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" I had no idea I was going to have a career in the theater. I did not plan it. "
Robert Wilson
Career
Idea
No Idea
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" Sometimes, when we're very, very still, we're more aware of movement than when we make a lot of movement outwardly. "
Robert Wilson
Still
Sometimes
Movement
" The reason you work as an artist is to stay open and ask questions. "
Robert Wilson
Reason
Artist
Questions
" What interested me was dance - the way that it was constructed with time-space constructions, and that it was abstract. I always thought: 'Why couldn't theater be that way? Or an opera?' "
Robert Wilson
Always
Me
Thought
" My method is much like choreography. I don't sit at a table. I work in a room with people. "
Robert Wilson
Room
Work
People
" I think people are looking for an alternative to the fast pace of everyday life and entertainment. "
Robert Wilson
Pace
Life
Looking
" New York is very provincial. They're very cut-off; they don't have an awareness of so much that is going on in the world. "
Robert Wilson
Going
Awareness
New
" The French, not the Americans, commissioned 'Einstein on the Beach.' "
Robert Wilson
Commissioned
Beach
French
" In my theater, I'm not trying to change the world. "
Robert Wilson
World
Trying
Change The World
" I start any work the same way. I start a rehearsal with silence. "
Robert Wilson
Work
Same
Way
" I've always been attracted to classic patterns in architecture, music and drama. "
Robert Wilson
Been
Architecture
Always
" My mother was a great typist. She said she loved to type because it gave her time to think. She was a secretary for an insurance company. She was a poor girl; she'd grown up in an orphanage, and she went to a business college - and then worked to put her brothers through school. "
Robert Wilson
Mother
Time
Great
" When I was 12 years old, I went to Natchitoches, La.; it was summer vacation with my family. We visited a plantation, Melrose. And I met an Afro-American woman who was a painter. I already had some idea of what I wanted to do in life, and one of the things that interested me was painting. "
Robert Wilson
Painting
Family
Life
" I think that opera in Europe is 30 years ahead of America. There is a broader range of material presented to the public. They value contemporary opera. "
Robert Wilson
Value
Think
America
" I think it's just my nature. I can't work on one thing. I have to work on many things. "
Robert Wilson
Many
Nature
Just
" When works get too intellectual, they lose their intensity. "
Robert Wilson
Lose
Get
Intellectual
" I think that I've always been a kind of structured person. "
Robert Wilson
Think
Person
Been
" I think by drawing, so I'll draw or diagram everything from a piece of furniture to a stage gesture. I understand things best when they're in graphics, not words. "
Robert Wilson
Think
Words
Best
" Everything in Wagner's work - the music, the acting, the staging - stemmed from the text. Everything served to interpret the text. "
Robert Wilson
Everything
Acting
Work
" I say I like to be alone, yet I am always surrounded by people. "
Robert Wilson
People
Alone
Always
" I don't see much difference between living and working. I think living is a part of my work. People often say, 'How can you work so much?' I don't think about it as work. I think of it as a way to live. "
Robert Wilson
Live
Living
People
" I learned loudness from working with Lou Reed. "
Robert Wilson
Learned
Reed
Working
" Light is architectural. It is sculptural. "
Robert Wilson
Architectural
Sculptural
Light
" Usually in theater, the visual repeats the verbal. The visual dwindles into decoration. But I think with my eyes. For me, the visual is not an afterthought, not an illustration of the text. If it says the same thing as the words, why look? The visual must be so compelling that a deaf man would sit though the performance fascinated. "
Robert Wilson
Man
Words
Think
" Christopher Knowles, Buechner, Heiner Mueller, Burroughs, Chekhov, Shakespeare - it's all one body of work. "
Robert Wilson
Body
Christopher
Work
" I had dinner with Marlene Dietrich in the early 1970s. I went to pick her up and she had someone with her, a dreadful man. He was writing a book about her, and he said to her, 'You're so cold when you perform,' and she said, 'You didn't listen to the voice.' She said the difficulty was to place the voice with the face. "
Robert Wilson
Face
Book
Dinner
" Counterpoint is difficult. I have been doing it since the beginning of my career. But it is not just taking any opposite. It is finding the right opposite. "
Robert Wilson
Finding
Right
Beginning
" I think that in my plays you can come in for 20 minutes and get something out of it. I'd like to do a play that would run for days. I don't think time is that important. Nature doesn't hurry the sky, the changing clouds and sunsets. "
Robert Wilson
Time
Nature
Clouds
" My work has always dealt with a kind of space that allows one to daydream. "
Robert Wilson
Space
Kind
Dealt
" I did a masterclass at the Juilliard and asked the students, 'Can you stand?' 'Sure.' 'Can you walk?' 'Sure.' They couldn't. They had never really thought about it. "
Robert Wilson
Walk
Did
Stand
" Chairs are like sculpture. "
Robert Wilson
Like
Chairs
Sculpture