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" I lived in a basement duplex on 96th Street on the Upper West Side. "
Stephen Karam
Lived
Street
West
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" I don't know how to produce work if it's not something that's deeply scaring me or troubling me. "
Stephen Karam
Deeply
Work
Something
" I hope to be known as a writer who told the truth. "
Stephen Karam
Writer
Known
Truth
" Until I have a family or a mortgage, I'm trying to keep my lifestyle simple and my apartment affordable so that I can continue to focus on theater. That's as good as it gets for me. "
Stephen Karam
Good
Trying
Simple
" The best thing about being nominated in a category like best new play is realizing there were enough new plays to make a category. "
Stephen Karam
Best
Enough
Like
" I think that I'm going to write a bigger thing, and then I end up writing about people, and the bigger thing recedes into the background, and hope that it's still there. "
Stephen Karam
Writing
Think
People
" I think the best directors aren't afraid to ask questions. "
Stephen Karam
Questions
Ask
Afraid
" Janet Carroll and Robert Pine, Chris Pine's dad, were in my first play, and they were so astonishingly good, I felt it raised my game instantly. "
Stephen Karam
Pine
Raised
Game
" I think it's scary to be alive, but also exhilarating and joyful. "
Stephen Karam
Think
Alive
I Think
" Without a conscious effort, all of my plays have all featured gay characters. I'm proud of that. "
Stephen Karam
Gay
Conscious
Effort
" Good actors can tell you more about your play than 1,000 hours alone at your desk. "
Stephen Karam
Tell
Alone
You
" All of my plays are deeply autobiographical. But it's not straight autobiography. "
Stephen Karam
Straight
Plays
Deeply
" I didn't quite fit in in any particular, specific way. I was a gay teenager who was into drama. "
Stephen Karam
Who
Quite
Drama
" I think 'Speech & Debate' surprised people because it's a play about teenagers that took the teenagers very seriously. They are very real. People wanted to see if they identified with one of the kids, that loneliness, that yearning for something bigger. That feeling of being stuck, it's very adolescent, but those kinds of feelings linger on. "
Stephen Karam
Loneliness
Think
People
" My own journey as a writer has been the discovery of different theatrical voices. Chekhov was a revelation. Tennessee Williams was another one. We read 'The Glass Menagerie' in high school, and I still remember the cover. "
Stephen Karam
Journey
High School
Remember
" I think being gay has resulted in gay characters standing front and center in all of my work. "
Stephen Karam
Standing
Think
Work
" I definitely prefer to write under my own volition and see what happens. "
Stephen Karam
My Own
Write
See
" I don't think I could write a good play if I was setting out to write about the death of the American middle class. "
Stephen Karam
American
Death
Think
" I was not exposed to a lot of culture. The shows we saw in high school, like 'Phantom of the Opera' and 'Miss Saigon,' were thrilling. But my love affair with theater started with seeing a production of 'Little Shop of Horrors' that my sister was in. "
Stephen Karam
Love
Culture
School
" I've always viewed 'Sons of the Prophet' as the first part of a larger trilogy - not three plays dependent on each other but three stand-alone plays connected by theme and, likely, further adventures of the Douaihy family. "
Stephen Karam
Three
Always
Connected
" Because I didn't go to graduate school or have mentorship out of college, meeting other playwrights and developing those friendships as a result of being a 'grown up' playwright - that's become an essential community for me. My contemporaries are all my mentors whether they know it or not. "
Stephen Karam
College
Community
Go
" The human condition is endlessly fascinating to me, and the existential horrors of life are what drive our imaginations and theater in general. "
Stephen Karam
Existential
Our
Me
" When you're the artsy, weirdo, introverted outsider growing up, you don't fit into your community. "
Stephen Karam
Community
Growing
Growing Up
" With 'The Humans,' I've found that because it's related to very familiar forms - the family play and the thriller, almost a genre-collison play - some people want it to be one or the other. Either less dark and more of a family comedy or a full-fledged thriller with blood and ghosts jumping out of closets. Everyone's taste is different. "
Stephen Karam
Play
Want
Family
" I worry that I will lose control over the projects I get to work on. "
Stephen Karam
Over
Worry
Work