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" I see life and the world simply as an arena for competition. That's just what people do, and there are always going to be winners and losers. "
Kerry James Marshall
World
Competition
Life
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" I gave up on the idea of making art a long time ago, because I wanted to know how to make paintings; but once I came to know that, reconsidering the question of what art is returned as a critical issue. "
Kerry James Marshall
Art
Up
Time
" You can't be born in Birmingham, Alabama, in 1955 and grow up in South Central near the Black Panthers headquarters and not feel like you've got some kind of social responsibility. "
Kerry James Marshall
Responsibility
Black
Feel
" If you walk into any magazine store, I guarantee that nine out of 10 covers will feature white, blonde, blue-eyed, slim women because that's still the ideal of beauty. When a black or Asian figure shows up in a fashion magazine, she's the exception, not the rule. "
Kerry James Marshall
You
Women
Walk
" As a black person, I'm used to going to places in which I might be the only black person that shows up there. This experience has an effect on the way you see yourself in the world and what it means to be black in the world. "
Kerry James Marshall
You
Experience
World
" My first black-on-black picture was 'The Portrait of an Artist as a Shadow of His Former Self.' I started using it as an emblem of this undercurrent of wickedness, malevolence, and irony - all of that. "
Kerry James Marshall
Self
Artist
Picture
" Clarity is important. Part of what I'm trying to do with some of these pictures is eliminate as much of the potential, as many kind of readings as people might want to make, as possible. "
Kerry James Marshall
People
Trying
Important
" My ambition was never to make a lot of money. It wasn't to travel around the world. I was really just struggling to make the best pictures I could make. "
Kerry James Marshall
Best
Money
Travel
" When I started, I was aware of using the black as a rhetorical device. It's understanding that black people come in a wide range of colors, but you find instances in a lot of black literature in which the blackness is used as a metaphor. In some places, you can find an extreme blackness used as a descriptive. "
Kerry James Marshall
Black
People
Understanding
" For black people who are really dark - and a lot of black people were averse to be dark skinned - it was believed that you'd be so dark that you couldn't see them at night unless they were smiling or you could see the whites of their eyes. At one time, it was a sharp comic barb that got levelled at some people. "
Kerry James Marshall
Black
Dark
Night
" What you're trying to create is a certain kind of an indispensable presence, where your position in the narrative is not contingent on whether somebody likes you, or somebody knows you, or somebody's a friend, or somebody's being generous to you. "
Kerry James Marshall
Create
Trying
You
" If people keep telling you you can't do a thing, then you need to find a really good reason to continue. If someone tells you you can't do something, how will you know? If someone tells you something is impossible, how will you know? "
Kerry James Marshall
People
Know
You
" I used to always say - and I think a lot of artists think of it this way - that when you see a black figure, the way the critical establishment operated, you can only imagine that figure having a sociological value. They never say the ways in which their aesthetics were equally worthy of consideration. "
Kerry James Marshall
Black
Say
Think
" I try to make work about things that matter. "
Kerry James Marshall
About
Work
Make
" I have been a stalwart advocate for the legacy of Charles White. I have said it so often, it could go without saying. I have always believed that his work should be seen wherever great pictures are collected and made available to art-loving audiences. "
Kerry James Marshall
White
Great
Legacy
" To me, if there is any sort of value added to the accumulation of knowledge over time, then the work of artists should be a reflection of that accumulated value, accumulated knowledge. You have to demonstrate that you have the sophistication to put that into play in the work you're making. "
Kerry James Marshall
Work
Knowledge
Reflection
" There's this idea that many of the attitudes and personality developments in black folks in the diaspora are a consequence of this unresolved trauma. There have been attempts by black artists to try and figure out how to represent that in some kind of way. "
Kerry James Marshall
Kind
Black
Try
" If you ever find yourself on a boat in the middle of the ocean, you look around in every direction and don't see anything. That's a terrifying experience. "
Kerry James Marshall
Look
Yourself
Boat
" In Western Catholicism, darkness was evil. In the colonial and imperial context, dark skin was always weak, powerless, subjugated. If you see these images all the time, they become commonplace, and they no longer become a spectacular or sensational thing. "
Kerry James Marshall
Darkness
You
Time
" You have to recover the capacity to imagine yourself as an ideal and figure out how to project that into the world. "
Kerry James Marshall
World
Yourself
You
" If I go to the museum and see white bodies, black bodies, Asian bodies, Latino bodies, then I will expect to see those things every time I go. That matters a lot. "
Kerry James Marshall
Matters
White
Time
" People don't really want to hear me say this, but a black person who will give a million dollars to the Museum of Modern Art but won't give a million to the Studio Museum in Harlem is simply mistaken. "
Kerry James Marshall
Me
Black
Art
" The lighter the skin, the more acceptable you are. The darker the skin, the more marginalised you become. I want to demonstrate that you can produce beauty in the context of a figure that has that kind of velvety blackness. It can be done. "
Kerry James Marshall
Done
You
Beauty
" The U.S. was founded as a white supremacist nation; that's just what it is. "
Kerry James Marshall
Founded
Nation
White
" What I hope 'Mastry' ends up doing is completely undermining or doing away with the notion that artists are a savant: that they do things that can't be articulated, driven by inner turmoil they don't have access to. "
Kerry James Marshall
Driven
Away
Doing
" Too often, if you look back through the history of representation and you take the work of African-American artists, the work is on such a modest scale that it becomes sort of inconsequential. "
Kerry James Marshall
Look
You
Work
" The National Gallery is the place that means to represent everything that's good and important in art and show what it believes everyone who is a citizen should recognize and engage. "
Kerry James Marshall
Place
Good
Citizen
" A close friend of mine described me as a radical pragmatist. I embrace this no-nonsense distinction wholeheartedly. It is a character trait that matches the sense of myself I've had from as far back as I can remember. I am not one who goes in much for magical thinking. I don't believe in destiny, fate, or things like divine guidance, either. "
Kerry James Marshall
Destiny
I Am
Myself
" The history of political movements in the African diaspora is that the solution to the problem is never in the hands of people who are advancing the movement. I try and operate on my own terms. "
Kerry James Marshall
Problem
Political
History
" Artwork operates on two different levels: On one level, there's artwork as a mode of expressivity, and then there's the other side, where the image is a construction that is meant to engage in a discursive field in order to perform a particular function. "
Kerry James Marshall
Construction
Two
Side
" I don't believe in hope. I believe in action, if I'm an apostle of anything: There are always going to be complications, but to a large degree, everything is in your hands. "
Kerry James Marshall
Hands
Action
Hope