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" Pathos and poignancy are, to me, tactics and techniques; in my work as a writer, I fetch them from my toolbox and use them as required. "
Michel Faber
Pathos
Writer
Work
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" I'm constantly listening to music and thinking about it and compiling my own cassettes and CDs in obsessively specific order. I have quite lunatic agendas for what I want to achieve. They won't make sense to anyone other than me, but it is what I've spent most of my life doing. "
Michel Faber
Life
Listening
Me
" I was disinclined to have the status of a writer. "
Michel Faber
Writer
Status
" In 1978, when I was 17 and in my first year at university, I read approximately 3,500 pages of Dickens. "
Michel Faber
First
Pages
Read
" My energies get used up quite quickly, and the psychic space I'm in when I write is a very lonely one, so I found that harder and harder to get back to. "
Michel Faber
Lonely
Back
Used
" Most books are surplus to the world's requirements, and I am going to sound very conceited here, but I am trying to write books that aren't just using up trees. "
Michel Faber
Trees
Sound
World
" The mere fact of my novel being filmed means very little to me. For a long while after 'The Crimson Petal's publication in 2002, it looked as though Hollywood was going to adapt it. "
Michel Faber
Long
Adapt
Fact
" I get increasingly respectful of people who have faith and increasingly creeped out by them. "
Michel Faber
Who
Respectful
Out
" I never, ever want to be in a position where people are sitting round a table, saying, 'We've got this book. I don't really get it, but we paid for it, so we've got to sell it.' I'm not Tony Parsons; that's not right for me. "
Michel Faber
Me
Saying
Sitting
" Really good books need a chaos element: something weird or inexplicable. "
Michel Faber
Good
Weird
Need
" Very few stories embody a human truth so definitively that we cannot think of the truth without remembering the story and cannot imagine how people ever got by without it. "
Michel Faber
Remembering
Story
Think
" I tend to process emotional stuff very, very slowly. "
Michel Faber
Emotional
Very
Slowly
" I had been attempting novels since I was 14 but always ran out of steam. High hopes, poor craftsmanship. "
Michel Faber
Craftsmanship
High
Poor
" In all of my work, I think I'm exploring the idea that we are aliens to each other, how there is a huge distance that separates us all. "
Michel Faber
Exploring
Think
Us
" For years, I was quite a militant atheist. I wanted to burn down all the churches or turn them into second-hand record emporiums. "
Michel Faber
Years
Atheist
Burn
" My affinity, as a novelist, with Dickens has been overstated. I relish the way everything in his prose pulsates with life force, and I'm in debt to him every time I invest inanimate objects with uncanny animism. But his female characters annoy me. "
Michel Faber
Life
Way
Time
" All my novels are about people who strive to heal and evolve. "
Michel Faber
Strive
Who
Evolve
" At university, one of my areas of study was Victorian literature, so I decided to see if I could write a novel as carefully planned and constructed as those of George Eliot, but with the narrative energy of Dickens. "
Michel Faber
Literature
Planned
See
" When answering questions over the years about film and TV adaptations of my books, I have always maintained that no movie or TV series could ever change or damage my work. "
Michel Faber
Work
Questions
Film
" I'm a loner and always have been. "
Michel Faber
Always
Been
Loner
" By recycling pre-existing material, Shakespeare seemed to endorse a view common in his time, which has become even more entrenched in the 400 years since: that all the truly essential stories are already in the bag. "
Michel Faber
Time
Recycling
More
" I wanted each of my books to be very different from the others, each to be special and uncategorizable, and I knew I could only do that a few times before I was in danger of repeating myself. "
Michel Faber
Danger
Books
Special
" The privileged Victorians who did most to improve the lives of the poor were not ashamed of their pious intent: they were superiors seeking to help inferiors. "
Michel Faber
Ashamed
Help
Improve
" Modern politicians like Cameron dream of exerting paternal influence without being seen as paternalistic, of fostering moral behaviour without being considered moralistic. "
Michel Faber
Dream
Influence
Moral
" Art is head space that is very exclusive: it shuts people out; other people cease to exist. "
Michel Faber
Head
Exist
Art
" The family I grew up in was very inflexible and harsh. It left me with the feeling that if you do let somebody down badly, then even if they tell you it's all right, it cannot be all right. "
Michel Faber
Family
Down
Feeling
" I think that if you are a serious writer, you are almost obligated to provide the intelligent average reader with something that they can relate to and care about. If you are writing only for a tiny elite, then that surely should sound alarm bells. "
Michel Faber
Writing
Think
Care
" I joined an Internet community of Victorian scholars, which meant that if I posted a question about 1875's lavender harvest, more than a thousand experts would ponder it. "
Michel Faber
Harvest
Internet
Question
" I think there is that very basic yearning for something or someone to be looking after us, for there to be a framework holding the universe together that is benign and intelligent. We're not going to get rid of that; it's just too scary to be that molecule flying around briefly in a vacuum. "
Michel Faber
Flying
Think
Together
" I'm still tremendously proud of 'Crimson Petal.' I'm still very emotionally involved with these characters. I still care about them. "
Michel Faber
Involved
Proud
Still
" History proves that most writers get forgotten anyway. That's very likely to happen to my books, and if I'm extremely lucky, maybe one of my books will survive. "
Michel Faber
Survive
Will
Forgotten