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" I always think that my assignment is to seek out stories that are experienced by people who don't get the ticket for Easy Street. "
Debra Granik
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" Film is a team thing. There is no auteur. "
Debra Granik
" In Hollywood, only a female who's massively damaged is interesting. "
Debra Granik
" There's a lot of journalism about poverty, but sometimes it just helps to see that there's a real person who becomes a real mom, who is working with unsustainable wages that could eventually destroy her. "
Debra Granik
" You can't just pill away injuries that go deep in someone. They don't just stop those feelings from existing. "
Debra Granik
" I'm reaching for emotion and drama, the drama of the everyday: what happens when you don't have shelter, food, and clothing. There are some stakes. If you're displaced or evicted, there's a suspense: How will you solve that? "
Debra Granik
" When I read Daniel Woodrell's novel 'Winter's Bone,' I was drawn to the characters, the setting, and the sound of the dialog. "
Debra Granik
" It's kind of a test when you read a novel thinking about its potential for the screen: How does it play on your mind's screen? "
Debra Granik
" I have, obviously, a very complex relationship with the more industrial side of filmmaking and the machinery that can take an actor or an actress and create something so bamboozling and monumental and fathomless in terms of publicity hits. "
Debra Granik
" My ego is one thing. Of course I want people to like what I do. Of course. There's no doubt. You wouldn't do it. But I think what people don't fully know is how responsible you feel for so many entities. So many hardworking people who've collaborated. "
Debra Granik
" I like to make films about how people survive living in the United States. "
Debra Granik
" I'm someone who's always looking for hope - if there's a ray of hope, a shrapnel, shred, a flake of hope - because I take the misfortune or hard times of others very seriously. "
Debra Granik
" The questions that loom can be intimidating. 'What kind of moves is she gonna make? What is she gonna do?' There is this pressure that you're supposed to keep impressing. "
Debra Granik
" All filmmakers want the option to make another film, to have it not always be such an uphill battle - for it to be our life, our working life. "
Debra Granik
" I'm from the East Coast, and so therefore, the Pacific Northwest forest is very exotic land to me. "
Debra Granik
" Stereotypes are convenient. And yet within them, everyone will say there's something that - you know, they don't come for no reason. It's just that it takes time to explore complexity. "
Debra Granik
" It's almost like Time's Up allowed some really good old-school players to stand up and say, 'We're actually just really normal companies that want to facilitate culture-making. Some of us are even in it for the slow returns.' "
Debra Granik
" The time that it takes to make the feature is really contingent on the feature being sort of almost ready-made - so coming to a book is more ready-made. You at least have the story that someone sorted out. "
Debra Granik
" What I would love is for people to see some of the stories I want to tell. "
Debra Granik
" We need cultural awareness and a cooperative approach with other countries versus a dominating approach. "
Debra Granik
" The protagonist in 'Winter's Bone' was a really good role for a female. She was strong; she didn't have to conform to something or be a sidekick to any man. That's part of what you're responding to; it's a woman-centric situation. Her value in the film was not reliant on any man. "
Debra Granik
" It can't change anything immediately, but films can absolutely be catalysts for conversation. "
Debra Granik
" You have so much more time to observe and learn with a documentary because of the time between the shoots. You get a much deeper understanding of day-to-day life and its themes. It's also much more of a mess after three years; you have to comb it out carefully and see what fits together and makes sense. "
Debra Granik
" Films set in 90210 are ten a penny. But there's rarely room to make films about a different postal code, to show the lives of ordinary Americans who have to live with very limited material resources. "
Debra Granik
" In the U.K., working-class lives are depicted with the characters' humour, but in the U.S., people with difficulties are often depicted with pious or simply dreary lives. "
Debra Granik
" I will always face the conundrum that the subjects I'm attracted to aren't essentially commercial. "
Debra Granik
" It's risky to show poor Americans. People see it as a downer. But I really wanted to make a tightly wound piece of storytelling that also happened to explode the myth of American affluence. "
Debra Granik
" For documentaries, I think streaming plays an amazing role, but it's a problem when the one service you initially relied on to have an incredible buffet - 'Come and see a lot of world cinema, and the lives of ordinary people as well' - all of a sudden is narrowed down until it's just gladiator after gladiator - and bloodlust. "
Debra Granik
" It's funny: your happiness is contingent on a bigger picture besides just yourself. "
Debra Granik
" My first camera job was filming workplace safety videos, which involved months of watching and videotaping people doing their jobs. I was hooked - from there, I wanted to know where they lived and the rest of their habits and desires. "
Debra Granik
" There has to be a continuation of the communal experience of filmgoing. "
Debra Granik