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" I like to keep my options open. I'm known for changing my mind. "
Doug Liman
Mind
Changing
Like
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" Trust me: you make a movie about time travel, and you know for a fact humans will never travel through time. The paradoxes that come up just from trying to tell a story with time travel really illuminates the fact that it's impossible. It will never happen. We can barely get through a movie that involves time travel. "
Doug Liman
Trust
Impossible
Story
" On 'Edge of Tomorrow,' we discovered that movie while we were making it. "
Doug Liman
Movie
Edge
Making
" I subscribe to the school that there are no dumb questions. "
Doug Liman
Subscribe
School
Dumb
" 'Mr. and Mrs. Smith' - every scene is from those characters' point of view. They're in literally every scene, very unusual in a big studio film. "
Doug Liman
View
Big
Film
" If you look at my movies, they're pretty densely packed, such that they not only hold up to a second viewing, they're oftentimes better the second time you watch them. So I've always thought about crafting stories that could hold up to multiple viewings, and so VR obviously fits right into that. "
Doug Liman
Look
You
Time
" If you go to a restaurant with Tom Cruise, it's like walking in with Santa Claus. Everybody is in a better mood because he's there. "
Doug Liman
Restaurant
Walking
Mood
" I've made a career of being a contrarian. If I'm going to work with Tom Cruise, it's my instinct to be like, 'Well, I'm going to do the anti-Tom Cruise movie.' "
Doug Liman
Cruise
Going
Like
" I didn't grow up like Quentin Tarantino, watching esoteric art films at the video store. I'd go to the multiplex and see big, mainstream movies, and I'd go, 'I want to make one of those one day.' "
Doug Liman
Movies
Want
Art
" Ultimately, if you look at the characters in my films, you'll see a lot of similarities going all the way back to 'Swingers' with Vince Vaughn's character. "
Doug Liman
See
Look
Back
" There's no reason my films can't work as hard as VR does to hook an audience and never let them go, so I think that that it turns the volume up a little bit on storytelling. The same way when I was doing commercials and then I went and shot 'Go,' and 'Go' has a level of pace that is unlike any of my other movies. "
Doug Liman
Work
Think
Movies
" I'll just say that there are certain people who continue to be hired in Hollywood, and that leaves me truly shocked. "
Doug Liman
Hollywood
Say
People
" I had one scene in 'Invisible' with 12 actors delivering dialog at the same time. "
Doug Liman
Time
Invisible
Same
" Normally in spy movies, the person that the hero deals with is at the centre of power, surrounded by video screens, and they're old and grizzled. I'm no stranger to that dynamic. "
Doug Liman
Power
Hero
Movies
" I'm interested in the kind of anti-establishment ethos that goes with making an independent movie. I like to bring that to studio films - usually to the consternation of the studios. "
Doug Liman
Independent
Ethos
Kind
" I think when the United States of America put a man on the moon in 1969, that was one of the greatest accomplishments mankind has ever done. "
Doug Liman
Done
America
Think
" Finding original source material is not easy, but when something special like 'Edge of Tomorrow' comes along, everybody recognized it. I wasn't swimming against the stream. Warner Brothers immediately supported it, Tom Cruise signed on instantly; Emily Blunt, who was our first choice, signed on immediately. "
Doug Liman
Tomorrow
Finding
Swimming
" When you make a war movie, the other side has to be the enemy. You're making a war movie from the point of view of a soldier fighting it. "
Doug Liman
Fighting
You
War
" For me, the scale of the budget is part of the creative process. 'Swingers' is the movie it is because we made it for exactly the right budget. Had it been made for a higher number, it would not have been as imaginative as we had to make it, given the budget constraints we had. "
Doug Liman
Process
Budget
Creative
" Antiheroes who are sort of honest to themselves are the ones you root for. Like, Barry Seal isn't trying to be anything other than he is. He isn't fooling anybody per se. "
Doug Liman
Trying
Like
You
" When my father would come home from his work at the Senate and talk about the things he could talk about - because a lot of his work was top secret - he would always tell me these stories and laugh. As deadly serious as his work was, he would laugh at the absurdity of it all. "
Doug Liman
Father
Home
Serious
" The beating heart of your story... that's not what shows up in a trailer. The other stuff is what shows up in a trailer, because that's what gets people in to the seats, and that's how studios make their money. "
Doug Liman
People
Money
Heart
" I really have thought about immersive storytelling my whole career, so when I first heard about VR, I was like, 'Oh, this sounds like it's for me.' "
Doug Liman
Thought
Me
Storytelling
" To be a lone filmmaker thousands of miles from home with nobody believing in me, that seems romantic. "
Doug Liman
Romantic
Believing
Home
" The more real I got on 'The Bourne Identity,' the more interesting it got. So 'Fair Game' was the chance to go a few more steps in that direction. In fact, I discovered this whole other world that I had ignored in the 'Bourne' franchise, which is the domestic life of a spy, and how you make the two halves of your life coexist. "
Doug Liman
Life
Chance
Direction
" At the end of the day, the less money you have, the easier it is to make a movie. "
Doug Liman
End Of The Day
Money
End
" I chose 'Mr. & Mrs. Smith' specifically 'cause I had just made 'The Bourne Identity' and made a film that glamorized being an action hero, and I wanted to make the exact opposite. I wanted to make a movie that glamorized maintaining a marriage, and that made the action hero part seem easy and made the marriage part seem hard. "
Doug Liman
Easy
Marriage
Identity
" I've always been interested in giving the audience a first-person experience in my movies. "
Doug Liman
Experience
Giving
Audience
" I went to USC film school, briefly, which is a very traditional film school. "
Doug Liman
Film
School
Which
" I had just come off doing a lot of commercials when I did 'Go,' so a part of the fast pace and efficiency comes from the discipline I had to learn from telling stories in 25-second increments, and that type of discipline is insane. "
Doug Liman
Doing
Efficiency
Fast
" Amazon may be the only studio that's run by people who come out of making independent movies, real hands-on moviemaking. "
Doug Liman
People
Run
Real