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All Quotes by author - Pat Metheny
" A lot of jazz artists think people should like what they're doing just because it's jazz. I don't buy that. "
Think
Just Because
People
" For me, let's keep jazz as folk music. Let's not make jazz classical music. Let's keep it as street music, as people's everyday-life music. Let's see jazz musicians continue to use the materials, the tools, the spirit of the actual time that they're living in, as what they build their lives as musicians around. "
Jazz
Time
Music
" From 1962 to 1965, the guitar became this icon of youth culture, thanks mostly to the Beatles. "
Culture
Beatles
Guitar
" I can't really say enough about Chris Potter. He is one of the greatest musicians I have ever known, and every second I have been on the band stand with him has been an absolute pleasure. "
Him
Say
Stand
" I didn't want there to be a computer on stage. When I see people with computers on stage, I think, 'Are you sending e-mail?' That's so corny. "
Computers
Think
Want
" I don't know if I would qualify as mainstream. I think I have managed to function pretty successfully on the fringes of the music world and have been able to play exactly what I have wanted the way I have wanted. "
World
Think
Way
" I don't worry too much about the fundamentalist principles that are in almost any discussion about jazz. "
Jazz
Principles
Worry
" If we are going to list guitar influences, the biggest one by far is Wes Montgomery. Also, Gary Burton was obviously huge for me in a number of ways. But beyond that, Clifford Brown, Miles Davis and Freddie Hubbard. "
Me
Miles
Number
" If you come to my house, you won't see a wall of trophies or things like that. I'm sort of 'on to the next thing' all the time. "
Wall
House
Like
" I hate the way chorus boxes sound. "
Chorus
Hate
Sound
" I have three young kids and a great family. I love hanging out with them more than anything. "
Family
Great
Young
" I love playing and working on music. It is something that I feel really lucky to be able to spend my life doing. And I don't sleep much! "
Sleep
My Life
Music
" I'm always inspired when there's a robustness to the material in front of me. "
Inspired
Front
Material
" I'm always trying to find 'connections' between things. That art is the juxtaposition of a lot of things that seem unrelated but add up to something recognizable. "
Art
Trying
Connections
" I'm triggering acoustic instruments. I'm literally beating, smacking, hitting, blowing, doing physical things. It's an incredibly exciting way to make music. "
Things
Way
Music
" I realized that equipment really had little to do with why I sound like the way I sound. "
Equipment
Like
Little
" I saw A Hard Day's Night 12 or 13 times. "
Times
Saw
Night
" I think I have a basic sound aesthetic that is in most of what I do. "
Basic
Sound
Think
" I think I represent a more left-wing view of what jazz is. "
More
Think
Jazz
" I think jazz is actually quite unforgiving in its disdain for nostalgia. It demands creativity and change at its highest level. "
Think
Change
Creativity
" It's more about conception and touch and spirit and soul than whether my hardware was in place. "
Place
Soul
Touch
" I used to love going and playing jam sessions, doing things spontaneously. I can't do that anymore. Everything you do is documented, nothing is casual anymore. "
Nothing
Doing
Everything
" I was able to work with the best musicians in Kansas City starting when I was really young. "
City
Able
Best
" I was deep in the zone of practicing almost constantly. "
Practicing
Deep
Almost
" I would always contend that talent is an element, but over the long run, ultimately, a minor part of it all; it is mostly hard work. "
Work
Long
Hard Work
" Jazz is not something that can be defined through blunt instruments. It is much more poetic than that. "
Jazz
Blunt
Through
" Listening is the key to everything good in music. "
Music
Listening
Key
" My older brother Mike is an excellent trumpet player. By the time he was 12, he was playing around Kansas City in classical situations. He was already an amazing talent. "
Brother
Talent
Time
" No two notes are ever the same volume. With the guitar, you really have to model in your mind this wider thing; you're trying to create the illusion of a bigger dynamic range. "
Mind
Trying
Guitar
" One of the things jazz has always excelled at is translating the reality of the times through its musical prism. "
Things
Reality
Jazz
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