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" I'm interested in the kind of anti-establishment ethos that goes with making an independent movie. I like to bring that to studio films - usually to the consternation of the studios. "
Doug Liman
Independent
Ethos
Kind
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" At the end of the day, the less money you have, the easier it is to make a movie. "
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" Sometimes there are films like 'Mr. and Mrs. Smith' which turned out better than it deserved to be, but in the case of 'Edge of Tomorrow,' there was just such enthusiasm from fans. "
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" To be honest, when I started watching VR content, I was mostly disappointed and thought people could do better - not that different from when I set out to make 'Swingers' and thought, 'There's a better way to make an independent film.' Which is why 'Swingers' ended up being so much less expensive than anything like it. "
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" With VR, you are directing in a 360-degree environment. The biggest challenge is that the viewer can look anywhere. They might look at the the weakest moments, the very things you edit for TV. You don't control where they look. "
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" People don't talk about how hard it is to make a movie. Nobody does. Ever. "
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" If you look at my movies, they're pretty densely packed, such that they not only hold up to a second viewing, they're oftentimes better the second time you watch them. So I've always thought about crafting stories that could hold up to multiple viewings, and so VR obviously fits right into that. "
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" Even more than 'Swingers,' 'Go', for me, defines my career. "
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" I've often found, as I did with 'Bourne,' where I was inspired by the events of Iran-Contra when I designed the CIA for the 'Bourne' franchise, that the reality of how things work is usually more compelling than the superficial, made-up version that Hollywood sometimes does. "
Doug Liman
Sometimes
Hollywood
Reality
" Antiheroes who are sort of honest to themselves are the ones you root for. Like, Barry Seal isn't trying to be anything other than he is. He isn't fooling anybody per se. "
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Trying
Like
You
" It causes havoc on set anytime a director wants to go backward rather than forward. "
Doug Liman
Forward
Director
Go
" The system did not want me to make 'Go.' And I sort of stood up to the system and made the movie I wanted to make, and the fact that I did that and I'm proud of the movie means I'm really proud of myself when I look back on that. "
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Look
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" I feel like, Barry Seal, he's pure of heart. "
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He
Heart
I Feel Like
" The beating heart of your story... that's not what shows up in a trailer. The other stuff is what shows up in a trailer, because that's what gets people in to the seats, and that's how studios make their money. "
Doug Liman
People
Money
Heart
" I went to USC film school, briefly, which is a very traditional film school. "
Doug Liman
Film
School
Which
" 'The Wall' is a reaction to 'Edge of Tomorrow,' where I was like, 'I don't need time travel and aliens to take a hero and pin them down in an impossible situation. I can do it in a much simpler way.' And that was 'The Wall.' "
Doug Liman
Tomorrow
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Impossible
" I'm not really in a rush to grow up. "
Doug Liman
Grow
Grow Up
Really
" When I was making 'Bourne Identity,' I wasn't making a dumb action movie like they were expecting it to be. "
Doug Liman
Dumb
Like
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" Flying small airplanes is not like being on airlines. "
Doug Liman
Being
Like
Small
" For me, the scale of the budget is part of the creative process. 'Swingers' is the movie it is because we made it for exactly the right budget. Had it been made for a higher number, it would not have been as imaginative as we had to make it, given the budget constraints we had. "
Doug Liman
Process
Budget
Creative
" The audience has a level of control, when you watch 'Invisible,' that nothing in 2D can give you. The overall climax of the series will work no matter how you get there, and the climax of each episode will work no matter how you get there, but no two viewings of an episode will ever be the same. "
Doug Liman
Work
You
Control
" I like to keep my options open. I'm known for changing my mind. "
Doug Liman
Mind
Changing
Like
" I think that I learned a studio system prefers a sort of professionalism from the director. "
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Director
Think
System
" I do take things away from reading reviews. I think they keep you honest. "
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You
Think
Reading
" I really love the movies of Katherine Hepburn, movies like 'The African Queen.' I love 'Midnight Run' and I suppose, to pick something out of a different genre, I love 'Aliens.' "
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Run
Queen
Like
" 'Mr. and Mrs. Smith' - every scene is from those characters' point of view. They're in literally every scene, very unusual in a big studio film. "
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View
Big
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" I didn't grow up like Quentin Tarantino, watching esoteric art films at the video store. I'd go to the multiplex and see big, mainstream movies, and I'd go, 'I want to make one of those one day.' "
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Movies
Want
Art
" There's a weird intellectual approach to filmmaking, where I pose a question to myself and use the film to try and answer it. "
Doug Liman
Weird
Intellectual
Filmmaking
" I really have thought about immersive storytelling my whole career, so when I first heard about VR, I was like, 'Oh, this sounds like it's for me.' "
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Thought
Me
Storytelling
" I chose 'Mr. & Mrs. Smith' specifically 'cause I had just made 'The Bourne Identity' and made a film that glamorized being an action hero, and I wanted to make the exact opposite. I wanted to make a movie that glamorized maintaining a marriage, and that made the action hero part seem easy and made the marriage part seem hard. "
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Easy
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" The more real I got on 'The Bourne Identity,' the more interesting it got. So 'Fair Game' was the chance to go a few more steps in that direction. In fact, I discovered this whole other world that I had ignored in the 'Bourne' franchise, which is the domestic life of a spy, and how you make the two halves of your life coexist. "
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