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" I got hooked on immersive cinema when I worked on '2001,' which was initially shown on these Cinerama screens, which were all 90 feet wide and deeply curved. "
Douglas Trumbull
Deeply
Wide
Which
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" It's not appropriate to a love story, or - there are a million stories you could think of that don't need 3D. A lot of movies don't even need color! "
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" I'd formed a research and development company under the banner of Paramount Pictures back in about 1975, and its mandate was to explore advanced forms of entertainment, not just movies. "
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" '2001' used a lot of what's called 'front projection.' You project an image onto this giant reflective screen, and the image bounces back and comes back to the lens and seems to be in the background behind the actors. The whole 'dawn of man' sequence in '2001' was projected eight-by-ten photographs of the African savannah. "
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" The technology of the time dictated the way things looked. "
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" I wouldn't apply high frame rates to a love story or a thriller or a film noir or a mystery. "
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" There was every reason to honestly say that 3D was a gimmick. And it's largely true. And it's largely pretty bad. When you put a filter in front of the projector, and you put on your glasses and cut the light in half again, the movies are dim as hell, and they give you headaches and eye strain, and it's terrible. "
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" I think 'Avatar' is much more appropriate to high frame rates because it's like a ride, and it's futuristic, and vividness and sharp edges and clarity would be an asset. "
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" I visited a scientist who had a helmet with magnetic fields controlled by computer sequences that could profoundly affect your mood and your perceptions. "
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Who
Your
Mood
" When I worked on 2001 - which was my first feature film - I was deeply and permanently affected by the notion that a movie could be like a first-person experience. "
Douglas Trumbull
Like
First
Film
" My first job on 2001 was to make all of the HAL readouts: the 16 screens that surround HAL's eyes. "
Douglas Trumbull
Job
Eyes
Surround
" I meet astrophysicists almost every week who say that they went into their line of work because of '2001.' "
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Meet
Work
Week
" There were IBM logos designed for the film, and there were IBM design consultants working with Kubrick on the layout of the controls and computer screens. "
Douglas Trumbull
Logos
Film
Design
" My personal feeling is that ultra-high frame rates and ultra-vivid giant screen movies can be like a window onto reality. And if you recognize it as such, you can write your screenplay, direct your movie, edit it, and present it as a live experience - not like a movie. "
Douglas Trumbull
Experience
Live
Reality
" It was the point where things became much more abstract and less literal than in the bulk of the film, which was hardcore rockets and space and planets - all a fairly straightforward evolution from what I had been doing before. "
Douglas Trumbull
Film
Evolution
Doing
" We're not that far from being able to plant images, memories, and emotional states directly into the brain. "
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Brain
Plant
" I took IMAX public back in the early '90s. "
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Took
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" Working on '2001' was my film school. Stanley Kubrick was my mentor. "
Douglas Trumbull
Film
Kubrick
Mentor
" I learned a lot on '2001.' "
Douglas Trumbull
Lot
Learned
" Every movie presents unusual challenges, and I like solving the problems with a combination of artwork and engineering. "
Douglas Trumbull
Problems
Challenges
Like
" I'm developing some high-frame-rate 3-D processes that are going to be, I hope, indistiguishable from reality. This will be quite an unusual cinematic event - you don't just tell an ordinary story, it's more of a first-person experience where the melodrama doesn't get in the way. Being inside the movie rather than looking at the movie. "
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" There's a consistency in my work that pops up independent of the limitations of the technology. "
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" When I was a young man in school, I used to read science fiction and really liked it. And as I became a young artist, I was filling up my portfolio with alien planets and spacecraft and things like that. "
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" I honestly believe that the next big leap in immersive technology will be very much like Brainstorm. "
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Like
Leap
" I'm fearless when it comes to engineering and motors and gears and pulleys and glass and artwork. "
Douglas Trumbull
Fearless
Engineering
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" IBM was the original contractor for much of the computer interface design on the film. "
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Design
Computer
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" Movies used to be called the 'flicks' because they flickered badly: because 16 or 18 frames a second - which was those hand cranked movies on a single-bladed shutter - was really badly flickering. "
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" I have the deepest respect for Terrence Malick and greatly enjoyed helping him on 'Tree of Life.' I consider him to be a good personal friend and professional contemporary. "
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" There's been a bit of confusion about Showscan. The basic problem was, it was film and it was 70 mm and it was a lot of it, so the negative cost was very high, the print costs were very high, and it also required conversion of the projectors and theaters and a lot of costs. I just couldn't get any traction in the theatrical movie industry to do it. "
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" I like the unknown. That's what Terry Malick has always really liked. He's always looking for the unexpected. "
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Unknown
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" Peter Jackson is a real big hero of mine because he had the nerve to make 'The Hobbit' at 48 frames per second. "
Douglas Trumbull
Hero
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