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" I've produced my own films for twenty years now - it means I have to talk to less people. "
Sydney Pollack
Years
Talk
People
Related Quotes:
" I mean, movies are like your kids or your fingers and toes or something, it's pretty hard to pick favorites. "
Sydney Pollack
Your
Like
Hard
" There's no money in documentaries. "
Sydney Pollack
Documentaries
Money
" It's impossible for me to go into a room or look at a location without a part of my brain photographing it - picking the best angle or looking at the way the light hits. "
Sydney Pollack
Brain
Best
Impossible
" Making a movie is a network of decisions that keep multiplying as you go. You leave a trail of decisions behind you, and that's how you start to see the shape of what you've done. When you get far enough, you turn around and say, 'Ha, that's the movie.' It's only then that you find out if it's going to work or not. "
Sydney Pollack
Enough
Decisions
You
" It's my job to motivate the audience to believe. I have to get them to suspend their judgment in favor of involvement. "
Sydney Pollack
Audience
Believe
Favor
" I mean, the truth of the matter is, I like the failures as much as I like the successes, it's only the world that doesn't like the failures. "
Sydney Pollack
Mean
World
Truth
" When you're shooting a feature that costs $200,000 a day with a crew of 250, you don't want accidents; you want to know exactly what's going to happen. But with a documentary, you don't, so you have to be sensitive to accidents because that is where the gold is. "
Sydney Pollack
Day
Know
Want
" I don't have a style. I've never thought of myself as a stylist like the visual stylists I admire enormously - Adrian Lyne, Ridley Scott, Alan Parker - in which every shot has a great idea in them. "
Sydney Pollack
Admire
Great
Style
" Even with 'Three Days of the Condor,' I wanted to do a thriller. But I was still concentrating on the Faye Dunaway-Robert Redford relationship in that film. "
Sydney Pollack
Days
Film
Relationship
" For reasons which I can't logically explain, in all of the films I've done, I've ended up doing love stories of one kind or another, and it seems to me that love stories are extremely dependent on the obstacles you can place between the lovers. There is no love story without it. "
Sydney Pollack
Obstacles
Love
Me
" You're fighting a losing battle if you expect the people who own the studios to make moral choices. "
Sydney Pollack
People
Choices
Fighting
" From almost the first time I stepped on a stage, I knew that was what I wanted to do. "
Sydney Pollack
Time
Almost
First Time
" There aren't rules in a romance, so they can be played any number of ways. "
Sydney Pollack
Rules
Played
Ways
" The terrible tragedy for every director is to watch an actor do what you want and not have the camera rolling - and never get it back again. So I always try to roll the camera before anybody's really ready. "
Sydney Pollack
Camera
You
Want
" I haven't broken any new ground in the form of a film. "
Sydney Pollack
Form
New
Film
" No, I never went to college. Always regretted it, always envied people who did. "
Sydney Pollack
College
Who
People
" When you rehearse a play, you spend four weeks with one goal in mind - to wean the actor away from you. You want the actor to become completely independent and to understand all the emotional and psychological moves within the character. "
Sydney Pollack
Mind
You
Play
" I learned everything, right or wrong, about honor and love, all those things, when I was a kid watching movies. I learned as much there as I did from my parents or my schooling or anything else. "
Sydney Pollack
Kid
Parents
Love
" People sense when you're pretending, when you're worried about your own ego. "
Sydney Pollack
Sense
People
Pretending
" We progress by leaps and bounds technologically, medically - we can live longer, we can... but you know, in the year 1230, they knew as much as we know now about the human heart. "
Sydney Pollack
Heart
Know
Live
" I'm not going to pretend to know one more thing than I know. "
Sydney Pollack
More
Going
Know
" There's nothing wrong with crooks having lawyers. Everyone is entitled to a lawyer. "
Sydney Pollack
Lawyers
Having
Wrong
" If you have a career like mine, which is so identified with Hollywood, with big studios and stars, you wonder if maybe you shouldn't go off and do what the world thinks of as more personal films with lesser-known people. But I think I've fooled everybody. I've made personal films all along. I just made them in another form. "
Sydney Pollack
People
Wonder
Think
" Everybody's trying to make blockbusters. "
Sydney Pollack
Make
Blockbusters
Trying
" When I work, I think mainly in terms of dramatic choices. "
Sydney Pollack
Choices
Dramatic
I Think
" I don't know what the creative process is. I don't know how to trick it into starting or how to egg it on. "
Sydney Pollack
Egg
Creative
Know
" I learned that creativity is all about being frustrated. "
Sydney Pollack
Learned
Being
About
" Each time I make a movie, it's a little bit like taking another course in something because there's an argument between these people that I don't necessarily have an answer to. "
Sydney Pollack
People
Time
Like
" The problem with filming something is that we struggle desperately to make three dimensions out of two dimensions. It can't be done. "
Sydney Pollack
Two
Struggle
Problem
" Even in 'Victor/Victoria,' there was talk about what it means to be a woman, what it means to be a man. You didn't get that in the old days, in 'Charley's Aunt' or 'Some Like It Hot.' "
Sydney Pollack
Talk
Woman
Aunt