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All Quotes by author - William Eggleston
" A lot of my friends were mostly working in black-and-white - people like Lee Friedlander, Diane Arbus, Garry Winogrand, and others. We would exchange prints with each other, and they were always very supportive of what I was doing. "
Friends
Black-And-White
People
" Black-and-white photography, which I was doing in the very early days, was essentially called art photography and usually consisted of landscapes by people like Ansel Adams and Edward Weston. But photographs by people like Adams didn't interest me. "
Black-And-White
Art
People
" Everything must work in concert. Composition is important, but so are many other things, from content to the way colours work with or against each other. "
Important
Concert
Content
" I don't think much about the digital world... because I am in the analog world! "
World
Think
I Am
" I had this notion of what I called a democratic way of looking around, that nothing was more important or less important. "
Way
Nothing
More
" I like to think that my works flow like music. That may be one reason I work in large groups versus one picture of one thing; it's the flow of the whole series that counts. "
Work
Flow
Like
" I met and became close with John Szarkowski of the Museum of Modern Art. He was incredibly supportive about me working in color. "
Working
Museum
Me
" I'm not particular. I don't have favourite pictures. "
Particular
Pictures
Favourite
" I work very quickly. I only ever take one picture of one thing. Literally. Never two. "
Two
Only
Work
" Something new always slowly changes right in front of your eyes - it just happens. "
Changes
Just
New
" You want to make the photograph work in every way possible. Doesn't matter where it is in the world. "
Way
Possible
Want
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