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" You can't just pill away injuries that go deep in someone. They don't just stop those feelings from existing. "
Debra Granik
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" My producing partner and I were shown a novel we really liked. It was called 'My Abandonment' by Peter Rock, and we enjoyed reading it. "
Debra Granik
" There has to be a continuation of the communal experience of filmgoing. "
Debra Granik
" Every filmmaker has this short book of films that don't get made - for a whole host of reasons. "
Debra Granik
" In the U.K., working-class lives are depicted with the characters' humour, but in the U.S., people with difficulties are often depicted with pious or simply dreary lives. "
Debra Granik
" Humour is the be-all and end-all medicine of human existence. "
Debra Granik
" The struggle to have a living wage doesn't come easy. You're ready to work, you want it, you seek it... but it's not like it's just given to you. "
Debra Granik
" Humour is used in struggle and solving difficult things, and I relish that tradition. "
Debra Granik
" It can't change anything immediately, but films can absolutely be catalysts for conversation. "
Debra Granik
" You gotta call it out first; it always has to be called out when we need social change, but this is how social change happens: you call it out. People had to call out child labor. People had to call out, 'Hey time's up; we need to vote. We live in this country.' People had to call out 'time's up' on enslaving people, you know. "
Debra Granik
" Emerging actors know there's a whole lot to learn each time they are spending with someone who's done a lot. "
Debra Granik
" There are so many American experiences that we can't know about unless we venture out to create a dialogue, to observe, ask questions, and stay there for a while. "
Debra Granik
" When I read Daniel Woodrell's novel 'Winter's Bone,' I was drawn to the characters, the setting, and the sound of the dialog. "
Debra Granik
" It's almost like Time's Up allowed some really good old-school players to stand up and say, 'We're actually just really normal companies that want to facilitate culture-making. Some of us are even in it for the slow returns.' "
Debra Granik
" A big part of the equation for 'Winter's Bone' was making it for so little that we owe nobody. We had a guaranteed loan and were able to pay it back. "
Debra Granik
" American film isn't just film and glamor and fame and the lives of people who are fortunate financially. Those aren't the only stories in this vast nation. That's my mandate. "
Debra Granik
" I don't want to make fictional characters who are perfect - that's a vanilla situation - but the fact is you are allowed to more carefully select and curate what it is you're going to explore. "
Debra Granik
" We need cultural awareness and a cooperative approach with other countries versus a dominating approach. "
Debra Granik
" Sometimes I struggle with being American. "
Debra Granik
" I'm a trudger. "
Debra Granik
" What I would love is for people to see some of the stories I want to tell. "
Debra Granik
" I feel as though perhaps there's not a great match between the content I'm attracted to and the content that is considered attractive to some of the more major or more traditionally financed entities. "
Debra Granik
" It's funny: your happiness is contingent on a bigger picture besides just yourself. "
Debra Granik
" I need and want to see capable women. I don't like to see them weep all the time. "
Debra Granik
" My first camera job was filming workplace safety videos, which involved months of watching and videotaping people doing their jobs. I was hooked - from there, I wanted to know where they lived and the rest of their habits and desires. "
Debra Granik
" I get very caught up in the day-to-day and immersed in the scenes as they unfold. It's harder for me, as I'm filming, to see the larger story. "
Debra Granik
" You can't make movies without known names, and unknowns can't become known, because they can't get work. "
Debra Granik
" I think, in some ways, that is the balm of stories, of fables, of tales: it's the way we're wired. We have always needed to distill what we're going through and try to understand it by looking either backwards or forwards. And the hardest is to look in the now. "
Debra Granik
" I like to make films about how people survive living in the United States. "
Debra Granik
" 'Winter's Bone' really suited having a lower budget. It would be so hard rolling into a rural setting, a place where people are poor, and to be thinking you've got $10 million to make a piece of entertainment. "
Debra Granik
" I have, obviously, a very complex relationship with the more industrial side of filmmaking and the machinery that can take an actor or an actress and create something so bamboozling and monumental and fathomless in terms of publicity hits. "
Debra Granik