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" Holy Joy were a cult '80s band led by the wonderful songwriting genius that is Johny Brown. "
Irvine Welsh
Wonderful
Cult
Band
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" Underground people pay a desperate toll finding out things nobody else has discovered yet. We run around like headless chickens looking for the next cultural fix to spiral around in before it gets appropriated somewhere else and becomes something it never was. There's this sort of one-upmanship in the underground. "
Irvine Welsh
People
Looking
Finding
" Every kind of book I've written has been written in a different way. There has not been any set time for writing, any set way, I haven't re-invented the process every time but I almost have. "
Irvine Welsh
Book
Writing
Way
" When I left school at 16, I became an apprentice television and radio technician, and was paid £17 a week, which was decent money in 1976. But the job turned sour when I gave myself an electric shock while repairing a television set. "
Irvine Welsh
Myself
Radio
School
" Dean Owens is Scotland's most engaging and haunting singer-songwriter. "
Irvine Welsh
Scotland
Dean
Haunting
" You know what it's like: you don't want to read your old books again. All you can see are the flaws, what you would do differently. "
Irvine Welsh
Old
You
Want
" I tried to write 'Trainspotting' in standard English, but people weren't talking like that. "
Irvine Welsh
Like
Standard
Talking
" If you're going to do something that's going to cause offence to people, you're always going to get a reaction. "
Irvine Welsh
Always
People
Reaction
" I come up with a blurb at the beginning, but the book will always be completely different by the time it's finished. They say, 'Where's the book you were going to write?' And I say, 'Forget about it. It doesn't exist.' "
Irvine Welsh
Book
You
Say
" I would never have written 'Trainspotting' if it hadn't been for this album, 'Raw Power,' and 'Metallic K.O.' "
Irvine Welsh
Never
Raw
Been
" I just want to get on and tell stories. "
Irvine Welsh
Stories
Want
Tell
" A lot of people pulled me up after 'Trainspotting' for its absence of politics, but the argument I make is that the absence of politics is political as well. "
Irvine Welsh
Me
Political
People
" When you grow up in a place, you always think it's mundane. Then you travel around and live in different places, and you realise that you've got it the wrong way 'round. "
Irvine Welsh
Travel
You
Grow
" When I first started to get into writing, it was via music. I'd generate ideas for songs that would turn into stories, then they'd turn into novels. I was biased toward music. "
Irvine Welsh
Turn
Ideas
Music
" The first job of a writer is to be honest. "
Irvine Welsh
First
Writer
First Job
" There is nothing, really, that I wouldn't write about, and I do write about a lot of grim things. "
Irvine Welsh
Nothing
Lot
Really
" There's something about the modern era where it's very hard to transgress - we're all so online, easier to track by mobile phone - so you have people who do it on your behalf. "
Irvine Welsh
Hard
Modern
Track
" I think young writers should get other degrees first, social sciences, arts degrees or even business degrees. What you learn is research skills, a necessity because a lot of writing is about trying to find information. "
Irvine Welsh
Think
Research
Business
" Writers in Britain aren't really celebrities. You become kind of a darling of a small set. "
Irvine Welsh
Darling
You
Set
" Standard English is very imperialistic, controlled, and precise; it's not got a lot of funk or soul to it. "
Irvine Welsh
Got
Standard
Funk
" It's very hard to transgress; we have the furniture of transgression without the imagery and iconography to actually do it. "
Irvine Welsh
Furniture
Very
Imagery
" Historically, men have a hard time getting onboard with feminism, but I think that's changing. "
Irvine Welsh
Men
Think
Time
" Basically, particularly in Britain, it's a hegemonic thing that people who write tend to come from the leisure classes. They can afford the time and the books. "
Irvine Welsh
People
Who
Leisure
" Before I started writing, I'd never read much fiction. I was more interested in non-fiction. I'm taking the same approach to theatre: I can operate from a position of ignorance and make up my own rules instead of being bound by customs and practice. "
Irvine Welsh
Writing
Practice
Theatre
" From 'Trainspotting' to 'Acid House,' I moved from urban realism into fantasy. "
Irvine Welsh
Realism
Acid
House
" People either think I'm this totally savage, idiot-savant genius guy who's lucked out or they think I'm a super-manipulative crafty businessman, this kind of MBA guy who's spotted a gap in the market and knows how to create a product for it. It's flattering, but I've not got that much of a gameplan. "
Irvine Welsh
Create
Genius
Think
" We want to feel hyper-alive, and it's like, the more cartoonish and grotesque the level we can operate at, the better. It's like the world we live in has become quite safe in a lot of ways, and it has become harder to genuinely transgress. But the desire to transgress is a real feeling. "
Irvine Welsh
World
Live
Feeling
" I think the novel is at one end of the art-entertainment continuum - the play in the middle - while TV and cinema veer a bit more towards entertainment. "
Irvine Welsh
Play
Cinema
End
" People should be able to express their culture without getting into all that chauvinistic thing. "
Irvine Welsh
Getting
Without
People
" A lot of my characters are anti-heroes that became heroes. "
Irvine Welsh
Became
Lot
Heroes
" I make out a play list for every character and buy the records they would listen to; it helps me find their personas. What they play, where they stay, who they lay, is my matrix for character development. "
Irvine Welsh
Me
Listen
Stay