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" For me, choosing between fiction and nonfiction is really only about picking the right tool for the job. "
Colson Whitehead
Only
Tool
Right
Related Quotes:
" Growing up devouring horror comics and novels, and being inspired to become a writer because of horror novels, movies, and comic books, I always knew I was going to write a horror novel. "
Colson Whitehead
Horror
Growing
Growing Up
" When I'm working on a book, I try to do eight pages a week. That seems like a good amount. Less than that, I'm not getting a nice momentum, and more than that, I'm probably putting out too much crap. "
Colson Whitehead
Book
Good
Momentum
" 'Zone One' has one kind of an apocalypse, and 'The Underground Railroad' another. In both cases, the narrators are animated by a hope in a better place of refuge - in the last surviving human outpost, Up North. Does it exist? They can only believe. "
Colson Whitehead
Railroad
Believe
Place
" You can't rush inspiration. "
Colson Whitehead
You
Rush
Inspiration
" I use New York to talk about home, but the ideas in 'Colossus' could be transferred to other cities. The story about Central Park is really about the first day of spring in any park. The Coney Island chapter is really about beaches and summer and heat waves. "
Colson Whitehead
Story
New York
Ideas
" I envied kids who played soccer and football, but that was not my gig. "
Colson Whitehead
Played
Kids
Gig
" I get invited to do panels with other Brooklyn writers to discuss what it's like to be a writer in Brooklyn. I expect it's like writing in Manhattan, but there aren't as many tourists walking very slowly in front of you when you step out for coffee. It's like writing in Paris, but there are fewer people speaking French. "
Colson Whitehead
People
Walking
Step
" I don't generally follow sports. At an early age, I discovered that nature had apportioned me only a small reserve of enthusiasm. Best to ration. "
Colson Whitehead
Best
Small
Nature
" If self-absorption, vague yearnings, and a nagging sense of incompleteness are sins, then surely I will burn for all eternity, and I will save you a seat. "
Colson Whitehead
Vague
Sense
Eternity
" The idea of sacrifice is integral to the John Henry myth. Heroic figures have to die in order for us to have our stories; we live and stand on their bones. "
Colson Whitehead
Die
Us
Stand
" There are good writers and bad writers. It's hard to find writers who really speak to you, but the work is out there. "
Colson Whitehead
Bad
Find
Good
" I was always into comic books and horror stories and a huge consumer of pop culture. And then I worked for awhile for 'The Village Voice'. "
Colson Whitehead
Horror
Village
Voice
" I do write about race a lot, but I don't think writers - of any shade or background or whatever - have to write about certain subjects. "
Colson Whitehead
Whatever
Write
Lot
" The contemporary casino is more than a gambling destination: it is a multifarious pleasure enclosure intended to satisfy every member of the family unit. "
Colson Whitehead
Gambling
Family
Destination
" In America, when you hear about the Underground Railroad, it's so evocative. You think it's a literal subway for a few minutes before your teacher goes on and describes where it actually was. "
Colson Whitehead
Railroad
You
America
" I'm just trying to keep things rich for me creatively and for the readers who follow me. "
Colson Whitehead
Keep
Trying
Things
" I like questions that tee me up to make weird jokes, frankly. "
Colson Whitehead
Like
Questions
Up
" Some books are well-received with critics; other books sell. "
Colson Whitehead
Sell
Books
Critics
" In '82 and '83, that was the rise of the VCR. Every Friday, my brother and I would go to Crazy Eddie's - which was a video store in Manhattan - and rent five horror movies. And that's basically what we did, basically, for three years. Becoming social misfits. "
Colson Whitehead
Brother
Friday
Movies
" I've always thought the Nat Turner story to be very interesting. "
Colson Whitehead
Interesting
Always
Thought
" The readership for 'Sag Harbor' was different from people who'd read me before - it was linear and realistic, not as strange as 'The Intuitionist.' Did they carry over to 'Zone One,' a story about zombies in New York? Some, some not. I'm used to people not caring about my other books. "
Colson Whitehead
New
People
Caring
" There's not a lot of good TV. "
Colson Whitehead
TV
Good
Lot
" I try to keep each different book different from the last. So 'Sag Harbor' is very different from 'Apex Hides the Hurt;' 'The Intuitionist,' which is kind of a detective novel, is very different from 'John Henry Days.' I'm just trying to keep things rich for me creatively and for the readers who follow me. "
Colson Whitehead
Trying
Kind
Me
" If you go to a big publishing house, editorial aside, it's completely white. "
Colson Whitehead
White
Publishing
Big
" I love getting out of the Q train at Union Square. It's such a mix of people, like a party. There's always an errand you can do along there, whether it's picking up contacts or buying poker chips. "
Colson Whitehead
Train
Party
Love
" I didn't know I was a zombie pedant until I started considering what from the zombie canon to keep in 'Zone One' and what to ignore. "
Colson Whitehead
Know
Started
Zombie
" I usually have two or three ideas floating around. When I have free time, the one I end up thinking most about is the one I end up pursuing. "
Colson Whitehead
Free
Three
Thinking
" I try to have each book be an antidote to the one before. "
Colson Whitehead
Before
Antidote
Each
" Usually, when I write a novel, it takes me about 100 pages to figure out the voice of the narrator. "
Colson Whitehead
Me
Write
Voice
" Some people don't like my fiction, because they prefer the nonfiction. But moving around keeps the work fresh for me and, hopefully, for my one or two readers who follow me from book to book! "
Colson Whitehead
Work
Me
Follow