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" I had two great art teachers at school, but even they tried to tell me it was too hard a world. But that made being an artist even more attractive. "
Cornelia Parker
Me
School
Art
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" Art historical reference is like learning to drive a car - you always know how to drive even though you're not analysing how. "
Cornelia Parker
Drive
Know
Learning
" Maybe it's my Catholic upbringing - I grew up thinking that Armageddon was just around the corner - now I know it is, with global warming and all. I can keep it at bay by doing the work. It's a sort of reverse sympathetic magic. I'm always doing it so it doesn't happen to me. "
Cornelia Parker
Me
Thinking
Work
" People often want the big dramatic works, not the smaller quieter ones, but I don't worry about how it fits together anymore; I just have to do it. I feel compelled to make a work: it's like an itch I have to scratch, and once it's been scratched, it goes away. "
Cornelia Parker
Feel
Big
Together
" I try to avoid the 'art world' as much as possible. It's too much about fads and fashions - who's getting the best prices at auction and things like that. "
Cornelia Parker
Too Much
Art
Best
" I don't particularly look at other artists when I'm working. But references do come into my work intuitively. "
Cornelia Parker
Look
Come
Other
" If it is good enough for Prince William and Kate, why is studying art history not good enough for the masses? "
Cornelia Parker
Good
Why
Art
" To make large, site-specific work as an artist is usually quite tortuous; there are so many boxes you have to tick. "
Cornelia Parker
Large
Artist
Many
" At times, I've been incapacitated by anxiety and unhappiness. You really know what joy is if you have experienced the opposite. "
Cornelia Parker
Been
Anxiety
You
" I always love the court fool in Shakespearean times, in Henry VIII's time. The fool can say all kinds of stuff that the other people can't say, so I'm hoping I might take that role. "
Cornelia Parker
Time
Always
Fool
" Even though people think I am more of a conceptual artist, I am actually very intuitive. For me, it is still a matter of allowing things to naturally rise to the top of my mental pile, and then I make them. "
Cornelia Parker
Me
Artist
Think
" I like the idea of taking three-dimensional objects and making them two-dimensional so that they look like cartoons. "
Cornelia Parker
Idea
Like
Look
" As a working-class girl, receiving free school dinners, I studied art history. Having never had the chance to visit art galleries, I devoured the knowledge, and it has served me well as a practising artist. "
Cornelia Parker
Knowledge
History
School
" I was my father's sidekick, in a way. He was a very dominant, forceful character. "
Cornelia Parker
Way
He
Father
" Our cultural industries are our biggest export, our biggest manufacturing base. Every pound spent on art education brings disproportionately large returns. It's the biggest bang for our buck. If it ain't broke, don't fix it. In fact, the more you put in, the greater the successes for the U.K. economy. "
Cornelia Parker
Art
Fix
You
" Beauty is too easy. Often in my work, I take beautiful objects and do extreme things to them so that they are overlaid with something a bit more sinister and violent. "
Cornelia Parker
Beauty
Work
More
" My mother was German, and I was brought up with 'Struwwelpeter' stories, which are invested with all sorts of horrors waiting for you if you do the wrong thing. "
Cornelia Parker
You
Wrong
Waiting
" Who thought it would be a good idea to undermine art in the school curriculum? Who thought studying the history of our visual culture was a waste of time? Who thought that only private schools should have that privilege? Was it someone who said we don't need experts? "
Cornelia Parker
Art
Time
Need
" My father wanted a boy badly and didn't get one, so I was happy to be the surrogate boy. I was very strong, always doing manual labour. "
Cornelia Parker
Happy
Boy
Strong
" A lot of my work has been about stuff I've been frightened of: cliffs, explosions, meteorites, that kind of stuff. I would have been this trembling blob of fear if I hadn't got into making art, which is a good way of deferring it. "
Cornelia Parker
Fear
Art
Work
" Artists and scientists both think outside the box. They've got to come with genius experiments or ideas to expose the most interesting phenomena. "
Cornelia Parker
Think
Genius
Ideas
" I didn't really know what I was looking at when I first came across Man Ray's 'Dust Breeding,' his photograph of a work by Marcel Duchamp called 'Large Glass.' It looked like an aerial photograph or a view through a microscope. "
Cornelia Parker
Looking
View
Glass
" I am interested in the press and what they do. "
Cornelia Parker
Press
Interested
Am
" My work has threads of ideas from all over the place. I try to crystallise them in something simple and direct that the viewer can then take where they want. "
Cornelia Parker
Work
Place
Want
" I can consciously say I like squashing things because I saw 'Tom and Jerry' films or Charlie Chaplin in 'Modern Times.' That's true. "
Cornelia Parker
True
Like
Say
" I started doing sculpture rather than painting. I was halfway through my degree, and I hadn't really done any introduction courses in sculpture... I'd missed all the technical stuff. I didn't really know how to weld or forge or carve or model. I'd sort of evaded all those technique classes, so I had no technique. "
Cornelia Parker
Sculpture
Painting
Know
" I feel our relationship to life, to the rest of the world, is very tenuous. It feels fleeting. "
Cornelia Parker
World
Feel
Life
" Traditional conceptual art is very dry. "
Cornelia Parker
Conceptual
Traditional
Dry
" That's the problem with working and living in the same space - my studio is downstairs, so I often get distracted by domestic things. "
Cornelia Parker
Working
Problem
Living
" I'd love to do something like put a piece of moon rock on Mars and a piece of Mars on the moon, a sort of reverse archaeology. "
Cornelia Parker
Like
Mars
Something
" You don't have to have angst to be an artist, but it's grist to the mill. If you want to explore the whole emotional spectrum in your work, it helps to have experienced intense emotions. "
Cornelia Parker
You
Your
Artist