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All Quotes by author - Stephen Karam
" All of my plays are deeply autobiographical. But it's not straight autobiography. "
Straight
Plays
Deeply
" Because I didn't go to graduate school or have mentorship out of college, meeting other playwrights and developing those friendships as a result of being a 'grown up' playwright - that's become an essential community for me. My contemporaries are all my mentors whether they know it or not. "
College
Community
Go
" Everyone will always have ideas about how to make your work better. Everyone has advice about how to end your play differently. Start it differently. And it's not about right or wrong. At the end of the day, it's your baby, and you know what's best. "
Best
Baby
Day
" Good actors can tell you more about your play than 1,000 hours alone at your desk. "
Tell
Alone
You
" I definitely prefer to write under my own volition and see what happens. "
My Own
Write
See
" I didn't quite fit in in any particular, specific way. I was a gay teenager who was into drama. "
Who
Quite
Drama
" I don't know how to produce work if it's not something that's deeply scaring me or troubling me. "
Deeply
Work
Something
" I don't think I could write a good play if I was setting out to write about the death of the American middle class. "
American
Death
Think
" I hope to be known as a writer who told the truth. "
Writer
Known
Truth
" I lived in a basement duplex on 96th Street on the Upper West Side. "
Lived
Street
West
" I think being gay has resulted in gay characters standing front and center in all of my work. "
Standing
Think
Work
" I think it's scary to be alive, but also exhilarating and joyful. "
Think
Alive
I Think
" I think 'Speech & Debate' surprised people because it's a play about teenagers that took the teenagers very seriously. They are very real. People wanted to see if they identified with one of the kids, that loneliness, that yearning for something bigger. That feeling of being stuck, it's very adolescent, but those kinds of feelings linger on. "
Loneliness
Think
People
" I think that I'm going to write a bigger thing, and then I end up writing about people, and the bigger thing recedes into the background, and hope that it's still there. "
Writing
Think
People
" I think the best directors aren't afraid to ask questions. "
Questions
Ask
Afraid
" I've always viewed 'Sons of the Prophet' as the first part of a larger trilogy - not three plays dependent on each other but three stand-alone plays connected by theme and, likely, further adventures of the Douaihy family. "
Three
Always
Connected
" I was not exposed to a lot of culture. The shows we saw in high school, like 'Phantom of the Opera' and 'Miss Saigon,' were thrilling. But my love affair with theater started with seeing a production of 'Little Shop of Horrors' that my sister was in. "
Love
Culture
School
" I worry that I will lose control over the projects I get to work on. "
Over
Worry
Work
" Janet Carroll and Robert Pine, Chris Pine's dad, were in my first play, and they were so astonishingly good, I felt it raised my game instantly. "
Pine
Raised
Game
" My own journey as a writer has been the discovery of different theatrical voices. Chekhov was a revelation. Tennessee Williams was another one. We read 'The Glass Menagerie' in high school, and I still remember the cover. "
Journey
High School
Remember
" The best thing about being nominated in a category like best new play is realizing there were enough new plays to make a category. "
Best
Enough
Like
" The human condition is endlessly fascinating to me, and the existential horrors of life are what drive our imaginations and theater in general. "
Existential
Our
Me
" Until I have a family or a mortgage, I'm trying to keep my lifestyle simple and my apartment affordable so that I can continue to focus on theater. That's as good as it gets for me. "
Good
Trying
Simple
" When you're the artsy, weirdo, introverted outsider growing up, you don't fit into your community. "
Community
Growing
Growing Up
" Without a conscious effort, all of my plays have all featured gay characters. I'm proud of that. "
Gay
Conscious
Effort
" With 'The Humans,' I've found that because it's related to very familiar forms - the family play and the thriller, almost a genre-collison play - some people want it to be one or the other. Either less dark and more of a family comedy or a full-fledged thriller with blood and ghosts jumping out of closets. Everyone's taste is different. "
Play
Want
Family
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