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" A text may be superbly written, exquisitely subtle, deeply meaningful, but still seem like a luxury extra, something we add to the already well-stocked store of our reading experience. "
Michel Faber
Reading
Experience
Luxury
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" I had been attempting novels since I was 14 but always ran out of steam. High hopes, poor craftsmanship. "
Michel Faber
Craftsmanship
High
Poor
" At university, one of my areas of study was Victorian literature, so I decided to see if I could write a novel as carefully planned and constructed as those of George Eliot, but with the narrative energy of Dickens. "
Michel Faber
Literature
Planned
See
" I would love to have faith. When you take God out of the universe, there is no-one taking care us - we are just parcels of meat, collections of atoms - we have a little flowering on Earth, and then we're gone. "
Michel Faber
Care
Love
Earth
" Most books are surplus to the world's requirements, and I am going to sound very conceited here, but I am trying to write books that aren't just using up trees. "
Michel Faber
Trees
Sound
World
" So many books that have Christian characters but are written by atheists mercilessly pillory and mock and question the motives of people with faith. I'm past all that. "
Michel Faber
Christian
Faith
Past
" The privileged Victorians who did most to improve the lives of the poor were not ashamed of their pious intent: they were superiors seeking to help inferiors. "
Michel Faber
Ashamed
Help
Improve
" If someone's a cartoon villain, you can dismiss them, but if they behave despicably but you kind of like them, they really get under your skin. "
Michel Faber
Like
Kind
You
" I never, ever want to be in a position where people are sitting round a table, saying, 'We've got this book. I don't really get it, but we paid for it, so we've got to sell it.' I'm not Tony Parsons; that's not right for me. "
Michel Faber
Me
Saying
Sitting
" I joined an Internet community of Victorian scholars, which meant that if I posted a question about 1875's lavender harvest, more than a thousand experts would ponder it. "
Michel Faber
Harvest
Internet
Question
" Art is head space that is very exclusive: it shuts people out; other people cease to exist. "
Michel Faber
Head
Exist
Art
" Pathos and poignancy are, to me, tactics and techniques; in my work as a writer, I fetch them from my toolbox and use them as required. "
Michel Faber
Pathos
Writer
Work
" I wanted each of my books to be very different from the others, each to be special and uncategorizable, and I knew I could only do that a few times before I was in danger of repeating myself. "
Michel Faber
Danger
Books
Special
" I get increasingly respectful of people who have faith and increasingly creeped out by them. "
Michel Faber
Who
Respectful
Out
" When answering questions over the years about film and TV adaptations of my books, I have always maintained that no movie or TV series could ever change or damage my work. "
Michel Faber
Work
Questions
Film
" The mere fact of my novel being filmed means very little to me. For a long while after 'The Crimson Petal's publication in 2002, it looked as though Hollywood was going to adapt it. "
Michel Faber
Long
Adapt
Fact
" 'The Crimson Petal and the White' is a book, and it will win or lose the trust of each reader when they begin reading its pages. That relationship will go on. "
Michel Faber
Trust
Reading
Relationship
" I am open-eyed about what poverty does to people. "
Michel Faber
People
I Am
Does
" I don't remember my childhood very well for one reason or another, possibly childhood trauma or possibly just a very bad memory. My early life has sort of been erased from my memory banks. "
Michel Faber
Memory
Remember
Life
" Very few stories embody a human truth so definitively that we cannot think of the truth without remembering the story and cannot imagine how people ever got by without it. "
Michel Faber
Remembering
Story
Think
" My affinity, as a novelist, with Dickens has been overstated. I relish the way everything in his prose pulsates with life force, and I'm in debt to him every time I invest inanimate objects with uncanny animism. But his female characters annoy me. "
Michel Faber
Life
Way
Time
" One of the things my success as an author has forced me to face is how dysfunctional... Maybe that's a strong word, but how obsessive I am. "
Michel Faber
I Am
Things
Success
" I'm still tremendously proud of 'Crimson Petal.' I'm still very emotionally involved with these characters. I still care about them. "
Michel Faber
Involved
Proud
Still
" I tend to process emotional stuff very, very slowly. "
Michel Faber
Emotional
Very
Slowly
" Of course it's fun writing about an egomaniac, but I know there are going to be reviewers who've never met me, who don't know anything about me, who are going to say this is autobiography: he's just changed the names of a few people, and the rest is totally as it was. "
Michel Faber
Know
Me
Rest
" My energies get used up quite quickly, and the psychic space I'm in when I write is a very lonely one, so I found that harder and harder to get back to. "
Michel Faber
Lonely
Back
Used
" I'm constantly listening to music and thinking about it and compiling my own cassettes and CDs in obsessively specific order. I have quite lunatic agendas for what I want to achieve. They won't make sense to anyone other than me, but it is what I've spent most of my life doing. "
Michel Faber
Life
Listening
Me
" I think I have written the things I was put on Earth to write. "
Michel Faber
Earth
Things
Think
" In 1978, when I was 17 and in my first year at university, I read approximately 3,500 pages of Dickens. "
Michel Faber
First
Pages
Read
" By recycling pre-existing material, Shakespeare seemed to endorse a view common in his time, which has become even more entrenched in the 400 years since: that all the truly essential stories are already in the bag. "
Michel Faber
Time
Recycling
More
" I think there is that very basic yearning for something or someone to be looking after us, for there to be a framework holding the universe together that is benign and intelligent. We're not going to get rid of that; it's just too scary to be that molecule flying around briefly in a vacuum. "
Michel Faber
Flying
Think
Together