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" 'John Henry Days' was already half in the can before my first book came out, so I'd already started something that was big and sprawling - I just had to finish it. "
Colson Whitehead
Started
First
Finish
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" Growing up as a product of the black civil-rights movement, I had a lot of different models for black weirdness, whether it's Richard Pryor or James Baldwin or Jimmy Walker. "
Colson Whitehead
Growing Up
Up
Black
" I like questions that tee me up to make weird jokes, frankly. "
Colson Whitehead
Like
Questions
Up
" Slavery was a violent, brutal, immoral system, and in accurately depicting how it worked, you have to include that, obviously. Or else you are lying. "
Colson Whitehead
System
Brutal
How
" Monsters are a storytelling tool, like domestic realism and close third. "
Colson Whitehead
Monsters
Realism
Storytelling
" The readership for 'Sag Harbor' was different from people who'd read me before - it was linear and realistic, not as strange as 'The Intuitionist.' Did they carry over to 'Zone One,' a story about zombies in New York? Some, some not. I'm used to people not caring about my other books. "
Colson Whitehead
New
People
Caring
" I always try to mix it up with each book - changing tone, changing style keeps the work very vital for me. "
Colson Whitehead
Work
Try
Me
" I try to keep each different book different from the last. So 'Sag Harbor' is very different from 'Apex Hides the Hurt;' 'The Intuitionist,' which is kind of a detective novel, is very different from 'John Henry Days.' I'm just trying to keep things rich for me creatively and for the readers who follow me. "
Colson Whitehead
Trying
Kind
Me
" There's always an attack on the sophomore novel from some quarters. "
Colson Whitehead
Always
Some
Sophomore
" Other people have hang-ups about what's literary or genre or whatever, and that's sort of not my problem. You're supposed to write what you have to write, and you're supposed to keep moving. "
Colson Whitehead
You
Moving
Write
" The Declaration of Independence is that sacred American text so full of meaning and purpose and yet quite empty if you examine it and pull it apart because the words 'All Men' exclude a vast number of citizens. "
Colson Whitehead
Men
Meaning
American
" A lot of early Misfits song titles are inspired by old B-movies, which were my Popeye's spinach when I was a kid. "
Colson Whitehead
Inspired
Kid
Old
" I knew that a zombie book would not particularly appeal to some of my previous readers, but it was artistically compelling, and being able to do a short nonfiction book about poker was really fun and great. "
Colson Whitehead
Zombie
Poker
Book
" I like to know how I'm supposed to feel about things. Just a little clue or hint. "
Colson Whitehead
Like
Just
Feel
" I've always had a love of cards, ever since I was a little kid. I think poker, as a system, describes the chaos of the world. Our sudden reversals, our freak streaks of fortune. The belief that the next hand can save you, and the inevitable failure of the next hand to save you. I think that describes my world view pretty well. "
Colson Whitehead
Think
View
World
" The movie 'Rock 'n' Roll High School' was a sacred text in my household. "
Colson Whitehead
High School
Rock
School
" Zombies are a great rhetorical prop to talk about people and paranoia, and they are a good vehicle for my misanthropy. "
Colson Whitehead
Good
Paranoia
People
" In fifth grade, we did 10 minutes on slavery and 40 minutes on Abraham Lincoln, and in 10th grade you might do 10 minutes on the civil rights era and 40 minutes on Martin Luther King, and that's it. "
Colson Whitehead
King
You
Civil Rights
" There's not a lot of good TV. "
Colson Whitehead
TV
Good
Lot
" I grew up reading the 'Village Voice' and wanting to be one of these multidisciplinary music writers, film writers, book writers. And I lucked out getting a job at the 'Voice' right after college. "
Colson Whitehead
Job
College
Book
" As always, a lot of bad books will be published. Some good books will be published, and you have to seek them out. "
Colson Whitehead
Good
Always
Bad
" I was allowed to write about race using an elevator metaphor because of Toni Morrison and David Bradley and Ralph Ellison. Hopefully, me being weird allows someone who's 16 and wanting to write inspires them to have their own weird take on the world, and they can see the different kinds of African American voices being published. "
Colson Whitehead
Me
Weird
American
" A lot of my books have started with an abstract premise. "
Colson Whitehead
Premise
Books
Abstract
" I enjoy thinking about how race plays out over the centuries, how technology evolves, how cities transform themselves. These subjects are present in some of my books and absent in others. "
Colson Whitehead
Over
Race
Technology
" I envied kids who played soccer and football, but that was not my gig. "
Colson Whitehead
Played
Kids
Gig
" Most of my books have always worked through juxtaposition, jumping through different point of views and time. "
Colson Whitehead
Books
Different
Point
" Generally, I walk around in a glum mood. "
Colson Whitehead
Generally
Walk
Around
" Access to information, to music or any kind of culture, is getting faster and faster and more streamlined. At each juncture, people are thrown into tumult and have to adapt or die. "
Colson Whitehead
Information
Culture
People
" I was sort of a miserable teenager. "
Colson Whitehead
Miserable
Sort
Teenager
" For me, choosing between fiction and nonfiction is really only about picking the right tool for the job. "
Colson Whitehead
Only
Tool
Right
" I use New York to talk about home, but the ideas in 'Colossus' could be transferred to other cities. The story about Central Park is really about the first day of spring in any park. The Coney Island chapter is really about beaches and summer and heat waves. "
Colson Whitehead
Story
New York
Ideas