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All Quotes by author - Rithy Panh
" A country cannot develop without a strong identity. "
Strong
Without
Country
" Art is freedom. If you defend art, you defend freedom. "
Art
Freedom
Defend
" Art is giving to what you create a soul. "
Soul
Art
You
" As children, we did not have toys. We invented characters and animals; we invented stories. "
Toys
Animals
Children
" Cambodia is not only a country of war, but also a country of culture. It's in our DNA. "
Country
War
Our
" Cannes or Oscars is not only to bring happiness and recognition - they protect people like me. The world knows who you are. You can work. You can express. You can help other people. It's not only the star system. It's a symbol of freedom. "
Happiness
Freedom
People
" Cinema is not truth. Even when you make documentary films, you can choose to show this shot and not the other shot - this side and not the other side. In cinema, there's one truth - not 'the truth.' It's only 'my point of view.' Cinema is powerful because of that. "
Show
You
View
" Clay is a very interesting and fundamental material: it's earth, it's water, and - with fire - it takes on form and life. "
Earth
Interesting
Life
" Every day, do small gestures of generosity! It does not mean go to Cambodia. Do it at home. If you do nothing at home, evil becomes normal. "
Evil
Home
Small
" Every time you are getting ready to make a shot in a documentary film, you are asking yourself questions about your cinematographic approach. You are approaching the truth, but the image is never the truth itself. "
Yourself
Questions
You
" Evil has always been here since the world began. Good is what is difficult. It is a work of every day. "
Every Day
World
Day
" Evil has always been there; it's always a part of us. Evil is no big surprise. But what about the people who gave freely, who stood up for human dignity? Even in the most extreme and terrible situations, these acts of dignity existed. And for me, that is the banality of good. "
Always
Evil
Good
" Filming, for me, is a way of approaching, little by little - of getting closer and closer to my subject. And that subject itself can transform, or it can remain the same. "
Me
Transform
Way
" Film is subjective, and we must be careful with that. The kinds of films I love are those that observe, and I give possibility for people to talk. No need for me to tell people what to think - even when I make a film like 'S-21.' It's only one point of view. It's still a film; it's not a tribunal. "
Love
Me
Need
" For the young generation, when they see that there is a film director from Cambodia to go on to be nominated, for them, a lot can change. I don't know another way to restore our identity if it's not art. "
Art
Change
Generation
" I am lucky to be a film director. I can create, express. It proves that I am still alive and the Khmer Rouge did not succeed in destroying me. "
I Can
Lucky
Me
" I didn't survive because I was stronger than others. I survived because my family and friends helped me to survive. They took my place. My job is to give them back their dignity, tell their story, and say their names. "
Family
Friends
Job
" If you can keep something very personal, like a song, like a color, like a story, deep in your heart, then nobody can destroy that. Nobody can destroy your imagination; nobody can destroy your love. "
Love
Imagination
Heart
" I have never been political in a partisan sense. "
Political
Sense
Partisan
" I have only one life, and I can't do all. If I do one thing well, I'm happy. "
Happy
Only
Well
" I left Cambodia when I was 12 or 13. I didn't really escape, but I needed to go away. "
Away
Escape
Go
" I like people who have the capacity to forget. I think that to forget is a good thing. Forgetting is good. But sometimes I cannot. For me, I cannot. "
Me
Forget
Think
" I love archival films very much. I spent thousands of hours watching archive footage. Every time I see it, I see something. Sometimes I think I know this footage, but two years later, I see it again, and I see something new. "
Love
Sometimes
Think
" I love when you get the feeling of some social reality with a fictional film. "
You
Love
Feeling
" I'm not someone who has to make a film at any cost. I have to find the right way to make it or not at all. "
Find
Way
Someone
" In all of my films, there is a desire to testify, to interrogate the past. "
Testify
Films
Past
" I never want to be a film director - I want to be a teacher. "
Director
Never
Teacher
" In this era of digital special effects, I think it's good to work with our hands and our hearts, to use water and clay, to dry it in the air from the sun. This brings you back to the element of life. "
Sun
Water
Work
" I think that, as a filmmaker, you're always making the same film, regardless of how many different stories you tell. This is the case for me, whether I'm making documentaries or fiction films. "
Me
Tell
Always
" It is only by reflecting on the past that one can create a better future. "
Better
Create
Future
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