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" I connect to the tradition of Irish storytelling. And I think there is something - I can't put my finger on it - something genetic there. Maybe just a need to tell stories. "
Michael Connelly
Think
Storytelling
Tradition
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" I think the best way to sell a made-up character is to plant his feet into the real earth. "
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" It's about being fair. It's about Black Lives Matter. Yes, they matter. Everybody counts or nobody counts, and I think if more cops had the philosophy of Harry Bosch, we'd have less of these situations happening. "
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" As soon as I got to L.A., there was this big crime where these guys tunnelled underneath a bank on a three-day weekend and went right up to the vault and emptied everything out. "
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" That's the irony in the work: the best stories are the worst things that happen. My best times were somebody else's worst. "
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" To get a connection to your characters, you have to put them in a situation that you can feel yourself. "
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" I admit my reading time is limited because I can write in the situations and places where people usually read. But reading is the fuel - it's inspiring - so I try to keep the tank full. What happens most of the time is I binge read. I will put aside a day or two to do nothing but read. "
Michael Connelly
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" I want people to think I'm a creative genius. "
Michael Connelly
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" I think books with weak or translucent plots can survive if the character being drawn along the path is rich, interesting and multi-faceted. The opposite is not true. "
Michael Connelly
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" People like the Bosch books because they like Harry Bosch, not because the plots are fantastic. "
Michael Connelly
People
Books
Fantastic
" Eight to ten years in a patrol car? I didn't have that in me. "
Michael Connelly
Eight
Car
Me
" I think there has to be an empathic strike between the reader and the protagonist. There has to be something said or known that connects the reader to this person you're going to ride through the story with. "
Michael Connelly
You
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" The LAPD, like most police departments, is a male-dominated bureaucracy. A woman faces a lot of pushback. "
Michael Connelly
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" I could not have been happier with 'The Lincoln Lawyer.' They got the essence, and the casting, starting with McConaughey, was just perfect. "
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Got
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" With age comes a greater understanding and a greater worldview. "
Michael Connelly
Greater
Understanding
Worldview
" When I write about places in L.A. - like where the best taco truck is or something - it's not about L.A. To me, it's about Harry Bosch, because he's the guy that does these things and has this experience. "
Michael Connelly
Like
Experience
Best
" When I was a teenager, I was a voracious reader of crime fiction, but only contemporary books. I was not interested in reading 'The Glass Key' or 'The Maltese Falcon' - stuff that was 40 or 50 years old. "
Michael Connelly
Key
Old
Years
" I never write thinking, 'What would a woman do?' any more than I think, 'What would a man do?' It comes down to what would a solid detective do in these circumstances. "
Michael Connelly
Down
Woman
Thinking
" I was fired as an actor on 'Bosch.' "
Michael Connelly
Actor
Fired
" When I was at a newspaper, I knew what an opportunity that was, and I religiously protected my time on the cop beat. "
Michael Connelly
Cop
Time
Opportunity
" One of the great things about fiction is you can use an issue and describe it in human terms. "
Michael Connelly
You
Things
Human
" In writing on the page, you can be a bit elliptical, but on TV, you can't dance around stuff. You either show it, or you don't. "
Michael Connelly
Page
Dance
You
" I'm going to have to be impressed and feel confident in the people I'm handing a book to - or I'm not going to do it. Once you hand it to them, you're out. You have no control over it. "
Michael Connelly
People
Book
Control
" My experience as a newspaper reporter was invaluable in terms of getting me to the kind of writing I do now. It gave me a work ethic of writing every day and pushing through difficult creative times. I mean, there's no writer's block allowed in a newsroom. "
Michael Connelly
Writing
Work
Experience
" I get up to write while it's still dark, 5 or 5:30. I start by editing and rewriting everything I did the day before, and that gives some momentum for the day. "
Michael Connelly
Start
Dark
Day
" My history is that I will create a character, and they will have a book to themselves, and then I'll integrate the character into the larger world of all my books. "
Michael Connelly
Character
World
History
" A movie is like a city. There's, like, 150 people working, and it's all because of something that came out of your head. "
Michael Connelly
City
Head
Like
" I realize now I could have gotten a whole book out of that and so I think that was a big mistake. But the truth is you write in the moment and with your head down and there is no way back then that I could have conceived of Harry having the longevity that he has had. "
Michael Connelly
Mistake
Book
Moment
" I want to tell stories that reflect how people are feeling. "
Michael Connelly
Want
People
Reflect
" My father was a builder. During my high school years, I worked for him. One summer, I was working with a guy who had just come back from Vietnam and had been a tunnel rat. He wouldn't talk about the experience, but it sounded really scary to me. "
Michael Connelly
School
Experience
High School
" My grandparents were all born in the U.S., but their parents came from Ireland. "
Michael Connelly
Born
Ireland
Parents