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" I don't really analyze my process. I do know that if it's not right, I won't move on. I'm tenacious to a fault about that. "
Doug Liman
Know
Right
Fault
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" The 'Bourne' franchise means the world to me. I love that Universal wants to put one out every two years. Because it is a safe investment, I benefit from that on many levels. "
Doug Liman
Love
Me
World
" From a production point of view, I still have one foot firmly planted in the independent film world, and much of the shooting on 'Jumper' was done 'Swingers'-style because that was the only way we could afford to do it. "
Doug Liman
View
World
Done
" When I set out to make 'Bourne Identity,' my main goal for the franchise was to create something where it feels like you're in the action. You're not just passively watching it from far away. That's something that I have constantly aspired to do - even in 'Swingers,' to feel like you're Jon Favreau; you're not just watching him. "
Doug Liman
Identity
You
Goal
" When you have films like 'Bourne' that succeed, not only does it beget sequels, but it begets people taking chances. "
Doug Liman
Taking
Succeed
You
" The way I see it, the expensive people who get hired when you have money are the fancy people who tell you what you can't do. "
Doug Liman
Tell
You
Way
" I've been really lucky in terms of the people I've gotten to work with. "
Doug Liman
Terms
People
Really
" So many of Spielberg's films inspired my imagination growing up. And then there are British films like 'The Full Monty' and 'Waking Ned Devine' that took me to places I really loved, with characters I just thought were amazing. But the films of Luc Besson showed me France - a really cool side of France. "
Doug Liman
Imagination
Growing Up
Cool
" VR should offer an experience that's more exciting than watching in 2D, and we're pretty good at 2D storytelling, so the bar's already pretty high. "
Doug Liman
Experience
Good
Storytelling
" 'The Wall' doesn't recount a specific soldier's experience in Iraq, but it captures the spirit of many experiences that were shared with me and with Aaron Taylor-Johnson and with John Cena. "
Doug Liman
Spirit
Me
Soldier
" I had just come off doing a lot of commercials when I did 'Go,' so a part of the fast pace and efficiency comes from the discipline I had to learn from telling stories in 25-second increments, and that type of discipline is insane. "
Doug Liman
Doing
Efficiency
Fast
" There's no reason my films can't work as hard as VR does to hook an audience and never let them go, so I think that that it turns the volume up a little bit on storytelling. The same way when I was doing commercials and then I went and shot 'Go,' and 'Go' has a level of pace that is unlike any of my other movies. "
Doug Liman
Work
Think
Movies
" In 'The Bourne Identity,' I wanted to give the audience the feeling of being in the car with Jason Bourne, not just watching him drive but be in the car with him, and 'The Wall' is the continuation of that immersive filmmaking style. Where you're trapped behind the wall with Aaron Taylor-Johnson - for better or worse, you're trapped there with him. "
Doug Liman
Identity
Style
Better
" I make movies for me and posterity. I'm more scared of history than I am of the studio. "
Doug Liman
More
History
I Am
" My family went to the Hamptons, so I understand what happens when a slice of perfect utopia gets overdeveloped, when one way of living is replaced by another. "
Doug Liman
Way
Understand
Perfect
" The thing about TV is it's a meritocracy. I love that aspect of it - and I've had shows that have gone on the air and been canceled. I've seen the good and the bad of it. "
Doug Liman
Gone
Love
Good
" It's kind of hard to work with Tom Cruise and not be aware that you're working with one of the biggest movie stars in the world. "
Doug Liman
World
Kind
Work
" What I really found was that the one similarity between 'Covert Affairs' and 'Fair Game' is a deep love and admiration and fascination with the home life of a spy. "
Doug Liman
Love
Fair
Life
" I live in New York City, and I'm making huge action movies. The people that make huge action movies live in L.A., and they're surrounded by other people who make huge action movies. I'm surrounded by people making documentaries! "
Doug Liman
Live
City
Action
" I'm very interested in politics, and I feel TV is a more political medium than film. "
Doug Liman
Politics
Film
Feel
" The beating heart of your story... that's not what shows up in a trailer. The other stuff is what shows up in a trailer, because that's what gets people in to the seats, and that's how studios make their money. "
Doug Liman
People
Money
Heart
" Even more than 'Swingers,' 'Go', for me, defines my career. "
Doug Liman
Than
More
Career
" More of 'The Bourne Identity's script was taken from the events of the Iran Contra, which my father investigated for the Senate, than what was taken from Robert Ludlum's novel. "
Doug Liman
Events
Father
Identity
" I always liked photography in film - I studied photography growing up. I like the medium of film; I like physically holding 35-mm film. I like the way it looks, the quality when it's projected. I like the way it frames real life. "
Doug Liman
Photography
Growing Up
Life
" I've made a career of being a contrarian. If I'm going to work with Tom Cruise, it's my instinct to be like, 'Well, I'm going to do the anti-Tom Cruise movie.' "
Doug Liman
Cruise
Going
Like
" I love that Barry Seal is working for the CIA, and he's an awful liar. It just goes to how honest this character is at the end of the day, even as he rips off the country and the world to the tune of becoming one of the wealthiest men in America. There's an innate honesty, a purity to him. "
Doug Liman
Day
Men
Love
" I populated 'The Bourne Identity' with real characters from American history, specifically characters from the Iran-Contra affair, which my father ran the investigation of. But at the heart of it was a fictional character. "
Doug Liman
Heart
History
Real
" I was a troublemaker. For a long time, I didn't fit in. "
Doug Liman
Fit
Long
Troublemaker
" I think making a great action movie is one of the hardest cinematic endeavors. By definition, smart characters avoid action. Smart people don't go down dark alleys, but if you're making an action movie and you want to have an action sequence, somehow you have to get that character into that dangerous situation. "
Doug Liman
Think
Great
Character
" With VR, you are directing in a 360-degree environment. The biggest challenge is that the viewer can look anywhere. They might look at the the weakest moments, the very things you edit for TV. You don't control where they look. "
Doug Liman
Moments
Control
Challenge
" I'll just say that there are certain people who continue to be hired in Hollywood, and that leaves me truly shocked. "
Doug Liman
Hollywood
Say
People