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" I try to get closer to reality, to get close to the contradictions. The cinema world can be a real world rather than a dream world. "
Michael Haneke
Try
World
Real
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" What I like are films that take me seriously, that don't treat me as more stupid than I am. "
Michael Haneke
Stupid
More
Me
" It's harder to write a story with just two people in a room than with 50 characters. "
Michael Haneke
Write
Two
People
" Films for TV have to be much closer to the book, mainly because the objective with a TV movie that translates literature is to get the audience, after seeing this version, to pick up the book and read it themselves. My attitude is that TV can never really be any form of art, because it serves audience expectations. "
Michael Haneke
Never
Expectations
Book
" I learned my business in the theater and in television, particularly working with the actors. You can learn much more in the theater than directing a movie, because then you have no time when you are shooting a movie to really work with the actors. You have to learn this craft somewhere else. "
Michael Haneke
You
Television
Work
" Films that are entertainments give simple answers but I think that's ultimately more cynical, as it denies the viewer room to think. If there are more answers at the end, then surely it is a richer experience. "
Michael Haneke
Simple
Think
Answers
" You can use your means in a good and bad way. In German-speaking art, we had such a bad experience with the Third Reich, when stories and images were used to tell lies. After the war, literature was careful not to do the same, which is why writers began to reflect on the stories they told and to make readers part of their texts. I do the same. "
Michael Haneke
Experience
Bad
Art
" There are really two types of laughter on the part of the spectator. There is the laughter of recognition - which means seeing things you're familiar with and laughing at yourself. But there's also hysterical laughter - a way of dealing with the things we see that upset us. "
Michael Haneke
Recognition
Laughter
Yourself
" You'll see more violence in any television crime series than you will in my films... Art is there to have a stimulating effect, if it earns its name. You have to be honest, that's the only thing. "
Michael Haneke
Violence
Name
Television
" A feature film is twenty-four lies per second. "
Michael Haneke
Feature
Film
Twenty-Four
" I'm lucky enough to be able to make films and so I don't need a psychiatrist. I can sort out my fears and all those things with my work. That's an enormous privilege. That's the privilege of all artists, to be able to sort out their unhappiness and their neuroses in order to create something. "
Michael Haneke
Enough
Work
Privilege
" My mother as a young girl went out with a young SS officer and she didn't really know what was going on - she just liked the uniform. When he told her about the things that he did, she was disgusted and broke up with him. "
Michael Haneke
Uniform
Girl
Young
" I consider all my films experiments. "
Michael Haneke
Experiments
Consider
Films
" I've never let producers tell me what to do. Even when I was making television, I always did what I wanted to do, and if I couldn't, I didn't do it. It was a freedom that, these days, young directors starting out don't have. "
Michael Haneke
Television
Me
Always
" I want to make it clear: it's not that I hate mainstream cinema. It's perfectly fine. There are a lot of people who need to escape, because they are in very difficult situations, so they have the right to escape from the world. But this has nothing to do with an art form. "
Michael Haneke
People
Art
Cinema
" And I don't believe that children are innocent. In fact, no one seriously believes that. Just go to a playground and watch the kids playing in the sandbox! The romantic notion of the sweet child is simply the parents projecting their own wishes. "
Michael Haneke
Parents
Romantic
Own
" It's a fact that people who are in a weakened position, whether physically or mentally, have this perception of the outer world as threatening. Everything that is unexpected or unknown is seen as a potential danger. "
Michael Haneke
Unexpected
Perception
People
" My father and I had a good relationship, it was very relaxed. He had a lot of humour. He looked a little bit like me, although he had no beard. He had the appearance of a very elegant British-looking man. "
Michael Haneke
Father
Relationship
Me
" When I first envisioned 'Funny Games' in the mid-1990s, it was my intention to have an American audience watch the movie. It is a reaction to a certain American cinema, its violence, its naivety, the way American cinema toys with human beings. In many American films, violence is made consumable. "
Michael Haneke
Violence
Funny
Cinema
" To be perfectly honest, I think that as I'm growing older, I'm just growing more impatient. I'll be very happy if at some point people say, 'Michael's grown wiser and softer in his old age.' But we'll have to wait and see what my next project is. "
Michael Haneke
People
Think
Old Age
" I'm far more relaxed with German. I'm a control freak. I like to know exactly who's saying and doing what. "
Michael Haneke
Doing
Control
Know
" I love actors, both my parents were actors, and the work with actors is the most enjoyable part of making a film. It's important that they feel protected and are confident they won't be betrayed. When you create that atmosphere of trust, it's in the bag - the actors will do everything to satisfy you. "
Michael Haneke
Parents
You
Create
" Personally, I can't stand violence. In any standard American mainstream movie, there's 20 times more violence than in any one of my films, so I don't know why those directors aren't asked why they're such specialists for violence. "
Michael Haneke
Know
Violence
Why
" I'm not someone who enjoys long talks, long rehearsals. I'm very technical: I tell my actors, you come in, you sit down, you pick up a coffee, you look here, you say the line. We try it with the cameras rolling, and if it doesn't work, we adjust it until it does. It's very simple. "
Michael Haneke
Work
Simple
Look
" Mainstream cinema raises questions only to immediately provide an answer to them, so they can send the spectator home reassured. If we actually had those answers, then society would appear very different from what it is. "
Michael Haneke
Answer
Cinema
Home
" I give the spectator the possibility of participating. The audience completes the film by thinking about it; those who watch must not be just consumers ingesting spoon-fed images. "
Michael Haneke
Audience
Watch
Film
" On the set I make jokes I can't get too involved, or it turns into sentimental soup. I try to keep it light. "
Michael Haneke
Keep
Light
Soup
" Classicism becomes avant-garde when everyone else is doing their utmost to develop new stylistic forms. I think it's healthy to return to classical forms. "
Michael Haneke
New
Healthy
Everyone
" 'Funny Games' was conceived as a provocation. My other films are different. If people feel my other films are, or respond to them as provocation, then that's quite different. 'Funny Games' is the only one of mine where my intention was to provoke the audience. "
Michael Haneke
Intention
Feel
Audience
" An artist is someone who should raise questions rather than give answers. I have no message. "
Michael Haneke
Answers
Questions
Who
" It's unbearable when someone changes around you. Just imagine that your life partner changes, then it is difficult to cope with. Or your mother. Or your father. They were strong and now they're like a baby - it's not so funny. "
Michael Haneke
Funny
Mother
You