so I don't have to take his films seriously. By using this argument, the viewer retreats from the challenges of the film. "
Think
Challenges
Problems
" I try to get closer to reality, to get close to the contradictions. The cinema world can be a real world rather than a dream world. "
Try
World
Real
" It's a disease of critics that once they've labeled someone, it's very hard to change their perspective. It's laziness. "
Someone
Change
Perspective
" It's a fact that people who are in a weakened position, whether physically or mentally, have this perception of the outer world as threatening. Everything that is unexpected or unknown is seen as a potential danger. "
Unexpected
Perception
People
" It's harder to write a story with just two people in a room than with 50 characters. "
Write
Two
People
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