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" Before I saw 'Tootsie' with an audience, I thought, 'No one is going to believe this could convince anyone he's a woman.' "
Sydney Pollack
Thought
Audience
Believe
Related Quotes:
" I really think that people never go wrong by telling the truth. "
Sydney Pollack
Think
Truth
Go
" I'm 47 years old, and I have to accept the fact that I'm probably not going to set the world on fire... If I was going to do that, I would have done it by now. "
Sydney Pollack
World
Now
Done
" What makes architecture extraordinary is that you're looking at the building, but your peripheral vision is also seeing how it fits within a space. And it's seeing more than one part of the building at one time. "
Sydney Pollack
Space
You
Time
" I mean, I don't know anything else that I would try to do, but it's a very frustrating thing to do, because you are trying to take what's a fantasy in your head and make it live through the minds of 200 people. "
Sydney Pollack
People
Minds
You
" I don't care much about acting. "
Sydney Pollack
Acting
About
Much
" When you first start out, you want to be Fellini, or you want to be Bergman. "
Sydney Pollack
Out
Bergman
Start
" We talked about Tootsie, the idea in Tootsie is that a man becomes a better man for having been a woman. "
Sydney Pollack
Better Man
Woman
Been
" I've produced my own films for twenty years now - it means I have to talk to less people. "
Sydney Pollack
Years
Talk
People
" No country could claim to be civilized if its legal system weren't available to everyone in it. "
Sydney Pollack
Legal
System
Everyone
" When you're shooting a feature that costs $200,000 a day with a crew of 250, you don't want accidents; you want to know exactly what's going to happen. But with a documentary, you don't, so you have to be sensitive to accidents because that is where the gold is. "
Sydney Pollack
Day
Know
Want
" Making a movie is a network of decisions that keep multiplying as you go. You leave a trail of decisions behind you, and that's how you start to see the shape of what you've done. When you get far enough, you turn around and say, 'Ha, that's the movie.' It's only then that you find out if it's going to work or not. "
Sydney Pollack
Enough
Decisions
You
" You're fighting a losing battle if you expect the people who own the studios to make moral choices. "
Sydney Pollack
People
Choices
Fighting
" It's when the lawyers themselves become bad guys that you begin to have a serious problem. "
Sydney Pollack
Bad
Problem
Lawyers
" I don't know about liberal bias, but people of a liberal mentality are probably attracted in greater numbers to the arts than people of a conservative mentality. "
Sydney Pollack
Know
Numbers
People
" No, I never went to college. Always regretted it, always envied people who did. "
Sydney Pollack
College
Who
People
" The problem with filming something is that we struggle desperately to make three dimensions out of two dimensions. It can't be done. "
Sydney Pollack
Two
Struggle
Problem
" My strength is with actors. I think I'm good at working with them to get the best performances, at seeing what it is that they have and that the story needs. "
Sydney Pollack
Strength
Good
Think
" In terms of level of difficulty, it would go comedy, thriller, and then romantic drama. "
Sydney Pollack
Romantic
Comedy
Go
" I am not a visual innovator. "
Sydney Pollack
I Am
Am
Innovator
" Beginnings and endings are not interesting; audiences want the high point, which means you've got to get to it and get to it now - get the gun out fast, the clothes off quick. "
Sydney Pollack
Gun
Fast
You
" I'm not going to pretend to know one more thing than I know. "
Sydney Pollack
More
Going
Know
" Even if it's a thriller or a comedy, it's always a love story for me, and that's what I concentrate on, because the love stories are my surrogates for the argument: two people in conflict that see life differently. "
Sydney Pollack
Love
Me
Life
" Even with 'Three Days of the Condor,' I wanted to do a thriller. But I was still concentrating on the Faye Dunaway-Robert Redford relationship in that film. "
Sydney Pollack
Days
Film
Relationship
" At every premiere, I stand in the back, I never sit, worrying. And then maybe I hear them laugh or whatever, and the muscles unclench a little. But always, I feel like it's a fluke, that I'll never be able to do it again. "
Sydney Pollack
Back
Stand
Never
" I always go for the craft first because, to me, that's like an oil well - you either hit the oil or you don't. "
Sydney Pollack
Always
Craft
Go
" By that I mean, I think that it is true that politics and political heroes have to satisfy our need to be greater than mortal in some way, and that's led them into creating illusions, sound bites, focus groups that tell you what to do. "
Sydney Pollack
Politics
Political
Think
" There will be people who are sensitive about seeing the American point of view presented as less than sympathetic. "
Sydney Pollack
View
Point Of View
People
" At some point during the filmmaking process, you lose objectivity, and you need the eyes of someone who understands the process and has been in the trenches. "
Sydney Pollack
Process
Lose
Eyes
" I fly an aeroplane, and I think a lot about how much I do not want ever to run into an optimistic air traffic controller. I just don't. I want a guy down there who's just waiting for the worst crash possible and petrified that it's going to happen on his watch. And then I feel safe flying into his territory. "
Sydney Pollack
Fly
Flying
Feel
" You hope that the responsibility of making movies will fall into the hands of essentially moral people. "
Sydney Pollack
You
Responsibility
Fall