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" When I was shooting 'The Bourne Identity,' I had a mantra: 'How come you never see James Bond pay a phone bill?' It sounds trite, but it became the foundation of that franchise. "
Doug Liman
Identity
Phone
Bond
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" I love that Barry Seal is working for the CIA, and he's an awful liar. It just goes to how honest this character is at the end of the day, even as he rips off the country and the world to the tune of becoming one of the wealthiest men in America. There's an innate honesty, a purity to him. "
Doug Liman
Day
Men
Love
" For me, the scale of the budget is part of the creative process. 'Swingers' is the movie it is because we made it for exactly the right budget. Had it been made for a higher number, it would not have been as imaginative as we had to make it, given the budget constraints we had. "
Doug Liman
Process
Budget
Creative
" One thing about pushing yourself outside your comfort zone is that you're going to make mistakes, and you're going to fall flat on your face sometimes. "
Doug Liman
Yourself
Comfort Zone
Fall
" I can't impress people with the pedigree of obscure French filmmakers that got me into film. It was Robert Zemeckis and Steven Spielberg. I really thought I wanted to make dumb action movies. "
Doug Liman
Got
Thought
Me
" Given the kind of filmmaker I am, the kind of experiences I've been trying to give audiences, I was drawn to the potential of VR before I even tried watching anything in VR. "
Doug Liman
I Am
Trying
Watching
" I subscribe to the school that there are no dumb questions. "
Doug Liman
Subscribe
School
Dumb
" With VR, you are directing in a 360-degree environment. The biggest challenge is that the viewer can look anywhere. They might look at the the weakest moments, the very things you edit for TV. You don't control where they look. "
Doug Liman
Moments
Control
Challenge
" It's no secret that my process is a little bit loose and can be a little bit infuriating to a studio if they don't know what they're signing up for. "
Doug Liman
Process
Little
Up
" I make movies for me and posterity. I'm more scared of history than I am of the studio. "
Doug Liman
More
History
I Am
" I think making a great action movie is one of the hardest cinematic endeavors. By definition, smart characters avoid action. Smart people don't go down dark alleys, but if you're making an action movie and you want to have an action sequence, somehow you have to get that character into that dangerous situation. "
Doug Liman
Think
Great
Character
" I don't necessarily think that having more money helps make you make a better film. Sometimes having less money is better. You're forced into being more original; you're forced into hearing something versus seeing it. "
Doug Liman
You
Better
Film
" Normally in spy movies, the person that the hero deals with is at the centre of power, surrounded by video screens, and they're old and grizzled. I'm no stranger to that dynamic. "
Doug Liman
Power
Hero
Movies
" I was a troublemaker. For a long time, I didn't fit in. "
Doug Liman
Fit
Long
Troublemaker
" I realize I am contradictory: I have an independent filmmaker's sensibility and a Hollywood director's short-attention span. "
Doug Liman
Director
Am
Hollywood
" In particular, I'm drawn to the stories that have big, high concepts and real characters at their heart. And I love where those two worlds meet, and 'Edge of Tomorrow' is the perfect canvas to explore that. "
Doug Liman
Perfect
Love
Heart
" I had just come off doing a lot of commercials when I did 'Go,' so a part of the fast pace and efficiency comes from the discipline I had to learn from telling stories in 25-second increments, and that type of discipline is insane. "
Doug Liman
Doing
Efficiency
Fast
" A part of me is a liberal New Yorker involved in politics and certain attitudes about movies. I kind of lost my indie credibility over 'Mr. and Mrs. Smith.' I know I haven't lost it. I just have to go make an independent movie. I just have to do it. Just for me. "
Doug Liman
Know
Me
Movies
" I don't really analyze my process. I do know that if it's not right, I won't move on. I'm tenacious to a fault about that. "
Doug Liman
Know
Right
Fault
" 'The Wall' is a reaction to 'Edge of Tomorrow,' where I was like, 'I don't need time travel and aliens to take a hero and pin them down in an impossible situation. I can do it in a much simpler way.' And that was 'The Wall.' "
Doug Liman
Tomorrow
Hero
Impossible
" I've always been interested in giving the audience a first-person experience in my movies. "
Doug Liman
Experience
Giving
Audience
" I've often found, as I did with 'Bourne,' where I was inspired by the events of Iran-Contra when I designed the CIA for the 'Bourne' franchise, that the reality of how things work is usually more compelling than the superficial, made-up version that Hollywood sometimes does. "
Doug Liman
Sometimes
Hollywood
Reality
" Trust me: you make a movie about time travel, and you know for a fact humans will never travel through time. The paradoxes that come up just from trying to tell a story with time travel really illuminates the fact that it's impossible. It will never happen. We can barely get through a movie that involves time travel. "
Doug Liman
Trust
Impossible
Story
" There's no reason my films can't work as hard as VR does to hook an audience and never let them go, so I think that that it turns the volume up a little bit on storytelling. The same way when I was doing commercials and then I went and shot 'Go,' and 'Go' has a level of pace that is unlike any of my other movies. "
Doug Liman
Work
Think
Movies
" My films have been successful, and therefore, the process has accommodated me. When the studio said 'no,' I did it anyhow. Now they don't say no to me. "
Doug Liman
Me
Successful
Say
" Sometimes there are films like 'Mr. and Mrs. Smith' which turned out better than it deserved to be, but in the case of 'Edge of Tomorrow,' there was just such enthusiasm from fans. "
Doug Liman
Enthusiasm
Fans
Better
" We love movies like 'Edge of Tomorrow.' It's why we go to the movies, and it's why we make movies. "
Doug Liman
Why
Movies
Love
" There's a weird intellectual approach to filmmaking, where I pose a question to myself and use the film to try and answer it. "
Doug Liman
Weird
Intellectual
Filmmaking
" I went to USC film school, briefly, which is a very traditional film school. "
Doug Liman
Film
School
Which
" I've really pushed the limits of what you can get away with at big studios, and I've been extremely well-supported. "
Doug Liman
You
Away
Been
" In 'The Bourne Identity,' I wanted to give the audience the feeling of being in the car with Jason Bourne, not just watching him drive but be in the car with him, and 'The Wall' is the continuation of that immersive filmmaking style. Where you're trapped behind the wall with Aaron Taylor-Johnson - for better or worse, you're trapped there with him. "
Doug Liman
Identity
Style
Better