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" I like seeing the cameras because it helps visualize how the music people and the movie people teamed up. "
Jonathan Demme
Up
People
Because
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" I had very strong feelings, so the chance to make a film that deals in an imaginative way with stuff you care tremendously about is a real high. It's a really amazing thing to be able to do. "
Jonathan Demme
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Chance
" When Silence of the Lambs did well commercially it was more than anything. My partner Ed Saxon and I were just so relieved that finally we had made a movie that had made some money! "
Jonathan Demme
Partner
More
Money
" I was a sort of rock journalist - whatever that is - in London in the late '60s. "
Jonathan Demme
Journalist
Whatever
Rock
" I remember the Neil Young brand hitting me very hard immediately. He wasn't an acquired taste. I loved him immediately. "
Jonathan Demme
Taste
Loved
Me
" I didn't go to film school so my learning was done out in public and showed up on the screen. "
Jonathan Demme
Up
Go
Film
" 'Neil Young Heart of Gold', that was a valentine to Nashville and country music in the Grand Ole Opry tradition and Hank Williams. "
Jonathan Demme
Music
Country
Gold
" When I saw Justin in 'The Social Network', I became deeply obsessed with the desire to work with him and reached out to Justin. When we met, we talked about a couple of things I was working on that did not come to fruition, but it gave us a meeting. "
Jonathan Demme
Meeting
Working
Work
" I'm of Neil Young's generation. Neil Young's songs have spoken to what it's like to be at least a white male of his generation over the years. Endlessly, he's sung about the stuff that I really care about. He's put into words the feelings that hit you at different transitional moments in life. "
Jonathan Demme
Generation
Words
Moments
" Especially after the Twin Towers, we're so terrified of 'Arabic' people. And talk about stereotypical negative portrayals of people of certain groups, if you look at the portrayal of Arabic people in Hollywood films, it's just appalling. They've always been just the easiest of targets - along with native Africans and what have you. "
Jonathan Demme
Along
Look
Negative
" Documentaries - my God, there is so much going on in our country and in the world today that every time you open the newspaper or turn on the radio or watch the news on TV there is another documentary subject. We're getting the headlines for a second, shaped by corporate delivery most of the time, but what's really the story there? "
Jonathan Demme
Today
Time
You
" I still go out, but not a lot. If I go to see music, it's usually to the Blue Note, jazz clubs, things like that. When I travel, I find out where the jazz clubs are. "
Jonathan Demme
Blue
Find
Jazz
" I felt from time to time that shooting live music is the most purely cinematic thing you can do. Ideally, the cinema is becoming one with the music. There is little artifice involved. There's no acting. I love it. "
Jonathan Demme
Time
Cinema
Live
" I've never fallen into what I consider to be a trap of trying to figure out something analytically that could be a very popular film. I would hope my enthusiasm could match up with something with that potential. "
Jonathan Demme
Enthusiasm
Hope
Up
" I also feel that the only thing more gratifying than working with someone who you've worked well with is working with someone new and coming up with something great. "
Jonathan Demme
Working
Feel
Great
" That is - the use of the subjective camera is an idea that's been around in movies for a long, long time. And it's an idea that was seized on very notably by Sam Fuller and by Alfred Hitchcock in two different very kind of - otherwise very different styles of filmmaking. "
Jonathan Demme
Filmmaking
Time
Movies
" I only work with actors who take full responsibility for their characters. "
Jonathan Demme
Only
Responsibility
Who
" You want the audience to be in the character's shoes. The more deeply into the character's shoes the audience is, the more they're going to care about what's going on. "
Jonathan Demme
Shoes
You
Audience
" As a kid, a little kid, I loved going to the movies, and now I love making movies. "
Jonathan Demme
Movies
Now
Kid
" I adore film, and I adore music. "
Jonathan Demme
Music
Film
Adore
" When my generation, those early days of television - I know I've been thinking about this lately - my two flashes of me as a little boy. One, I'm standing in front of the radio freaking out that Nat King Cole's singing 'Lady of Spain', just this stuff coming out of the radio, and Guy Williams singing 'Wild Horses' coming out of the radio. "
Jonathan Demme
Thinking
Generation
King
" The whole Orion zeitgeist, of treating filmmakers as partners, to me it's inseparable from the success of 'Silence of the Lambs'. "
Jonathan Demme
Partners
Success
Silence
" In early 1983, Gary Goetzman and I went to see my favorite band, the Talking Heads, at the Hollywood Bowl in Los Angeles. The show was like seeing a movie just waiting to be filmed. "
Jonathan Demme
Early
Band
Seeing
" I'm all for streaming, and I do think it's thrilling that a gazillion people can see our film the day it drops. On the other hand, I'm a fierce believer of the theatergoing experience. My hope would be that films can be enjoyed in both ways, that there's room for both. "
Jonathan Demme
Day
Think
Experience
" As much as I love acoustic Neil Young - and I do deeply - I may be more passionate about the electric. Luckily it's not a contest, and we never have to make that choice. But Neil Young on an electric guitar - I feel like I've never seen or heard anything like it. "
Jonathan Demme
Love
Feel
Choice
" I had had no aspirations to be a filmmaker or a writer. "
Jonathan Demme
Aspirations
Had
Filmmaker
" When you're filming, if you can't capture the relationships and interplay, that magical thing that transpires between musicians during a performance, then you're not going to have a deeply interesting film. It's vital. "
Jonathan Demme
You
Musicians
Performance
" The excitement of wading into 'reality' and just finding out what happens - and then the challenge of selecting those things that happened and shaping them in the editing into a narrative that will have appeal and be engaging - is a great, great thrill. "
Jonathan Demme
Challenge
Will
Reality
" I get creeped out by Francis Bacon's paintings, and I can't say exactly why. They're all really disturbing, and there is an almost nimbus-like quality behind some of his frightening characters and stuff. "
Jonathan Demme
Why
Bacon
Say
" All of us who lived outside of New Orleans were horrified and heartbroken by what we saw when Katrina hit, the floods that followed the hurricane that happened. "
Jonathan Demme
New
New Orleans
Us
" Nothing beats a live performance. Nothing. "
Jonathan Demme
Nothing
Performance
Live