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" Growing up as a product of the black civil-rights movement, I had a lot of different models for black weirdness, whether it's Richard Pryor or James Baldwin or Jimmy Walker. "
Colson Whitehead
Growing Up
Up
Black
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" Early on my career, I figured out that I just have to write the book I have to write at that moment. Whatever else is going on in the culture is just not that important. If you could get the culture to write your book, that would be great. But the culture can't write your book. "
Colson Whitehead
Moment
You
Culture
" I try to have each book be an antidote to the one before. "
Colson Whitehead
Before
Antidote
Each
" In 'John Henry Days,' I was taking my idea of junketeering and sort of blowing it up to absurd extremes. "
Colson Whitehead
Absurd
Days
Idea
" I started writing in the '90s, so I was free to just have an eccentric career and not conform to some idea of what a black writer has to do. I didn't have the burden of representation. "
Colson Whitehead
Free
Black
Writing
" Each book requires a different kind of treatment and structural gambit. "
Colson Whitehead
Different
Treatment
Each
" In fifth grade, we did 10 minutes on slavery and 40 minutes on Abraham Lincoln, and in 10th grade you might do 10 minutes on the civil rights era and 40 minutes on Martin Luther King, and that's it. "
Colson Whitehead
King
You
Civil Rights
" Generally, I walk around in a glum mood. "
Colson Whitehead
Generally
Walk
Around
" I was sort of a miserable teenager. "
Colson Whitehead
Miserable
Sort
Teenager
" In college, I wrote maybe three short stories. "
Colson Whitehead
Short
Maybe
College
" I get invited to do panels with other Brooklyn writers to discuss what it's like to be a writer in Brooklyn. I expect it's like writing in Manhattan, but there aren't as many tourists walking very slowly in front of you when you step out for coffee. It's like writing in Paris, but there are fewer people speaking French. "
Colson Whitehead
People
Walking
Step
" Once I got to college, it seemed that the Hamptons were a little bit too posh for me and didn't represent the kind of values I was embracing in my late teens. So, I didn't go out there, except to visit my parents, for a long time. And then, after 9/11, I discovered it was a nice, mellow place to hang out. "
Colson Whitehead
Time
Me
College
" 'John Henry Days' was already half in the can before my first book came out, so I'd already started something that was big and sprawling - I just had to finish it. "
Colson Whitehead
Started
First
Finish
" If you go to a big publishing house, editorial aside, it's completely white. "
Colson Whitehead
White
Publishing
Big
" Access to information, to music or any kind of culture, is getting faster and faster and more streamlined. At each juncture, people are thrown into tumult and have to adapt or die. "
Colson Whitehead
Information
Culture
People
" I was always into comic books and horror stories and a huge consumer of pop culture. And then I worked for awhile for 'The Village Voice'. "
Colson Whitehead
Horror
Village
Voice
" Some people don't like my fiction, because they prefer the nonfiction. But moving around keeps the work fresh for me and, hopefully, for my one or two readers who follow me from book to book! "
Colson Whitehead
Work
Me
Follow
" If you're writing a detective novel or horror or sci-fi, you want to expand or reinvigorate the genre in your own little way. "
Colson Whitehead
Way
Horror
Own
" I like to explore different ideas of race, how the concept of race has evolved in the country. It's one thing I enjoy talking about, but I don't feel compelled to talk about it. "
Colson Whitehead
Race
Ideas
Feel
" I wanted to be one of these multidisciplinary critics who is doing music one day, TV the next, and books the next. "
Colson Whitehead
Next
Books
Day
" A lot of my books have started with an abstract premise. "
Colson Whitehead
Premise
Books
Abstract
" I enjoy thinking about how race plays out over the centuries, how technology evolves, how cities transform themselves. These subjects are present in some of my books and absent in others. "
Colson Whitehead
Over
Race
Technology
" I don't generally follow sports. At an early age, I discovered that nature had apportioned me only a small reserve of enthusiasm. Best to ration. "
Colson Whitehead
Best
Small
Nature
" You can't rush inspiration. "
Colson Whitehead
You
Rush
Inspiration
" I was 7 years old when 'Roots' was first broadcast, and my parents gathered all us kids around the TV to learn about how we got here. But it wasn't until I sat down and immersed myself in the research that I got the barest inkling of what it meant to be a slave. "
Colson Whitehead
Research
Myself
Parents
" Being a slave meant never having the stability of knowing your family would be together as many years as God designed it to be. It meant you could come back from picking cotton in a field to find that your children are gone, your husband's gone, your mother's gone. "
Colson Whitehead
Together
Children
Family
" There's always an attack on the sophomore novel from some quarters. "
Colson Whitehead
Always
Some
Sophomore
" The idea of sacrifice is integral to the John Henry myth. Heroic figures have to die in order for us to have our stories; we live and stand on their bones. "
Colson Whitehead
Die
Us
Stand
" I never actually went anywhere when I was a journalist. I was a critic, and I just sort of got stuff in the mail and chatted about it. "
Colson Whitehead
Just
Never
Mail
" I'm of that subset of native New Yorkers who can't drive. "
Colson Whitehead
New
Native
New Yorkers
" Having a wife and kids drove home the brutal reality of the slave system for me - the price it exacted on families. On the other hand, whenever I despair over our history, I am brought back to hope, the hope that things will get better, for my children. "
Colson Whitehead
Children
History
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