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" For me, the way to approach a subject such as Vietnam is through storytelling. "
Tim O'Brien
Me
Way
Vietnam
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" I could feel my moral compass as a soldier, in danger of - I could feel the squeeze, the pressure of frustration and anger and fear combining on me... I felt the danger; I felt the squeeze of it. "
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" By telling stories, you objectify your own experience. You separate it from yourself. You pin down certain truths. "
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" The goal, I suppose, any fiction writer has, no matter what your subject, is to hit the human heart and the tear ducts and the nape of the neck and to make a person feel something about the characters are going through and to experience the moral paradoxes and struggles of being human. "
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" A writer's obligation is to invent: to go beyond what did happen and to look at what could have happened but didn't. Fiction writers are born liars. "
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Go
Happen
" Is the Mona Lisa an 'accurate' representation of the actual human model for the painting? Who knows? Who cares? It's a great piece of art. It moves us. It makes us wonder, makes us gape - finally makes us look inward at ourselves. "
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Painting
Look
Great
" It's very hard to articulate the things that are important about writing. "
Tim O'Brien
Hard
Important
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" I showed up in October 1946, part of an early surge that would become a great nationwide baby boom. My sister Kathy was born a year later. "
Tim O'Brien
Sister
Baby
Great
" Stories have a special way of putting us inside the people, inside the boots of the soldiers. You're absorbed in a way a documentary or nonfiction can't do for you. "
Tim O'Brien
You
Boots
People
" After each of my books about the war has appeared, I thought it might be the last, but I've stopped saying that to myself. There are just too many stories left to tell - in fact, more all the time. "
Tim O'Brien
Myself
Saying
Tell
" Most of the things in 'The Things They Carried' didn't happen to me. Ninety-five percent of it's invented. It's not what occurred. "
Tim O'Brien
Me
Most
Percent
" I think I'm a pretty moral guy, a very moral guy, but I'm not perfect. "
Tim O'Brien
Guy
Not Perfect
Think
" It's one thing to say you're for the war; it's another thing to send your kid to war - your daughter or your son. "
Tim O'Brien
Daughter
Son
Say
" A bullet can kill the enemy, but a bullet can also produce an enemy, depending on whom that bullet strikes. "
Tim O'Brien
Enemy
Also
Bullet
" I learned that moral courage is harder than physical courage. "
Tim O'Brien
Physical
Courage
Moral
" Inside I feel much like a 12-year-old or a 17-year-old who knows big words. "
Tim O'Brien
Big
Feel
Inside
" I hated the draft, but at the same time, it's something that made every American take war seriously. "
Tim O'Brien
American
Same
War
" I received my draft notice right after graduation from college and had three months before going into the Army in September to think about it. "
Tim O'Brien
Think
Three
Graduation
" The people in 'July, July' do find themselves looking backward, talking to others and to themselves about those over-the-cliff, fork-in-the-road moments in their lives. I imagine this is what must happen at a 30th college reunion. "
Tim O'Brien
People
Find
College
" Fantasy has a dark side to it. It also has a light hemisphere - the power of the human imagination to keep going, to imagine a better tomorrow. "
Tim O'Brien
Imagination
Keep Going
Power
" No matter how wonderful the story, it has to move on something, and that is language. The words that I use, the pace, the rhythm and cadences all need to be there. If they're not there, the story is like a boat that just sits there and doesn't move on the ocean. "
Tim O'Brien
Ocean
Need
Move On
" Laughter does not deny pain. Laughter - like a wail - acknowledges and replies to pain. "
Tim O'Brien
Pain
Does
Like
" Stories are not explanations of the world we live in. Science does that, and math does that. Our obligation as fiction writers is to enhance the mysteries. "
Tim O'Brien
Stories
World
Live
" When you're so close to material, it would be as if you had come out of a bad marriage. You would be so close to it that you would be paying attention to detail that may not mean a whole lot for the reader. "
Tim O'Brien
Detail
Marriage
Attention
" My life is storytelling. I believe in stories, in their incredible power to keep people alive, to keep the living alive, and the dead. "
Tim O'Brien
Power
My Life
People
" A true war story is never moral. "
Tim O'Brien
Story
Moral
Never
" The word war itself has a kind of glazing abstraction to it that conjures up bombs and bullets and so on, whereas my goal is to try to, so much as I can, capture the heart and the stomach and the back of the throat of readers who can lie in bed at night and participate in a story. "
Tim O'Brien
Story
War
Goal
" Working as a journalist, I was always tempted to lie. I felt I could do dialogue better than the person I was interviewing. I felt I could lie better than Nixon and be more concise than some random person I was covering. "
Tim O'Brien
Random
Always
Better
" From the year of his birth in 1914 until the outbreak of war in 1941, my father lived in a mostly white, mostly working-class, mostly Irish Catholic neighborhood in Brooklyn, New York. "
Tim O'Brien
War
White
Brooklyn
" If I see a phrase that strikes me as ugly, I'll delete it. Or, if I find a way to say something a bit more freshly than it was expressed originally, I'll do it. Ultimately, you want to try to leave behind the best possible paragraph or sentence. "
Tim O'Brien
Ugly
Find
Me
" To be memorable and to have dramatic impact, informational detail must function actively within the dynamic of a story. "
Tim O'Brien
Memorable
Impact
Within