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" As children, we did not have toys. We invented characters and animals; we invented stories. "
Rithy Panh
Toys
Animals
Children
Related Quotes:
" I wasn't predestined to be a filmmaker; this wasn't an obvious choice to me. "
Rithy Panh
Filmmaker
Obvious
Me
" Pain is handed down from one generation to the next. "
Rithy Panh
Next
Pain
Down
" The most beautiful thing in Cambodia isn't the country - it's the Cambodian people. "
Rithy Panh
Most
People
Thing
" Every time you are getting ready to make a shot in a documentary film, you are asking yourself questions about your cinematographic approach. You are approaching the truth, but the image is never the truth itself. "
Rithy Panh
Yourself
Questions
You
" In all of my films, there is a desire to testify, to interrogate the past. "
Rithy Panh
Testify
Films
Past
" The Khmer Rouge can't destroy me. I still have my imagination and am capable of making films. I am not locked up. "
Rithy Panh
Capable
Imagination
I Am
" We need creativity. We need more poetry after Auschwitz. "
Rithy Panh
More
Poetry
After
" Evil has always been here since the world began. Good is what is difficult. It is a work of every day. "
Rithy Panh
Every Day
World
Day
" Cinema is not truth. Even when you make documentary films, you can choose to show this shot and not the other shot - this side and not the other side. In cinema, there's one truth - not 'the truth.' It's only 'my point of view.' Cinema is powerful because of that. "
Rithy Panh
Show
You
View
" I didn't survive because I was stronger than others. I survived because my family and friends helped me to survive. They took my place. My job is to give them back their dignity, tell their story, and say their names. "
Rithy Panh
Family
Friends
Job
" I love archival films very much. I spent thousands of hours watching archive footage. Every time I see it, I see something. Sometimes I think I know this footage, but two years later, I see it again, and I see something new. "
Rithy Panh
Love
Sometimes
Think
" When we pray to Buddha, we are not praying to a piece of stone, an image of Buddha, but we pray to the soul of Buddha behind the piece of stone. The souls of the people who are dead now are still with us. "
Rithy Panh
Soul
People
Stone
" When I do feature films, I usually have a very strong sense of what I want to do. I have topics and subjects, so I go for it. I even know technically what I want to. But in the case of documentary, the story comes to me. "
Rithy Panh
Know
Want
Strong
" We need a peaceful, modern Cambodia. We need to achieve that. It's not easy. "
Rithy Panh
Easy
Peaceful
Need
" I like people who have the capacity to forget. I think that to forget is a good thing. Forgetting is good. But sometimes I cannot. For me, I cannot. "
Rithy Panh
Me
Forget
Think
" I never want to be a film director - I want to be a teacher. "
Rithy Panh
Director
Never
Teacher
" Film is subjective, and we must be careful with that. The kinds of films I love are those that observe, and I give possibility for people to talk. No need for me to tell people what to think - even when I make a film like 'S-21.' It's only one point of view. It's still a film; it's not a tribunal. "
Rithy Panh
Love
Me
Need
" When you screen a film like 'The Missing Picture,' it is not like watching TV. Watching TV is very solitary. When you watch cinema, you watch it together, and you talk about it after the screening. "
Rithy Panh
Cinema
Talk
Picture
" I have never been political in a partisan sense. "
Rithy Panh
Political
Sense
Partisan
" I love when you get the feeling of some social reality with a fictional film. "
Rithy Panh
You
Love
Feeling
" 'The Missing Picture' came together slowly, after much provocation and by refusing different forms, until I finally found the right form. "
Rithy Panh
Much
Missing
Together
" Every day, do small gestures of generosity! It does not mean go to Cambodia. Do it at home. If you do nothing at home, evil becomes normal. "
Rithy Panh
Evil
Home
Small
" With 'The Missing Picture,' we'd shot for a year and a half already when this idea of the clay figurine, the life that comes from the earth, came to me, and I changed everything. "
Rithy Panh
Year
Picture
Life
" Clay is a very interesting and fundamental material: it's earth, it's water, and - with fire - it takes on form and life. "
Rithy Panh
Earth
Interesting
Life
" I have only one life, and I can't do all. If I do one thing well, I'm happy. "
Rithy Panh
Happy
Only
Well
" People of my generation did not like very much to tell what we lived through during the Khmer Rouge regime. "
Rithy Panh
Tell
Generation
Like
" I left Cambodia when I was 12 or 13. I didn't really escape, but I needed to go away. "
Rithy Panh
Away
Escape
Go
" To find money to make a film, you have to write maybe 50 pages to explain what you'd like to do, what the film will be, but everybody lies. Because he doesn't know what the film will be. Everybody writes 50 pages and sends it to a TV channel, a producer, to get money, but everybody lies. Or else your film is not interesting. "
Rithy Panh
Know
Interesting
You
" What I like to do with every film is to bring a form, like a cinematographic proposal. If you watch 'S21,' it's a form; 'Duch, Master of the Gates of Hell' is a different proposal. "
Rithy Panh
Hell
Film
Bring
" Filming, for me, is a way of approaching, little by little - of getting closer and closer to my subject. And that subject itself can transform, or it can remain the same. "
Rithy Panh
Me
Transform
Way