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" Artistic mediums go through phases where progress happens really rapidly, and then other moments where it slows down. "
Doug Liman
Moments
Progress
Go
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" On 'Edge of Tomorrow,' we discovered that movie while we were making it. "
Doug Liman
Movie
Edge
Making
" I chose 'Mr. & Mrs. Smith' specifically 'cause I had just made 'The Bourne Identity' and made a film that glamorized being an action hero, and I wanted to make the exact opposite. I wanted to make a movie that glamorized maintaining a marriage, and that made the action hero part seem easy and made the marriage part seem hard. "
Doug Liman
Easy
Marriage
Identity
" My dad couldn't connect to my wanting to be a filmmaker. He was very connected in entertainment, and through him I met Steven Spielberg and got rides on his private plane to California. I'd see Spielberg's people reading scripts. I was like, 'That's what I want to be when I grow up.' "
Doug Liman
Grow
California
People
" If you go to a restaurant with Tom Cruise, it's like walking in with Santa Claus. Everybody is in a better mood because he's there. "
Doug Liman
Restaurant
Walking
Mood
" I subscribe to the school that there are no dumb questions. "
Doug Liman
Subscribe
School
Dumb
" Given the kind of filmmaker I am, the kind of experiences I've been trying to give audiences, I was drawn to the potential of VR before I even tried watching anything in VR. "
Doug Liman
I Am
Trying
Watching
" I've often found, as I did with 'Bourne,' where I was inspired by the events of Iran-Contra when I designed the CIA for the 'Bourne' franchise, that the reality of how things work is usually more compelling than the superficial, made-up version that Hollywood sometimes does. "
Doug Liman
Sometimes
Hollywood
Reality
" There's no reason my films can't work as hard as VR does to hook an audience and never let them go, so I think that that it turns the volume up a little bit on storytelling. The same way when I was doing commercials and then I went and shot 'Go,' and 'Go' has a level of pace that is unlike any of my other movies. "
Doug Liman
Work
Think
Movies
" I thought I was done making CIA movies after 'The Bourne Identity.' I really had used my father's work in Iran-Contra on 'The Bourne Identity.' You get one experience like that in your life where you have personal exposure to something, and you put it in a movie. That's it. "
Doug Liman
Father
Life
Experience
" I'm very interested in politics, and I feel TV is a more political medium than film. "
Doug Liman
Politics
Film
Feel
" The audience has a level of control, when you watch 'Invisible,' that nothing in 2D can give you. The overall climax of the series will work no matter how you get there, and the climax of each episode will work no matter how you get there, but no two viewings of an episode will ever be the same. "
Doug Liman
Work
You
Control
" Normally in spy movies, the person that the hero deals with is at the centre of power, surrounded by video screens, and they're old and grizzled. I'm no stranger to that dynamic. "
Doug Liman
Power
Hero
Movies
" When I was shooting 'The Bourne Identity,' I had a mantra: 'How come you never see James Bond pay a phone bill?' It sounds trite, but it became the foundation of that franchise. "
Doug Liman
Identity
Phone
Bond
" I got in trouble in film school at USC because one of my Super-8 movies there, in the first semester, involved a snowmobile chase scene. I made an action scene, and they were like, 'That wasn't what you were supposed to be doing.' "
Doug Liman
School
You
Action
" I went to USC film school, briefly, which is a very traditional film school. "
Doug Liman
Film
School
Which
" I have to have a passionate connection to my films, which I do with 'Justice League Dark.' I have a way into the story that's personal, the way I have a connection to 'The Wall.' "
Doug Liman
Story
Way
Justice
" Casting is everything. I put a huge amount of work into casting, and consistently across my career, I am most proud of my bold choices I made in casting. "
Doug Liman
I Am
Career
Choices
" For me, the scale of the budget is part of the creative process. 'Swingers' is the movie it is because we made it for exactly the right budget. Had it been made for a higher number, it would not have been as imaginative as we had to make it, given the budget constraints we had. "
Doug Liman
Process
Budget
Creative
" I always wanted to make big action movies as a kid, and that was my dream. In a way, 'Swingers' was the thing I suffered through the most doing because of all that dialog, so I could eventually be allowed to do a big dumb action movie, honestly. "
Doug Liman
Doing
Dumb
Way
" Making 'American Made' really was an adventure. "
Doug Liman
Made
Adventure
Making
" I love 'Bringing Up Baby.' Anything that Katharine Hepburn's in. I'm committed to the Humphrey Bogart, Cary Grant, Katharine Hepburn era of filmmaking. "
Doug Liman
Anything
Filmmaking
Up
" In 'The Bourne Identity,' I wanted to give the audience the feeling of being in the car with Jason Bourne, not just watching him drive but be in the car with him, and 'The Wall' is the continuation of that immersive filmmaking style. Where you're trapped behind the wall with Aaron Taylor-Johnson - for better or worse, you're trapped there with him. "
Doug Liman
Identity
Style
Better
" I love that Barry Seal is working for the CIA, and he's an awful liar. It just goes to how honest this character is at the end of the day, even as he rips off the country and the world to the tune of becoming one of the wealthiest men in America. There's an innate honesty, a purity to him. "
Doug Liman
Day
Men
Love
" When I'm working on a film, I think about how it will play with a tiny audience of friends whose opinions I respect - basically, a 40-bloc radius from my apartment in Manhattan. "
Doug Liman
Respect
Friends
Play
" I do take things away from reading reviews. I think they keep you honest. "
Doug Liman
You
Think
Reading
" I populated 'The Bourne Identity' with real characters from American history, specifically characters from the Iran-Contra affair, which my father ran the investigation of. But at the heart of it was a fictional character. "
Doug Liman
Heart
History
Real
" I'm really interested in real people in extraordinary situations. The detail and reality to that. "
Doug Liman
Detail
Real
Reality
" In particular, I'm drawn to the stories that have big, high concepts and real characters at their heart. And I love where those two worlds meet, and 'Edge of Tomorrow' is the perfect canvas to explore that. "
Doug Liman
Perfect
Love
Heart
" The 'Bourne' franchise means the world to me. I love that Universal wants to put one out every two years. Because it is a safe investment, I benefit from that on many levels. "
Doug Liman
Love
Me
World
" I probably shouldn't treat interviews as therapy sessions, but I don't keep a diary, so these end up being my way of keeping track of where I'm at and letting it all out. "
Doug Liman
Treat
Way
Diary